CUBAN PETE

Beverly Simmons and Desi Arnaz

CUBAN PETE (1946). Director: Jean Yarbrough. 

Society woman Mrs. Lindsay (Jacqueline deWit of The Damned Don't Cry), who fancies that she has a voice, wants to hire Desi Arnaz (playing himself) and his band for her radio show. Desi is caring for his little orphaned niece, Brownie (Beverly Simmons), in Cuba and has no desire to go to New York. Ad man Roberts (Don Porter of Youngblood Hawke) has his associate, Ann (Joan Shawlee), fly to Havana to importune Desi to return with her. With the help of his niece, Ann eventually gets her objective, only to learn that Mrs. Lindsay, who has a terrible voice, intends to sing on the radio with his band! Can Ann convince Desi not to return to Cuba on the first plane, and can they prevent Mrs. Lindsay from ever opening her mouth?

Don Porter and Ann Shawlee

Cuban Pete is strictly a showcase for Desi Arnaz, who is spirited and charming in the film, demonstrating that he had ability and charisma long before I Love Lucy. He does a fine rendition of the title tune (which he also sang on Lucy) and a couple of other numbers. Desi has a girl group called the King Sisters, one of whom, Consuela, sets her cap for Roberts. Brownie has a talking parrot which, in an unfunny sequence, causes foolish havoc in a doctor's office. With its weak script, Cuban Pete did nothing to establish Arnaz as a film star. Shawlee had a wide variety of credits as did Porter; both did much TV work later in their careers. Pianist Ethel Smith, playing herself, does a nifty number on the organ. From Universal Pictures. 

Verdict: A likable energetic Desi is about all that saves this. **1/4. 

THE ADVENTURES OF FRANK MERRIWELL

Donald Briggs as Frank Merriwell

THE ADVENTURES OF FRANK MERRIWELL (12-chapter Universal serial/1936). Directors: Clifford Smith; Lew Landers. Colorized version.

Famed college athlete Frank Merriwell (Donald Briggs) is beloved by most of his classmates aside from the jealous and bitter House Peters (House Peters Jr.) Merriwell's father has been missing for two years, but Frank learns of a ring that may lead to a treasure. While Frank and his pals ponder this, an evil man named Daggett (Ben Hewlet), who always wears a weird mask, is out to get the treasure for himself. Frank and a whole host of classmates -- and his girlfriend, Elsie (Jean Rogers of Flash Gordon) -- travel by boat in pursuit of clues to the treasure. They eventually find the gold but it is alternately stolen by and taken back from Daggett and his desperadoes. Along the way Frank and his buddies find themselves in mortal danger ... 

Ben Hewlet as Daggett

Frank Merriwell, whose adventures originally took place around the 1890s, was once a very famous fictional character with dozens of stories detailing his exploits. These translate well to the serial medium, and make use of several good cliffhangers: a train smashes into an uncoupled runaway engine; Frank and Elsie are nearly crushed by a towering tree when it crashes downward; Frank is attacked by an escaped lion at the circus etc. The pace of the serial is generally swift, but there are duller detours showing us stage acts, assorted parties, and the unfunny antics of class cut-up, the dufus Harry (Sumner Getchell). 

John King and Jean Rogers

There is some strange casting in the serial. As mentioned the character of House Peters is played by House Peters, Jr., the son of silent film star House Peters. Other classmates of Merriwell's are also played by the sons of (at the time) well-known actors, including Wallace Reid Jr. and Edward Arnold Jr. However, Frank's best buddy, Bruce, is played by John "Dusty" King, who displays an excellent baritone singing voice and later went on to play the lead in the serial Ace Drummond. Adventures of Frank Merriwell, even when colorized, remains a bit creaky and forgettable, despite a couple of decent moments. The villain in this is utterly colorless. 

Verdict: You may be wishing this was over long before it's over! **1/4. 

THE QUEEN OF TECHNICOLOR: MARIA MONTEZ IN HOLLYWOOD

THE QUEEN OF TECHNICOLOR: MARIA MONTEZ IN HOLLYWOOD. Tom Zimmerman. University Press of Kentucky; 2022. NOTE: This review based on uncorrected galleys. 

Born in the Dominican Republic to a well-heeled family, Maria Montez married a much-older man whom she up and left flat after seven years to pursue her dreams of a career as an actress -- this despite having no discernable talent. Montez lived off a wealthy man's yacht for months, then during her stay in Manhattan managed to secure Bob Hope's agent "Doc" Schnurr. based solely on her looks. She was attractive but had to be carefully photographed, as her features could come off as heavy and unflattering. In general she looks much better in her technicolor movies than she does in still photographs. 

Montez made up so many stories about herself that no one believed her when she claimed to be engaged to a fighter pilot in the British air force -- people assumed he was a fictional entity -- but the man actually existed and did have a relationship with Montez, although they may or may not have been engaged. 

One critic wrote that Montez had "the regality of an
usherette." Once she began actually starring in movies (for a big but still second-string studio, Universal) Montez wanted to be "taken seriously." Her chief attribute when it came to thesping was radiating a haughty superiority, but she was no Hepburn. Refusing to appear in a western that she thought was too similar to her other films, Montez went on suspension even as Yvonne De Carlo replaced her and was groomed, in fact, to be her replacement at the studio. Universal eventually offered her a bone, the lead role in Tangier, but the picture was considered a stinker and those certain qualities that Montez exhibited in her earlier films were missing -- as Zimmerman puts it, she was merely "ordinary." She parted company with Universal and moved to France with her new husband Jean-Pierre Aumont and the two appeared in the terrible Siren of Atlantis. Zimmerman suggests that Montez showed some genuine acting ability in her later independent films, but she was still trading in on her trademark haughtiness. Montez  died in her bathtub at age 39.

Maria

The Queen of Technicolor is not always well-organized, with the earlier chapters jumping back and forth in time and covering the same material more than once as if the book needed to be padded. A chapter on Montez' home front activities during WW2 seems to go on forever. The book improves with the later chapters, but occasionally reads like a fan boy's career study instead of a serious bio, although  Zimmerman has, admirably, done a lot of research. Was Montez a heartless opportunist who got breaks in Hollywood that should have gone to much more talented people, or should she be admired as someone who tenaciously went after her goal and succeeded for a time, although now she is basically a half-forgotten Hollywood footnote? You can decide. In any case, her Arabian Nights is a genuinely good movie. 

Verdict:  For obsessive Maria Montez fans primarily, but also an interesting slice of Hollywood life. ***. 

RAIDERS OF GHOST CITY

Wanda McKay, Joe Sawyer, and Dennis Moore

RAIDERS OF GHOST CITY (13 chapter Universal serial/1944). Directed by Lewis D. Collins and Ray Taylor. 

Near the end of the Civil War an organization of Confederate spies is actually the front for gold thieves operating out of Oro Grande, California. But even these desperadoes are being double-crossed by a couple of Prussian agents who need the gold so that they can buy Alaska! Trying to thwart their efforts is Captain Steve Clark (Dennis Moore) of the U.S. Secret Service, aided by Idaho Jones (Joe Sawyer), a Wells Fargo detective, and Cathy Haines (Wanda McKay), a Wells Fargo county agent. 

Lionel Atwill and Virginia Christine

Their main antagonists are Erich von Rugen (Lionel Atwill of Captain America) and the deliciously ruthless Countess Elsa von Merck (Virginia Christine of Three Brave Men), who doubles as a saloon singer named Trina Dessard. They report to a Count Manfried von Richten (Emmett Vogan of Docks of New Orleans). Regis Toomey is Captain Clay Randolph, a legitimate rebel who doesn't realize what the others are up to and only wants the gold to aid the war effort.

Moore, Christine and Sawyer

Westerns have never been my favorite serial genre, but I must say that Raiders of Ghost City -- the title refers to a ghost town not far from Ora Grande -- has made a believer of me, for this is quite well-made, with an especially flavorful screenplay. In cliffhanger sequences a runaway stage coach falls into a river, and Steve is trapped in a cave with rapidly rising water. Chapter eight features a thrilling, expertly-edited chase scene with an entire gang in pursuit of Idaho. The first and tenth chapters have the best cliffhangers: an uncoupled car begins rolling backwards towards disaster during a frantic fist fight; and Idaho is nearly drawn and quartered by Modoc Indians in a very suspenseful sequence. The four main players are all excellent and the supporting players are well cast. 

Verdict: Very exciting, well-made, and well-played Columbia serial. ***1/4. 

EDGAR G. ULMER: A FILMMAKER AT THE MARGINS

EDGAR G. ULMER: A FILMMAKER AT THE MARGINS. Noah Isenberg. University of California Press; 2014.

This excellent biography of a well-known low-budget filmmaker posits the theory that Ulmer would have been one of the giants of the film industry if he had only had a chance with major studios, bigger budgets and stars, and been a more entrenched part of the Hollywood "scene" he had little use for. Born in the Czech Republic, Ulmer was raised in Vienna and had a much more cultural background than the average studio director. Ulmer was taken under the wing of Universal studio head Carl Laemmle, but was quickly thrown out of favor when he fell for the wife, Shirley, of Laemmle's nephew; Shirley and Ulmer were later married. Umer found himself persona non gratis in Hollywood. Instead of working for the more prestigious Universal or another major studio, Ulmer instead toiled for PRC, where he eventually directed the minor classic Detour, along with other less distinguished pictures. Ulmer did get to direct fading stars such as Hedy Lamarr in The Strange Woman and Victor Mature in Hannibal for other studios. Ulmer also helmed foreign productions, Jewish films, "race" (or all-Black) films, and the famous VD movie Damaged Lives as well as such notable pictures as The Black Cat, Ruthless, The Man from Planet X, Bluebeard, and others. A Filmmaker at the Margins is well-researched and well-written. Although it may not convince everyone of Ulmer's genius, it is a first-class biography.

Verdict: Does right by Ulmer. ***1/2.

TAILSPIN TOMMY

TAILSPIN TOMMY (12 chapter Universal serial/1934). Director: Lew Landers.

Air enthusiast Tommy Tompkins (Maurice Murphy) of Littleville is given the nickname "Tailspin" by an aviatrix named Betty Lou Barnes (Patricia Farr). Proving his ability as a pilot, Tommy gets a job delivering mail by air, and distinguishes himself with his acts of bravery. Wade Taggart (John Davidson) runs a rival company and tries to wipe out Tommy with acts of sabotage. Finally, the young man comes to the attention of Hollywood, who casts him as -- what else? -- a pilot in their aerial adventure film " Midnight Patrol." Based on Hal Forrest's comic strip, this is a kind of creaky old serial but the flying scenes are still fairly exciting, and there are some good cliffhangers involving crashing aircraft, a well-done earthquake, a train hurtling toward a chasm where the bridge has collapsed, and Tommy being dragged behind a plane as he dangles from a rope. The serial temporarily becomes a bit weird with a sequence in which Tommy and Betty Lou find themselves in an old mansion where a mad scientist traps them in a room with electrical dynamos. Noah Beery Jr. [The Three Musketeers] plays Tommy's intellectually challenged friend Skeeter, and others in the cast include William Desmond, Grant Withers, Dennis Moore, and the never-young Walter Brennan in a bit.  Maurice Murphy makes a pleasantly boyish and enthusiastic Tailspin. He had been acting since the age of ten, and amassed 57 credits. Followed by Tailspin Tommy in the Great Air Mystery in which Murphy was replaced by Clark Williams.

Verdict: Not an especially memorable serial but it has points of interest. **1/2.

FLASH GORDON CONQUERS THE UNIVERSE

The wonderful Charles Middleton as Ming the Merciless

FLASH GORDON CONQUERS THE UNIVERSE (12 chapter Universal serial/1940). Directors: Ford Beebe; Ray Taylor.

The third and final Flash Gordon serial has a plague striking earth, leaving purple spots on victims' foreheads. This is caused by Ming (Charles Middleton) the Merciless' "death dust," which Flash (Buster Crabbe)  and his allies, Dale (Carol Hughes) and Zarkov (Frank Shannon), must stop or else. A cure for the death dust is Polarite, which can be found in the frozen kingdom of Frigia on Mongo. Flash has a few allies in the form of Queen Fria (Luli Deste of The Case of the Black Parrot) of Frigia; Prince Barin (Roland Drew of The Invisible Killer) of the medieval kingdom of Arboria; and Ming's daughter, Princess Aura (Shirley Deane). Aura has a handmaiden named Sonja (Anne Gwynne), who is secretly in league with the bad guys -- she and Dale have a "cat fight" in chapter ten. There are some decent cliffhangers, such as Flash falling into a bottomless pit in chapter one; an avalanche in chapter two; and the electrical ray in chapter four. We see more of Mongo's delightful giant lizards, one of whom snacks on a soldier (off-screen) in Ming's army. Crabbe and Shannon could have acted their parts in their sleep by now; Hughes [Meet the Boyfriend] is perhaps not as glamorous as Jean Rogers  but she's spunky enough. Byron Foulger, Roy Barcroft, Tom Steele, and Donald Curtis are also in the cast.

Verdict: Flash Gordon's last gasp, and not a moment too soon. **.

FLASH GORDON'S TRIP TO MARS

Kane Richmond and Buster Crabbe

FLASH GORDON'S TRIP TO MARS (15 chapter Universal serial/1938). Directors: Ford Beebe; Robert F. Hill

When destructive winds buffet the earth causing mass disaster, Flash Gordon (Buster Crabbe) heads to Mongo with Dr. Zarkov (Frank Shannon) and Dale Arden (Jean Rogers), but they discover that a deadly ray is trained on earth from Mars. On Mars, Flash discovers that old adversary Ming the Merciless (Charles Middleton) has joined forces with Azura, Queen of Magic (Beatrice Roberts) -- known as "Her Magnificence" -- who is fond of turning anyone who displeases her into living clay. Flash and company take quite a while, nearly the entire serial, to finally turn off that ray, but along the way we see interesting sets, bridges made out of solid light, cloaks that allow people to fly through the air, and an underground tube through which Flash races in a speedy vehicle. Trick photography, as it used to be called, makes the clay people seem to come out of walls made of the same material (these sequences remind one of the rock people in the later Missile to the Moon) and there's a group of Forest People who are even more threatening. The cliffhangers aren't particularly special in this serial, although there is a disintegrater room sequence in chapter nine. With her hair short and brunette instead of long and blond, Jean Rogers is less of a sex object and comes off braver and more competent than in the original serial, but she doesn't look as hot. Beatrice Roberts [Love Takes Flight] is only acceptable as Azura, but Middleton again steals the show as the marvelous Ming. Flash is such a gentleman that at one point he actually apologizes to Ming: "I'm sorry I have to rough you up, Ming." Huh? Crabbe seems a little bored at times. Jack Mulhall, Anthony Warde and future Spy Smasher Kane Richmond [Haunted Harbor] are also in the cast, with Richmond playing an enemy soldier.

Verdict: Hearty hokum. **1/2.

FLASH GORDON

The "lobster-clawed dragon" has Flash in its clutches

FLASH GORDON (13 chapter Universal serial/1936). Director: Frederick Stephani.

In this serial based on the Alex Raymond "cartoon strip," the earth is threatened by another planet rushing toward it on a path to destruction. Flying to this planet, Mongo, with Professor Zarkov (Frank Shannon) and lovely Dale Arden (Jean Rogers of The Second Woman), Flash Gordon (Buster Crabbe) encounters Emperor Ming (Charles Middleton of The Town Went Wild) and his horny daughter, Aura (Priscilla Lawson). The original menace of two planets colliding is solved right off the bat, but now Flash and his friends have to deal with a variety of friendly and not-so-friendly Mongo inhabitants, as well as giant, man-eating lizards and a terrible fire dragon with lobster-like claws. Ming is also determined to make Dale his bride, while Aura is equally smitten with Flash and hates Dale, whom he prefers. Prince Thun (James Pierce) is king of the lion men while the obese King Vultan (Jack "Tiny" Lipson) rules the winged Hawkmen. (One can't imagine how Vultan would ever be able to get off the ground!) Flabby-armed and pot-bellied Prince Barin (Richard Alexander) claims to be the rightful ruler of Mongo. An "octosac" is merely an octopus that battles a shark (in footage later used in The Beast from 20,00 Fathoms and probably dozens of other films). There are some exciting scenes and death traps in the serial, such as a electric torture device in chapter six, a tank that fills with water and then an octosac; and a splendid, lengthy sword fight between Flash and Barin in chapter eight. The dragon does double-duty, first appearing in chapter two before becoming a fire-breathing variation in a later chapter. It's interesting that the flying ships of Mongo greatly resemble the design of Arkov's own spaceship, but why on earth does the scientist wear hot pants throughout the serial! The acting is more than acceptable, with Crabbe quite good in fact, and Middleton wisely underplaying instead of chewing the scenery as a lesser actor might do. There are interesting sets and some creative art direction, but some of the supporting players may have you scratching your head All told, however, Flash Gordon, despite its variable pleasures, is not that great a serial.

Verdict: A generally fast pace helps put the absurd material over and much of it is fun. **1/2.

PIRATE TREASURE

PIRATE TREASURE (12 chapter Universal serial/1934). Director: Ray Taylor.

Achieving the world's record for a solo flight, Dick Moreland (Richard Talmadge) decides to use the prize money to organize a voyage to search for his pirate ancestor's gold. Unfortunately, others get wind of his notion and try to snatch away the charts that he needs to reach the island in the south seas where the treasure is. Dick has a girlfriend, Dorothy (Lucille Lund), who takes the journey with him along with her father, and there is a nasty female who works with the bad guys named Marge (Beulah Hutton). Pirate Treasure is primitive but occasionally lively, such as a fight on top of a speeding train, a boat that smashes into a buoy, some gators in a lagoon, and an especially suspenseful sequence involving a falling crate in chapter seven. The fisticuffs are far below the Republic level -- everyone just flails their arms like children smacking each other and there is no nifty choreography. The island is full of angry natives. Talmadge's voice is kind of comical, like a German comedian, and hardly heroic-sounding.

Verdict: One of the serials you can probably miss. **.

SEA RAIDERS

SEA RAIDERS (12 chapter Universal serial/1941). Directors: Ford Beebe; John Rawlins.

The Dead End Kids and the Little Tough Guys join forces in this serial to take on a group called the Sea Raiders, who destroy Allied ships. Billy Adams (Billy Halop) and his buddies, including Toby (Huntz Hall) and Bilge (Gabriel Dell), are shanghaied by crooks, encounter the Raiders, and are eventually taken to their island headquarters. Billy has an older brother, square-jawed Tom (John McGuire), who's invented a new kind of torpedo, the plans for which are coveted by Tonjes (Reed Hadley), the leader of the Raiders. There are two women running around, the pretty Leah (Marcia Ralston, who resembles Merle Oberon), and the homely Aggie (Mary Field). One decent cliffhanger has one of the boys caught on a rope that is attached to a whale that's about to dive deep into the ocean, although another sequence features an octopus that doesn't appear to be in the same movie. [The same stock footage of a fight between a shark and an octopus later turned up in The Beast from 20,000 Fathoms.] The serial is hampered by the unfunny and irritating antics of the "kids," and the classical music on the soundtrack, such as The Barber of Seville, is always inappropriate. John McGuire had the lead in Stranger on the Third Floor.

Verdict: One of your lesser cliffhanger serials. **.

THE MYSTERIOUS MR. M

THE MYSTERIOUS MR. M. 13 chapter Universal serial/1946). Directed by Lewis D. Collins and Vernon Keays. 

Anthony Waldron (Edmund MacDonald of Great Guns), who is presumed dead by the police, is holed up in his wealthy grandmother's estate with an evil brother and sister team who are helping him with his plans. Calling himself "the mysterious Mr. M," Waldron uses a drug called hypnotreme to keep the old lady (Virginia Brissac of The Scarlet Clue) compliant and get many others to do his bidding even while he piles up corpses in the river from his experiments. He is particularly interested in getting the plans for a device that will enable submarines to be as large as ocean liners and do more than forty knots an hour. But Waldron and his cronies get a surprise when somebody else calling himself "Mr. M" sends them recordings giving them orders and threatening to tell the cops Waldron is alive if they don't comply with his wishes. As the gang wonders who this new "Mr. M" could be, agent Grant Farrell (Dennis Moore) is on the case, especially after his brother, Jim (William Brooks/Ching), is hypnotized and killed; Farrell is aided by Detective-Lt. Kirby Walsh (Richard Martin) and insurance investigator Shirley Clinton (Pamela Blake of Ghost of Zorro). 

The Mysterious Mr. M is an entertaining and suspenseful serial with Moore in good form as the hero, Waldron suitably gruff, and Jane Randolph [Abbott and Costello Meet Frankenstein] and Danny Morton [The Royal Mounted Rides Again] effective as the nasty brother and sister team. Byron Foulger [The Master Key] scores as Grandmother Waldron's lawyer, who nearly becomes a victim of Mr. M more than once. Memorable sequences include the fight between the Farrell brothers as electricity discharges all around them; a bit with a cigarette lighter that has a dart inside it; a cliffhanger concerning falling high-tension wires; and another in which Grant's car goes hurtling down a high shaft in a parking garage. The best cliffhanger -- one of the best ever, in fact -- has Waldron and Grant struggling on one parachute after they fall out of a plane even as a train races towards them on the ground below, with Grant eventually falling off the chute right into the path of the express!The serial also keeps you guessing as to the true identity of "Mr. M."

Verdict: Universal's very last serial is one of its best. ***.

RADIO PATROL

Rentschler, Hughes, and Withers

RADIO PATROL (12 chapter Universal serial/1937). Directors: Ford Beebe; Clifford Smith.

"He acts like he knows something." -- Policeman Pat, referring to the dog. 

Scientist John Adams (Harry Davenport of Pardon My Past) has invented a formula for flexible steel which could make planes impervious to bullets and have other amazing uses. When Adams is murdered, the chase is on to not only find out who killed him, but keep the formula out of the hands of the bad guys. Cops Pat O'Hara (Grant Withers) and his partner Sam Maloney (Adrian Morris) join up with Adams' young son, Pinky (Mickey Rentschler); Molly Selkirk (Kay or Catherine Hughes), whose brother is at first accused of the Adams' murder; and Pinky's smart-as-a whip and spirited doggie, Irish (Silver Wolf). Bad guys include the sinister Egyptian, Tahata (Frank Lankteen), and slimy entrepreneur W. H. Harrison (Gordon Hart). Early on in the serial there are a couple of good cliffhangers -- Pat nearly winds up in a smelter furnace; and is almost smashed by a crushing door on a hydraulic hinge --  but other than that there's not much to recommend in this comparatively dull cliffhanger. Withers was in The Secret of Treasure Island, Jungle Jim, and other serials. Adrian Morris, sort of a Charles Laughton-lookalike, was the brother of Chester Morris. Beautiful Silver Wolf had only three film appearances. This serial was based on the comic strip of the same name; "Pinky," a youthful protagonist, came from "Pinkerton, Jr.," the original name of the strip. [In the the opening sequence a crime wave occurs and it is noted that the cops need radios in their cars to keep up with the bad guys; otherwise there is no real "radio patrol" in the storyline.] Withers and Morris also appeared together in the terrible serial Fighting Marines.

Verdict: When the dog is the most interesting character -- and actor -- and it isn't a Rin Tin Tin movie, you know you're in trouble. **.

THE ROYAL MOUNTED RIDES AGAIN

Distinctive bad guys:Joe Haworth and Danny Morton

THE ROYAL MOUNTED RIDES AGAIN (13 chapter Universal serial/1945). Directors:Lewis D. Collins; Ray Taylor.

Northwestern Canada at the turn of the century. Mine owner Tom Bailey is murdered by Brad Taggart (Milburn Stone), but his employer Jackson Decker (Addison Richards) becomes the chief suspect. Bailey's daughter, June (Daun Kennedy) comes to town to investigate her father's murder, as do mounties Frenchy Moselle (George Dolenz) and Corporal Wayne Decker (Bill Kennedy) the son of Jackson Decker. Jackson wanted his son to follow in his footsteps and work for his copper mine and other businesses, but Wayne didn't like his father's unethical business practices. Now he's hoping to prove that his father was not mixed up in this murder. Other characters include Madame Misterioso, a fortune teller whose real name is Dillie Clark (Helen Bennett), who is an ally of June's; and colorful codger "Latitude" Bucket (Paul E. Burns) '' -- he's been "everywhere" -- who has a rather surprising secret. The bad buys in this movie are not the usual generic gunsels but have a bit more flavor to them, especially Bunker (Joseph Haworth) with his ingratiatingly insolent manner, and "Dancer" (Danny Morton), with his shiny hair and casual, non-subservient attitude. Milburn Stone is typical of the rather bland actor who makes more of an impression as a villain than as a hero [which he played in The Great Alaskan Mystery and other serials], although he's hardly a Charles Middleton. Robert Armstrong, who also appeared in a number of serials such as The Adventures of the Flying Cadets, plays shady Price, who owns the Yukon Gold tavern, where several scenes take place. Rondo Hatton does nothing for chapter after chapter except sit watching the proceedings and drawing his gun now and then; he has no dialogue. Royal Mounted Rides Again has a fairly good story and a few noteworthy cliffhangers, such as when a huge log is shoved down a chute toward a prone Corporal Decker; a mine car that hurtles down a deep shaft towards the same man; and a bit with a dangling suspension bridge in a rainstorm that has explosives attached to it. Paul Birch (Not of This Earth) appears very briefly as a highwayman. While this is not as slick or snappy as Republic's "Mounted" serials such as King of the Mounties, it is nevertheless entertaining. Apparently stars Bill and Daun Kennedy were neither related nor married to one another. Bill was a busy television actor while Daun had only a few credits to her name. Helen Bennett was also in Lost City of the Jungle.

Verdict: Interesting serial with several flavorful performances and good scenes. ***.

JUNGLE QUEEN

JUNGLE QUEEN (13 chapter Universal serial/1945). Directors: Lewis D. Collins; Ray Taylor.

"They're walking into their graves and don't know it."

In 1939 on the eve of WW II, the Nazis have sent agents to the "dark continent" believing it is a necessary strategy to take over Africa, and are using "Tambosa" as their base of operations. One of the German agents is Dr. Elise Bork (Tala Birell) who runs an experimental farm, and works with another Nazi named Lang (Douglass Dumbrille). On the side of the angels are Bob Eliot (Edward Norris) and his buddy Chuck (Eddie Quillan), who go on a mission to Africa and share a plane with Pamela Courtney (Lois Collier), whom they suspect of being an imposter until they all wind up lost in the jungle after the plane crashes. The Nazis are trying to force control upon the natives, but they are less successful with a weird white queen named Lothel (Ruth Roman), who shows up unannounced  to make pronouncements, give advice to the natives, and rescue the boys and Pamela; Lothel is also impervious to bullets [where the hell she came from is never explained]. Then there's the "Sword of Tangu," which has a supposed secret, and is coveted by some of the characters. This is a fairly ridiculous serial but it's often entertaining, the leads are all competent, and it has everyone from Cyril Delevanti to Cy Kendall [the untalented Charles Laughton] in the supporting cast. Pamela is nearly eaten by hungry gators and mauled by a lion, there's a volcanic eruption that sends buildings and statues toppling, and Bob is pursued by dozens of salivating crocs in a river, nearly falls into a pit of lions, and is subjected with the others to a deadly gas attack. Birell had a notable role in The Monster Maker and Collier was in Flying Disc Man from Mars and many other movies.

 Verdict: For all of its flaws, it's one of the better Universal chapterplays. ***.

JUNGLE JIM (1936)

LEFT TO RIGHT: Rhodes, Brandon, Hatton and Withers

JUNGLE JIM (/12 chapter Universal serial/1937). Directors: Ford Beebe; Clifford Smith.

"I could send you to the whipping post, too." -- The Cobra.

"That's a mistake you would make only once!" -- Shanghai Lil. 

Jungle Jim (Grant Withers), who arrives on the scene warbling a tune (with dubbed voice), is importuned to go into the African jungle to find a missing heiress, one Joan Redmond (Betty Jane Rhodes). There are two things Jim doesn't know: Joan was raised by an evil brother and sister duo known as the Cobra (Henry Brandon) and Shanghai Lil (Evelyn Brent), and is herself known as the Lion Goddess to the natives; and one of her relatives, Bruce Redmond (Bryant Washburn) is also trying to find her so he can kill her off and acquire her inheritance. The Cobra operates out of a castle in the jungle, and aside from manipulating the natives via Joan, his motives and plans seem rather shadowy, but there's not much love lost between him and his sister. Joan's parents were killed during a ship wreck which is depicted in the first chapter, and features the startling sight of a tiger in the state room. [The serial is full of lively shots of beautiful lions, tigers and leopards, and the stock footage is generally well-integrated.] There's a nifty bit with a rope "bridge" -- actually just a cord of rope over a high chasm -- as well as a rock slide following a volcanic eruption, and neat footage of a tiger battling a gator. The acting from the leads is serviceable, but the serial seems full of missed opportunities. Brandon and Brent make an interesting pair of villains, but they really aren't given that much to do, and while this is fairly entertaining at times, it's not really one of the better Columbia chapterplays. Not to be confused with the full-length feature Jungle Jim, with Johnny Weissmuller playing the same role. Based on the Alex Raymond comic strip. Brent made more of an impression in Holt of the Secret Service four years later.

Verdict: If you've seen one jungle ... **1/2.

THE GREEN HORNET STRIKES AGAIN

THE GREEN HORNET STRIKES AGAIN (15 chapter Universal serial/1940). Directors: Ford Beebe; John Rawlins.

This sequel to the first Green Hornet cliffhanger uses the same directors, most of the original cast, but has a new Hornet: Britt Reid and his masked alter ego the Hornet are now played by Warren Hull of Mandrake the Magician. Gordon Jones of the first serial might have had the slight edge, but Hull isn't bad. He also tries to affect a different voice when he tries to speak as the Hornet, but is less effective at it than Jones. The Green Hornet Strikes Again is as episodic as its predecessor, but it's also a more entertaining serial. Anne Nagel is back as "Casey," Reid's secretary, as are Wade Boteler as reporter Michael Axford [who always calls our hero the "Hahnet"] and Keye Luke as Kato. Eddie Acuff plays a new character, a reporter named Lowery. Although the Hornet doesn't know his identity until the very end, the audience is clued in to the fact that the head of the syndicate that has its fingers in many illegal pies -- the building business, oil wells, steel mills, heiresses subject to extortion -- is Boss Crogan (Pierre Watkin, who is effective if comparatively colorless). Roy Barcroft, Nestor Paiva, and possibly Grant Williams are also in the cast in small roles. There are exciting cliffhangers involving a moving bridge, the Hornet's plane being shot down, and a great bit with the Hornet and a hood plunging through the top floor when a building collapses. There's a very effective warehouse fire, as well as a lively fight when some hoodlums attack trucks distributing Reid's paper, the Sentinel. One chapter deals with a steel mill that is secretly making bombs for a foreign government. Jay Michael offers a notable turn as a sneering construction racketeer in chapter 14. The classical music on the soundtrack is sometimes disconcerting. This is definitely one of the better Universal serials.

Verdict: This one has a little more sting. ***.

THE GREEN HORNET (1940)

Gordon Jones and Keye Luke

THE GREEN HORNET (13 chapter Universal serial/1940). Directors: Ford Beebe and Ray Taylor.

Britt Reid (Gordon Jones), who has inherited control of the Sentinel newspaper from his father, wages a war against incredible corruption in his city in the disguise of The Green Hornet. With his faithful butler.chauffeur and action partner Kato (Keye Luke) by his side, the Hornet smashes one racket after another in this episodic serial. The two men ride around in a car called Black Beauty and use a gas gun to put opponents quickly to sleep. The police and many of the crooks believe the Hornet is also a criminal eliminating rivals. Sentinel reporter Michael Axford (Wade Boteler) is one of the Hornet's detractors, convinced he's a bad guy, while Reid's secretary Lenore Case (Anne Nagel) insists that the Hornet is a true hero -- neither has any idea that they're working for the very fellow they're arguing about. There are protection rackets, flight school insurance scams where students are deliberately killed for insurance [an especially heartless business], and other nefarious schemes, headed by a guy named Monroe (Cy Kendall) who spends most of his time sitting behind a desk and -- judging from his size -- eating; he is a colorless antagonist. There are no great Republic-type fist fights [this would have been an even better serial had it been made for Republic studios instead of Universal] but there are some lively scenes, including a bit with a runaway bus, and some thrilling business involving an uncoupled train. Jones and Luke are excellent, with the former affecting a more dramatic voice when he puts on the mask of the Hornet [some sources say the Hornet's voice was actually supplied by Al Hodge, who played the character on the radio, but he is uncredited]. Boteler is amusing in his exasperation, and Nagel [The Secret Code] -- although not beautiful in the conventional Hollywood sense -- classes up this production as she does so many others. Alan Ladd and Anne Gwynne [Honeymoon Deferred] have bit parts. Ann Doran [The Man They Could Not Hang, among many others] plays a woman who pretends to be the dead men's fiancee in the flight school chapter. Gene Rizzi makes an impression as one of the mobsters.[NOTE: The Green Hornet first appeared on the radio, then appeared in comic books [as he still does today] then was made into two serials, a TV show, and finally a dreadful Hollywood feature film.

Verdict: More than acceptable serial fun; much better than the 2011 Hollywood version. ***.

THE VANISHING SHADOW

Ada Ince with affectionate robot

THE VANISHING SHADOW (12 chapter Universal serial/1934). Director: Louis Friedlander [Lew Landers].

Stanley Stanfield (Onslow Stevens), the son of a man ruined by the wicked Ward Barnett (Walter Miller) finds himself an unexpected ally in the person of Barnett's daughter, Gloria (Ada Ince), who strongly disapproves of her father's activities and hopes to reform him. Fat chance. In the meantime Stanfield -- whom Barnett has framed for murder -- has another ally in weird Professor Van Dorn (James Durkin) who has invented a machine that can make a man vanish, leaving behind only his shadow [hence, the "vanishing shadow"]. Virtually the entire cast disappears using this device at one point or another. Van Dorn has also invented a death ray that can zap plants, buildings and people, and a big robot that runs wild and is almost as much of a threat as the bad guys. There are some lively fist fights in this, and exciting cliffhangers as well: a car is smashed by a train; the death ray runs amok; Gloria walks into an electro-field; and so on. The Vanishing Shadow is not badly acted [look for Lee J. Cobb in a small role] and is a fun if very silly serial.

Verdict: Enjoyable hokum. ***.

LOST CITY OF THE JUNGLE

LOST CITY OF THE JUNGLE (13 chapter Universal serial/1946). Directors: Lewis D. Collins; Ray Taylor.

Rod Stanton (Russell Hayden), an agent for the United Peace Foundation, is after a sinister figure, Sir Eric Hazarius (Lionel Atwill), who faked his own death and is calling himself "Jeffrey London." In Zalabar, the capital of Pendrang in the Himalayas, Dr. Elmore (John Eldredge) is working with London, unaware of his true identity. His daughter Marjorie (Jane Adams) has come to Zalabar to find her father. Nothing goes on in town without the say so of Indira (Helen Bennett), who at first seeks an alliance with London/Azarius, and seems to switch sides throughout the serial. Rounding out the cast of characters is agent Tal Shan (Keye Luke); Doc Harris (Ted Hecht), the casino owner; and a British gambler named "System" (Arthur Space, who was the villain in Panther Girl of the Kongo). There's a lot of talk of a Supersonic Wave Device made from "the most powerful radioactive element in the world," as well as treasure in a lost city with a statue of the Golden Goddess in the Cave of Eternal Sun. In other words, Lost City of the Jungle has practically everything in it but the proverbial kitchen sink. There are some effective cliffhangers involving earthquakes, fire pits, a gas-in-a-tomb death trap; and a guillotine held up by a rope that's rapidly burning. Good use of dramatic stock footage and an interesting score, as well. Hayden appeared mostly in westerns before and after this serial. Adams was Vicki Vale in the serial Batman and Robin; as an actress she had little oomph. Bennett had only a few credits to her name. 

Verdict: Definitely one of the more entertaining Universal serials. ***.