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| Companions in nightmare: Ann Savage and Tom Neal |
Al Roberts (Tom Neal) is a talented pianist with Carnegie Hall aspirations who instead tickles the ivories in a cheap nightclub. His girlfriend, Sue (Claudia Drake), sings at the same club and is sick of her life and the way they are both going nowhere. Sue decides to postpone her marriage to Al and move to California, and a heartsick Al makes up his mind to follow her there by hitchhiking. Unfortunately, Al's life takes a sharp turn for the worse when he encounters two people on the highway: Charles Haskell Jr. (Edmund MacDonald of The Mysterious Mr. M), who offers him a lift but carries a lot of secrets; and Vera (Ann Savage), another hitchhiker who proves more than a match for any man. When Al first meets Vera he thinks she has "a beauty that's almost homely because it's so real." Vera wants to get the basically decent Al involved in a crooked scheme and blackmails him, and he can't see any way out ... Detour is a fascinating bit of low-budget film noir that moves swiftly and features two terrific lead performances (as well as an adept if small supporting cast). Neal is intense and anguished, a poor slob who only wants his gal and a decent life and doesn't know how to extricate himself from a difficult situation. Savage is so hard-boiled that she borders on caricature, but her performance is skillful and vicious, full of nuance, and works every step of the way, whether she's literally spitting out an insult at Al or purring at him in a way she imagines is sexy. Leo Ordody's score makes good use of the songs "I'm Always Chasing Rainbows" (from Chopin) -- which is especially appropriate -- and "I Can't Believe That You're In Love With Me." Detour is well-directed by Ulmer, who makes the most of a limited PRC budget, The film is almost constantly narrated by the hero, but somehow it is not that intrusive. Martin Goldsmith's screenplay is full of good dialogue and interesting observations. I doubt if either Neal [Bruce Gentry] or Savage [Apology for Murder] ever had another part as good.
Verdict: PRC's finest hour? ***.
2 comments:
This is one I have heard and read about often, so I need to see.
Ulmer certainly did have a varied career...In a way I miss the old studio system with their repertory company of actors, writers and directors. They all got to work steadily and hone their craft...today everyone freelances and every film project is life or death...the studios used to be a creative workshop as well as Dream Factory...
-C
Good points, Chris. And "Detour" is that rare occasion when director, cast, script, and even the studio all blended the elements together and came up with a minor classic.
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