THE VAMPIRE'S GHOST

Charles Gordon, John Abbott, Adele Mara

THE VAMPIRE'S GHOST (1945). Director: Lesley Selander. Colorized.

In the village of Bokunda in Africa, dead bodies are turning up partially drained of blood. The natives believe a vampire is on the loose, something which is scoffed at by Father Gilchrist (Grant Withers of Jungle Jim), as well as Roy Hendrick (Charles Gordon), his girlfriend, Julie (Peggy Stewart), and her father Thomas (Emmett Vogan of Hop Harrigan). On an expedition to a nearby village, tavern owner Webb Fallon (John Abbott of Deception) puts a spell on Roy and reveals that he is four-hundred years old and fond of drinking blood. As more murders occur, Fallon develops an overwhelming "fondess" for Julie, whom he hopes to make one of the Undead to ease his loneliness. Will Roy be able to shrug off the mind control and save his lover? 

John Abbott as the unlikely vampire

The Vampire's Ghost -- there is actually no ghost in the picture -- is a cheap Republic horror film that has some well-staged sequences (a night time attack on gambler Roy Barcroft, for instance) but is overall mediocre. In motion pictures vampires tend to be frightening and/or romantic figures, but the funny-lookin' John Abbott more often played comical or weaselly roles. However, Abbott is a good enough actor to be entirely credible as the sinister Fallon. Republic contract player Charles Gordon, who only made ten pictures, is effective as Roy, who doesn't seem much of a match for Fallon. Peggy Stewart, and Adele Mara as the ill-fated dancer Lisa, are also good. Grant Withers and Roy Barcroft, old standbys in classic serials, go through their paces with panache, especially Barcroft. The conclusion at a jungle temple devoted to a long-gone cult of evil is so drawn out that the film, which is less than an hour long, temporarily seems interminable. Lesley Selander also directed the serial Jungle Raiders. 

Verdict: Worth seeing just once. **1/2. 

RAIDERS OF GHOST CITY

Wanda McKay, Joe Sawyer, and Dennis Moore

RAIDERS OF GHOST CITY (13 chapter Universal serial/1944). Directed by Lewis D. Collins and Ray Taylor. 

Near the end of the Civil War an organization of Confederate spies is actually the front for gold thieves operating out of Oro Grande, California. But even these desperadoes are being double-crossed by a couple of Prussian agents who need the gold so that they can buy Alaska! Trying to thwart their efforts is Captain Steve Clark (Dennis Moore) of the U.S. Secret Service, aided by Idaho Jones (Joe Sawyer), a Wells Fargo detective, and Cathy Haines (Wanda McKay), a Wells Fargo county agent. 

Lionel Atwill and Virginia Christine

Their main antagonists are Erich von Rugen (Lionel Atwill of Captain America) and the deliciously ruthless Countess Elsa von Merck (Virginia Christine of Three Brave Men), who doubles as a saloon singer named Trina Dessard. They report to a Count Manfried von Richten (Emmett Vogan of Docks of New Orleans). Regis Toomey is Captain Clay Randolph, a legitimate rebel who doesn't realize what the others are up to and only wants the gold to aid the war effort.

Moore, Christine and Sawyer

Westerns have never been my favorite serial genre, but I must say that Raiders of Ghost City -- the title refers to a ghost town not far from Ora Grande -- has made a believer of me, for this is quite well-made, with an especially flavorful screenplay. In cliffhanger sequences a runaway stage coach falls into a river, and Steve is trapped in a cave with rapidly rising water. Chapter eight features a thrilling, expertly-edited chase scene with an entire gang in pursuit of Idaho. The first and tenth chapters have the best cliffhangers: an uncoupled car begins rolling backwards towards disaster during a frantic fist fight; and Idaho is nearly drawn and quartered by Modoc Indians in a very suspenseful sequence. The four main players are all excellent and the supporting players are well cast. 

Verdict: Very exciting, well-made, and well-played Columbia serial. ***1/4. 

DOCKS OF NEW ORLEANS

John Gallaudet and Roland Winters

DOCKS OF NEW ORLEANS (1948). Director: Derwin Abrahams.

Simon LaFontanne (Boyd Irwin of The Invisible Killer) comes to Charlie Chan (Roland Winters) for help when he fears for his life. Watch out -- whenever someone comes to Chan or any other Great Fictional Detective afraid they'll be killed, you know their hours are numbered! Sure enough, LaFontanne is killed by poison gas in his own office. Suspects include the bitter chemist Oscar Swenstrom (Harry Hayden); LaFontanne's partners in the chemical syndicate, Von Scherbe (Stanley Andrews) and Castanaro (Emmett Vogan); the officer manager, Thompson (Rory Mallinson); and the mysterious Countess Aguirre (Carol Forman) and her sinister associates, Grock (Douglas Fowler) among them. Chan is assisted in the case by Capt. Pete McNally (John Gallaudet), who is involved with the victim's niece, Rene (Virginia Dale). If there's anything wrong with the film, it's that it's essentially a remake of the first Mr. Wong [!] movie, Mr. Wong, Detective, and even has the same killer [with a minor added twist]. Mantan Moreland and Victor Sen Yung are along for the ride, and we even have Birminghan Brown's cousin, Mobile Jones (Haywood Jones), although their antics are kept to a minimum. Roland Winters seems less Oriental than Toler and Oland, but he's quite effective as Chan. Of the rest of the cast, the best impression is made by Carol Forman of The Black Widow.

Verdict: Okay if it hadn't been recycled. **.

THE LADY CONFESSES

Hugh Beaumont

THE LADY CONFESSES (1945). Director: Sam Newfield.

"I don't know what there is about the guy but he just sends me."

Vicki McGuire (Mary Beth Hughes) is looking forward to her wedding to Larry Craig (Hugh Beaumont), when who should show up but Larry's wife, Norma (Barbara Slater), who's been missing for seven years. While this causes a complication, it gets even worse for the couple when Norma is murdered and they become the chief suspects. But there's also nightclub owner Lucky Brandon (Edmund MacDonald), who may have been involved with Norma, and singer Lucille (Claudia Drake), who's carrying a torch for Lucky and may have been jealous of the dead woman. And what about Marge (Carol Andrews), the lady who photographs the customers, or Steve (Dewy Robinson), the bartender? Vicki decides to go undercover at the club to discover who may be keeping secrets, while Captain Brown (Emmett Vogan) conducts an official investigation. Beaumont was best-known for playing the mild-mannered father on Leave It to Beaver, but he could play different kinds of roles when required, such as detective Mike Shayne in several movies also directed by Newfield. In this he first appears doing a convincing drunk act, and has a very different personality from Ward Cleaver. This is a not bad "B" mystery with a good cast and an ending that you may not see coming. Newfield also directed The Lost Continent among many other "B's." Hughes, who also appeared in The Cowboy and the Blonde, was not a bad actress.

Verdict: Ward Cleaver on a bender. **1/2.