THE CHANCE OF A LIFETIME

Chester Morris and George E. Stone as Boston and "Runt"

THE CHANCE OF A LIFETIME (1943). Director: William Castle.

"You've seen too many bad movies, Boston." -- Nails Blanton.

Ex-con and adventurer Boston Blackie (Chester Morris of Red-Headed Woman) importunes the prison board to release several men -- none of whom are what he terms "habitual criminals" -- so they can aid the war effort. Twelve of these test cases get jobs in a factory owned by Arthur Manleder (Lloyd Corrigan) and move in to Boston's apparently spacious apartment. Unfortunately, one of these men, Dooley Watson (Erik Rolf), is allowed to see his wife and child and uses the opportunity to try to get some money he stole years before. Also covetous of the money is Nails Blanton (Douglas Fowley of Behind Locked Doors), leading to a gun battle and Boston being accused of murder. Naturally Boston escapes from Inspector Farraday (Richard Lane) -- there's a good scene when he and his sidekick, the Runt (George E. Stone). descend in a dumb waiter as part of their getaway -- and later the two dress in drag to take the place of two inebriated scrub women (one of whom is Maude Eburne) to get at a safe in police HQ. An unusual feature of the flick is that aside from Dooley Watson's wife (Jeanne Bates of The Phantom) and Nail's briefly-seen, unnamed moll, there are no women in the film for Boston to dally with. Corpulent Cy Kendall, also briefly-seen, shows up as a character appropriately named Jumbo. The Chance of a Lifetime has an interesting premise but the film itself is tedious. As everything is spelled out for you in TV episode fashion, this has no surprises and hence little suspense.

Verdict: Sometimes the Boston Blackie movies work; sometime not. **.

TARZAN'S NEW YORK ADVENTURE

The amazing Cheetah

TARZAN'S NEW YORK ADVENTURE (1942). Director: Richard Thorpe.

Hunter Buck Rand (Charles Bickford of Anna Christie) and his associates Jimmie (Paul Kelly of Zeigfeld Girl) and Manchester (Chill Wills) are in the Congo trying to capture lions for a circus. Naturally Tarzan (Johnny Weissmuller) objects to this, but Boy (Johnny Sheffield) is fascinated by their plane. Buck is fascinated himself when he observes how Boy can make a pack of elephants do whatever he wishes. After it appears that Tarzan and Jane (Maureen O'Sullivan) have been killed in a fire, Buck takes Boy back to New York with him. But when Tarzan finds out his son is gone ... Tarzan's New York Adventure is a very entertaining Tarzan film even though it goes far, far afield from Edgar Rice Burroughs' original conception. In this film Tarzan is so stupid that he takes a shower before taking off his one good suit (which dries off in miraculous time). In the novels, Tarzan had his savage side when it was called for, but he wasn't a monosyllabic and unsophisticated dummy. The stupidest moment in this movie occurs when Tarzan gives out with his famous yell and Jane says" Good heavens -- what's that?" even though she's heard it hundreds of times. Burroughs gave Tarzan and Jane a biological son who was named Jack, and later became known as "Korak" -- the boy in this movie is an orphan. Despite all this, the movie is a lot of fun. Cheetah has so much to do in the movie that it could almost be re-titled Cheetah's New York Adventure; you certainly hear her cackle that fabricated hyena laugh often enough. The chimp's special moments include her encounter with a water cooler, and her putting a trio of elephants through their paces as if she were an orchestra leader. The pachyderms are also amazing as Boy has them put on a show for the trio from New York. The actors in this are all good, with an uncredited Mantan Moreland having a couple of good moments reacting to Cheetah on the other end of the telephone. Virginia Grey is also fine as a nightclub singer who helps Tarzan and his mate find Boy. Cy Kendall, fatter than ever, plays the head of the circus. Sidney Wagner's photography, especially those striking shots of New York, is outstanding. This was O'Sullivan's last appearance as Jane, but Weissmuller and Sheffield had a few more pictures to go. Followed by Tarzan Triumphs.

Verdict: Highly improbable but also highly enjoyable Tarzan movie. ***.

AFTER MIDNIGHT WITH BOSTON BLACKIE

Al Hill (?) and Chester Morris

AFTER MIDNIGHT WITH BOSTON BLACKIE (1943). Director: Lew Landers.

"Diamond" Ed Barnaby (Walter Baldwin) gets out a jail and reunites with his grown daughter, Betty (Ann Savage of What a Woman), and tells her he has some diamonds set aside for her future. He tries to leave town for his own protection but is murdered before he can do so. Betty comes to Ed's old friend Boston Blackie (Chester Morris) for help, which he is eager to provide. Boston tries to find the diamonds, discover who murdered Ed, protect his daughter, and stay out of the way of Inspector Farraday (Richard Lane) and his associate Mathews (Walter Sande), who still think Boston is some kind of hoodlum despite many evidences to the contrary. Cy Kendall is competent but typically uninteresting as an obese crime lord. Dick Elliott [Up in the Air] and Lloyd Corrigan are also in the cast. A sub-plot has Boston's pal, the Runt (George E. Stone) engaged to a bubble dancer, Dixie Rose Blossom (Jan Buckingham), whose wedding keeps being interrupted.

Verdict: A standard, mildly entertaining BB adventure. **1/2 out of 4.

ALIAS BOSTON BLACKIE

Chester Morris and Richard Lane

ALIAS BOSTON BLACKIE (1942). Director: Lew Landers.

Boston Blackie (Chester Morris) is at a prison putting on a Christmas show for inmates when he encounters Eve (Adele Mara of Back from Eternity), the desperate sister of convict Joe Trilby (Larry Parks.)  Joe insists that he was framed by two men, and contrives a way to escape from prison so he can get his revenge upon them. Boston, in the meantime, tries to catch up with Joe to prevent him from committing murder, even as Inspector Farraday (Richard Lane) tries to catch up with both of them. Boston holds a gun on a cop, locks him in a closet, impersonates a police officer, and so on, but somehow when everything is neatly resolved Farraday never presses charges on Boston, a man he's never trusted and always wants to arrest. Morris is fine, but the best performances come from Larry Parks [The Boogie Man Will Get You] and Paul Fix [The Bad Seed] as the cabbie, Cavarone. Cy Kendall gives one of his better performances in this.

Verdict: Ok BB entry. **1/2.

ANDY HARDY MEETS DEBUTANTE

Andy meets the fowl Mrs. Fowler (Marjorie Gateson)

ANDY HARDY MEETS DEBUTANTE (1940). Director: George B. Seitz.

"Who was it who said only last Sunday that the epistles were the wives of the apostles?" -- Polly Benedict to Andy.

Andy Hardy (Mickey Rooney), who works on the high school paper, has a massive crush on a New York debutante named Daphne (Diana Lewis). Andy has implied to everyone that he actually knows the young lady, so when it develops that he's going to visit New York for some of his father's (Lewis Stone) legal business, he is importuned to have his picture taken with her. Andy tries his best to get to know Daphne, but in an infuriating scene he is ever-so-gently shown the door by her terribly condescending mother (Marjorie Gateson of Lily Turner), who thinks he's just not their kind. Still contriving to meet Daphne, Andy goes to the veddy fashionable Club Sirocco with only eight dollars in his pocket, then orders the "special" -- starting off with caviar! In the meantime Betsy Booth (Judy Garland), who's had a crush on Andy ever since Love Finds Andy Hardy, gets some help in that department from -- who else? -- her old friend Daphne Fowler. [Talk about fantasies!] Humiliated by his experience in the Sirocco, Andy becomes deeply depressed that he's not good enough for society, and tells his father -- who tries to wake him up -- that "he's just a small-town judge that nobody's ever heard of." His father has his own troubles when he takes on New York lawyers in a case involving an estate versus an orphanage and is (temporarily) blown off. Naturally everything works out in the end. Andy Hardy Meets Debutante -- the "a" is missing from the title because it's meant to sound like a newspaper headline -- is another irresistible Hardy picture, with Mickey Rooney and Garland in top form, and a swell supporting cast. Garland does a semi-comical version of "Alone" [from A Night at the Opera]; Beezy (George Breakston) is still dating Cynthia (although Lana Turner is not seen]; and the little orphan boy, Francis (Clyde Willson) is adorable. Cy Kendall [Borrowing Trouble] plays the owner of the Sirocco and is adequate.

Verdict: Can't beat Rooney and Garland. ***.

CHARLIE CHAN IN THE CHINESE CAT

Sidney Toler and Benson Fong

CHARLIE CHAN IN THE CHINESE CAT (aka The Chinese Cat/1944). Director: Phil Rosen.

"One Chan at a time is enough! No more murders for me!' -- Birmingham Brown.

Six months after the police are stumped by a "locked room" murder in which Thomas Manning is found shot, a work of fiction, "Murder by Madame," comes out which puts the blame on the widow, Mrs. Manning (Betty Blythe of A Fig Leaf for Eve). It appears that the woman's first husband died mysteriously as well, but this sub-plot is dropped early on. Mrs. Manning's daughter, Leah Manning (Joan Woodbury), who apparently took her stepfather's name, importunes Charlie Chan (Sidney Toler) to finally solve the case and remove the cloud of suspicion over her mother. Charlie also makes a bet with the novelist, Recknik (Ian Keith of Cleopatra) as to whether or not the detective will come up with a new solution. There's a hidden staircase (which makes you wonder why anyone considered it a "locked room" puzzle); gems secreted inside cat statues with hidden compartments; and a climax inside a fun house on a pier. Alas, the one thing this movie doesn't have is any real suspense. While different and not as lovable as Victor Sen Yung, Benson Fong is quite good as Tommy Chan. Birmingham Brown (Mantan Moreland), now a Yellow cab man in New York, gets in on the action whether he wants to or not. Detective Harvey Dennis (Walden Heyburn) happens to be Leah Manning's boyfriend, and the ever-mediocre Cy Kendall is the late Manning's business partner, Webster Deacon. John Davidson [The Perils of Pauline] plays creepy-looking twins.

Verdict: Fairly standard Chan picture is not one of the better ones. **.

MEET THE BOYFRIEND

Pretty as a picture: Carol Hughes

MEET THE BOYFRIEND (1937). Director: Ralph Staub.

Radio crooner Tony Page (David Carlyle) is "America's boyfriend," but his manager, J. Ardmore Potts (Andrew Tombes), is horrified at the thought that he might marry aspiring Swedish actress Vilma Vlare (Gwili Andre). Potts wants an insurance firm to pay him a huge sum if Page gets married, so the daughter, June (Carol Hughes), of the firm's owner determines to break up the romance between Tony and Vilma. This all leads to the expected complications along with a kidnapping and certain romantic misadventures, none of which are especially amusing. "David Carlyle," who plays Tony, is actually Robert Paige, who appeared in plenty of these semi-musical movies as well as Flying G-Men, Son of Dracula, and Fired Wife. He has a nice voice. Pert Kelton almost steals the picture as Pott's wife and is the funniest thing in the movie. Hughes [Jungle Raiders] is pretty, charming, and adept -- she also played Dale Arden in Flash Gordon Conquers the Universe -- and Paige is fine as well. Cy Kendall is also in the film, as well as Warren Hymer,

Verdict: Ho-hum comedy with songs. **.

SAFETY IN NUMBERS [JONES FAMILY]

Lucy is comforted by her mother 

SAFETY IN NUMBERS (1938). Director: Malcolm St. Clair.

Mrs. Jones (Spring Byington) wins a radio contest as "best mother" after daughter Lucy (June Carlson) pens an essay about her. Meanwhile Major Jones (Jed Prouty) is nearly hornswoggled by some folks who say the town swamp contains mineral water with miraculous properties and want money to build a health spa on the site. On the romantic front, Jack (Kenneth Howell) falls seriously for a gal, Toni (Iva Stewart), who is already engaged to another, a situation which doesn't thrill her mother (Helen Freeman). The title comes from a speech Mrs. Jones has in which she mentions that the advantage of large families is that if one member is sad or in trouble, the others can pitch in and help -- there's safety in numbers. Robert Lowery [Batman and Robin] has a small role as a radio show host, and Cy Kendall is again the portly Chief of Police. Followed by The Jones Family in Hollywood.

Verdict: More than acceptable entry in the Jones Family series. **1/2

JUNGLE QUEEN

JUNGLE QUEEN (13 chapter Universal serial/1945). Directors: Lewis D. Collins; Ray Taylor.

"They're walking into their graves and don't know it."

In 1939 on the eve of WW II, the Nazis have sent agents to the "dark continent" believing it is a necessary strategy to take over Africa, and are using "Tambosa" as their base of operations. One of the German agents is Dr. Elise Bork (Tala Birell) who runs an experimental farm, and works with another Nazi named Lang (Douglass Dumbrille). On the side of the angels are Bob Eliot (Edward Norris) and his buddy Chuck (Eddie Quillan), who go on a mission to Africa and share a plane with Pamela Courtney (Lois Collier), whom they suspect of being an imposter until they all wind up lost in the jungle after the plane crashes. The Nazis are trying to force control upon the natives, but they are less successful with a weird white queen named Lothel (Ruth Roman), who shows up unannounced  to make pronouncements, give advice to the natives, and rescue the boys and Pamela; Lothel is also impervious to bullets [where the hell she came from is never explained]. Then there's the "Sword of Tangu," which has a supposed secret, and is coveted by some of the characters. This is a fairly ridiculous serial but it's often entertaining, the leads are all competent, and it has everyone from Cyril Delevanti to Cy Kendall [the untalented Charles Laughton] in the supporting cast. Pamela is nearly eaten by hungry gators and mauled by a lion, there's a volcanic eruption that sends buildings and statues toppling, and Bob is pursued by dozens of salivating crocs in a river, nearly falls into a pit of lions, and is subjected with the others to a deadly gas attack. Birell had a notable role in The Monster Maker and Collier was in Flying Disc Man from Mars and many other movies.

 Verdict: For all of its flaws, it's one of the better Universal chapterplays. ***.

THE GREEN HORNET (1940)

Gordon Jones and Keye Luke

THE GREEN HORNET (13 chapter Universal serial/1940). Directors: Ford Beebe and Ray Taylor.

Britt Reid (Gordon Jones), who has inherited control of the Sentinel newspaper from his father, wages a war against incredible corruption in his city in the disguise of The Green Hornet. With his faithful butler.chauffeur and action partner Kato (Keye Luke) by his side, the Hornet smashes one racket after another in this episodic serial. The two men ride around in a car called Black Beauty and use a gas gun to put opponents quickly to sleep. The police and many of the crooks believe the Hornet is also a criminal eliminating rivals. Sentinel reporter Michael Axford (Wade Boteler) is one of the Hornet's detractors, convinced he's a bad guy, while Reid's secretary Lenore Case (Anne Nagel) insists that the Hornet is a true hero -- neither has any idea that they're working for the very fellow they're arguing about. There are protection rackets, flight school insurance scams where students are deliberately killed for insurance [an especially heartless business], and other nefarious schemes, headed by a guy named Monroe (Cy Kendall) who spends most of his time sitting behind a desk and -- judging from his size -- eating; he is a colorless antagonist. There are no great Republic-type fist fights [this would have been an even better serial had it been made for Republic studios instead of Universal] but there are some lively scenes, including a bit with a runaway bus, and some thrilling business involving an uncoupled train. Jones and Luke are excellent, with the former affecting a more dramatic voice when he puts on the mask of the Hornet [some sources say the Hornet's voice was actually supplied by Al Hodge, who played the character on the radio, but he is uncredited]. Boteler is amusing in his exasperation, and Nagel [The Secret Code] -- although not beautiful in the conventional Hollywood sense -- classes up this production as she does so many others. Alan Ladd and Anne Gwynne [Honeymoon Deferred] have bit parts. Ann Doran [The Man They Could Not Hang, among many others] plays a woman who pretends to be the dead men's fiancee in the flight school chapter. Gene Rizzi makes an impression as one of the mobsters.[NOTE: The Green Hornet first appeared on the radio, then appeared in comic books [as he still does today] then was made into two serials, a TV show, and finally a dreadful Hollywood feature film.

Verdict: More than acceptable serial fun; much better than the 2011 Hollywood version. ***.

THE SHADOW STRIKES

THE SHADOW STRIKES (1937). Director: Lynn Shores.

Rod La Rocque plays Lamont Cranston/The Shadow in this disappointing adaptation of a Shadow pulp novel by Walter Gibson. Cranston pretends to be the lawyer Chester Randall so that he can investigate the murder of a client of his who was on the verge of changing his will. In the old man's mansion Cranston interacts with various relatives, including a pretty gal, Marcia (Agnes Anderson aka Lynn Anders) who develops a yen for him. James Blakeley is the ne'er-do-well Jasper, Marcia's brother, who has an expensive gambling addiction. Cy Kendall, who plays Barney Grossett in this, played the portly villain Monroe in The Green Hornet serial. He's as unimpressive and rotund as ever. La Rocque briefly dresses up as The Shadow, complete with cloak and hood, at one point, but the sequence is so short as to be meaningless. NOTE: Click here to read about a Shadow feature directed by James Wong Howe!

Verdict: Watch the far superior Shadow serial instead. **.

JUNIOR G-MEN

JUNIOR G-MEN (1940). 12 chapter Universal serial. Directed by Ford Beebe and John Rawlins.

In this serial a few members of the Dead End Kids and Little Tough Guys basically play variations of their usual personas. Billy Barton's (Billy Halop) father, a colonel and an “inventive genius,” has come up with a formula that is coveted by enemy agents. With this formula, vibrations from explosions can set off other explosions within a range of 100 miles! Colonel Barton is kidnapped, and the enemy agents keep trying to kidnap Billy so that they can threaten him with harm to make his father comply. Billy and his buddies, including “Gyp” (Huntz Hall) and Terry (Gabriel Dell), not only get involved with real FBI men [headed by Jim Bradford, played by Joan Crawford's ex Phillip Terry], but also commingle with Junior G-Men led by Bradford's nephew Terry (Kenneth Howell). The enemy group is called the Flaming Torch and Billy and Gyp refer to the members of the outfit as “torchies.” The lead torchie is the same chubby guy who played head villain Monroe in The Green Hornet, Cy Kendall. The serial takes a while to get going but before long there are exciting cliffhangers involving a collapsing fire escape and a descending elevator cage. The theme music is good and there is absolutely no sign of Leo Gorcey.

Verdict: Not top-notch by any means but slightly better than the typical Universal entry. **1/2.