HENRY BRANDON: KING OF THE BOGEYMEN

HENRY BRANDON: KING OF THE BOGEYMEN (BearManor Media; 2018). Bill Cassara and Richard S. Greene.

This labor of love looks at the work of actor Henry Brandon, who never attained stardom but was a working actor in films, on TV and on the stage for decades. Because of his association with Laurel and Hardy due to his playing nasty old Barnaby in Babes in Toyland, he later became a film-buff favorite because he often appeared at various conventions for the comedy duo and others. Not a biography as such, which the authors make clear, there is a lot about Branden's life which is not covered in this book. Just when I thought the writers were indulging in some "gay erasure" they do mention that Brandon, after a very brief marriage and a child, had a boyfriend in Mark Herron, who himself was briefly married to no less than Judy Garland. (The whole business behind this might be fascinating but it is not covered in this volume.) In any case, there is a definite downplaying of Brandon's sexuality among some of the people interviewed, but then, this book is really about his talent, which was prodigious. Brandon appeared in a great many films and TV shows and was also an accomplished Shakespearean actor. He performed with Judith Anderson in Medea and other vehicles as well.

There are separate chapters on Brandon's most notable roles in such films as The Searchers with John Wayne, the serial The Drums of Fu Manchu, in which he portrays the Oriental arch-fiend, and When the North Wind Blows, among others. The section on his appearances at film conventions gets a little tedious, but the rest is interesting enough. What comes across is how hugely admired Brandon was by his many fans and those who got to know him through his film-buff convention appearances.

Verdict: In general this is strictly for fans of Henry Brandon, but those who admire his work will enjoy this thorough look at his career. ***.                                                     

DRUMS OF FU MANCHU

Henry Brandon as the Mysterious Dr. Fu Manchu

DRUMS OF FU MANCHU (15 chapter Republic serial/1940). Directors: William Witney; John English.

Taking its cue from the feature-length film starring Boris Karloff, The Mask of Fu Manchu, this serial is also loosely based not on Sax Rohmer's "Drums of Fu Manchu" but rather his "Mask of Fu Manchu." In both film and serial Fu Manchu (Henry Brandon) is out to get certain artifacts from the tomb of Genghis Kahn that will give him the power to conquer all Asia -- in the serial's case it is a sacred scepter. To that end there is a lot of back and forth dallying over not only the scepter, but the "kardac segment," a piece of a tile that will lead to the location of the tomb. Fu's chief adversary, as in the books, is Sir Dennis Nayland Smith (William Royle), with assistance from Dr. Petrie (Olaf Hytten of Detective Kitty O'Day) and young Allan Parker (Robert Kellard of Escort Girl), whose father was murdered by Fu. Other characters include Professor Randolph (Tom Chatterton); his daughter Mary (Luana Walters); Fu Manchu's loyal assistant, Loki (John Merton of Radar Patrol vs Spy King), who actually has fangs; and Fu's daughter, Fah Lo Suee (Gloria Franklin). One carry over from the novel "Drums of Fu Manchu" is the way one hears the nerve-wracking sound of beating, steadily louder drums whenever someone's doom is approaching. Fu, who is more sadistic than in the novels, employs gelatinous darts; a cage with rats inside of it (known as "the gates to paradise"); a fire-branch trap that threatens to snap Allan in two; and a deadly gas in Kahn's tomb. Especially memorable cliffhangers include two trains about to collide in chapter one; the attack of a kind of octo-squid in a watery chamber below Fu's HQ in chapter two; a pendulum that nearly cleaves Allan in twain in chapter four; a jeep that sails over a cliff during a fight with Arabs in chapter eight; a deadly heat device from the sun's rays that nearly frizzles Mary in chapter nine; and a whole ceiling of stalactites that comes crashing down on the good guys in chapter ten. There's a little too much running about the desert in the final chapters, and the score is mediocre. This is not necessarily top-drawer Fu or a top-drawer serial, but it is good and entertaining. Once you get used to the odd voice Henry Brandon affects for Fu, he is quite effective.

Verdict: Great fun to watch Fu Manchu carry out his diabolical manipulations -- always with class. ***.

THE MANY FACES OF HENRY BRANDON

Edge of Darkness

HENRY BRANDON (1912 - 1990). Born Henry Kleinbach in Berlin.

I always got a kick out of watching the evil Barnaby in Laurel and Hardy's Babes in Toyland (aka March of the Wooden Soldiers), but little did I realize when I was a child that the actor playing the old wretch was only 22 at the time -- and that the actor, Henry Kleinbach, was also Henry Brandon, who appeared in a great many movies, starred in The Drums of Fu Manchu, and was one of those versatile actors, along the lines of Jay Novello, who got so lost in the role that he, unfairly, never became quite famous.

Anything -- and I mean anything -- you'd like to know about Brandon has been exhaustively covered on the web site Poseidon's Underworld, and you can read about Brandon, his life and career right here. (You can even learn about his strange connection to Judy Garland!) Loads of photographs, too!

Babes in Toyland as Barnaby

 Other Brandon appearances were in Doomed to  Die, The Land Unknown, Jungle Jim, Tarzan's  Magic Fountain, Captain Sindbad, Secret Agent  X-9, and even Auntie Mame, among many others.  (Notice how in virtually every one of these I  refer to "the incredibly versatile Henry  Brandon!")

 Brandon also did TV, appearing on everything  from Bourbon Street Beat to Kolchak.  the Night  Stalker.

Lady Godiva of Coventry

The Searchers

TARZAN'S MAGIC FOUNTAIN

Lex Baker took over the role of Tarzan

TARZAN'S MAGIC FOUNTAIN (1949). Director: Lee Sholem.

Aviatrix Gloria James (Evelyn Ankers of The Pearl of Death) disappeared twenty years before but her plane and diary are found by Tarzan. Since James' testimony is required to free a jailed man, Tarzan goes to a hidden city -- full of what could best be described as white Aztec-Romans -- to bring Gloria back, and discovers she hasn't aged a day in all those years. Naturally there are unscrupulous people who hope to discover the Fountain of Youth, such as Trask (Albert Dekker) and Dodd (Charles Drake). In a development that borrows from Lost Horizon, Gloria ages as soon as she gets home, and returns to Africa with her husband, Douglas (Alan Napier), where the two hope that Tarzan will guide them back to the Blue Valley where she lived all of those years. But Tarzan is opposed to the plan, and some nasty residents of the hidden city -- against the orders of their leader, the High One (David Bond) -- do their best to kill him and anyone else who knows of the pathway to their valley. Tarzan's Magic Fountain was Lex Barker's first appearance as Tarzan, and he's fine, playing it in the nearly monosyllabic mode popularized by Johnny Weissmuller. Brenda Joyce, who replaced Maureen O'Sullivan as Jane in the last Weissmuller movies, returns as Barker's Jane, but this was her last appearance in the role -- and her last picture, as she promptly retired from the movie business. Johnny Sheffield as Boy had already left the series and turned into Bomba, and he was not replaced in the role. Tarzan's Magic Fountain has an interesting premise, but not a lot is done with it, and the screenplay is mediocre, as is the direction; Lee Sholem mostly directed TV episodes. The ever-versatile Henry Brandon plays one of the Blue Valley natives who wants to kill Tarzan for allegedly giving away the secret location of their city; Rick Vallin is another one of those natives. Elmo Lincoln, one of the first Tarzan's, supposedly plays a fisherman, but he is not credited. Cheetah's cutest scene of many is her encounter with bubble gum. When she regains her youth at the end of the movie, she turns into a different species of ape! Albert Dekker and Charles Drake also appeared together in The Pretender.

Verdict: Barker is fine, but it's an inauspicious debut for him. **1/2.

AUNTIE MAME

Rosalind Russell as Auntie Mame

AUNTIE MAME (1958). Director: Morton DaCosta.

In 1928 little Patrick Dennis (Jan Handzlik) enters a whole new world when his father dies and he is turned over to his free-spirited Auntie Mame (Rosalind Russell), who is best friends with dipsomaniac actress Vera Charles (Coral Browne) and believes in unconventional teaching methods. Mame has a love of life and craves new experiences, which she shares with Patrick. But when an older Patrick (Roger Smith) gets engaged to a young lady from a narrow-minded family, will Mame be able to show her nephew the error of his ways? Auntie Mame is a delightful, very well-acted comedy with a message of accepting the unconventional that's delivered without hitting the audience over the head. Russell and Brown take the acting honors -- Russell is especially superb -- and there are also fine performances from little Handzlik, Smith, Forrest Tucker, Peggy Cass as Agnes Gooch, Connie Gilchrist as Mame's housekeeper (who sort of disappears when Gooch arrives), Joanna Barnes [The Parent Trap] as Patrick's weird fiancee, Lee Patrick as her mother, and Pippa Scott [As Young As We Are] as Pegeen, who comes to work for Mame. We also have the versatile Henry Brandon [Babes in Toyland] as Patrick's strange teacher. [Frankly, nowadays most sensible people would have a problem with the school Brandon runs.] In addition to some great dialogue and very funny scenes, the movie has a sub-text of exposing and denouncing prejudice. Based on a very successful stage play, this was turned into the musical, Mame, which was also filmed.

NOTE: Just found out that there may be another remake of this picture with the rather androgynous Tilda Swinton playing Mame [!?].

Verdict: Great and classic comedy. ****.

DOOMED TO DIE

Henry Brandon, Catherine Craig, William Stelling

DOOMED TO DIE (1940). Director: William Nigh.

Cyrus Wentworth (Melvin Lang) is bitterly opposed to his daughter Cynthia's (Catherine Craig) marriage to Dick Fleming (William Stelling) because he is the son of his shipping rival, Paul Fleming (Guy Usher). Paul is hoping to consolidate both firms, especially after there's an accident at sea which claims many lives. Naturally the Flemings are the top suspects when Cyrus is murdered, but Cynthia sticks by her fiance. Of course Captain Street (Grant Withers) is convinced Dick is guilty, but reporter "Bobbi" Logan (Marjorie Reynolds) gets James Lee Wong (Boris Karloff) on the case. Other characters embroiled in the mystery include Matthews (Wilbur Mack), who works for Wentworth; attorney Victor Martin (Henry Brandon); and insurance adjuster Baldwin (Tristram Coffin). Doomed to Die is not awful and moves fast, but it's just blah; it's a series that ran out of gas early on. One of the problems is that the blustery character of Captain Street and his prickly relationship with Bobbi wore thin. The considerable talents of Henry Brandon [Captain Sindbad] are completely wasted in this movie. This was the penultimate Mr. Wong movie, and the last to star Boris Karloff. Keye Luke replaced him for Phantom of Chinatown. Catherine Craig is much better in this than she was in Spy Train.

Verdict: One last gasp for Karloff's Mr. Wong. **.

JUNGLE JIM (1936)

LEFT TO RIGHT: Rhodes, Brandon, Hatton and Withers

JUNGLE JIM (/12 chapter Universal serial/1937). Directors: Ford Beebe; Clifford Smith.

"I could send you to the whipping post, too." -- The Cobra.

"That's a mistake you would make only once!" -- Shanghai Lil. 

Jungle Jim (Grant Withers), who arrives on the scene warbling a tune (with dubbed voice), is importuned to go into the African jungle to find a missing heiress, one Joan Redmond (Betty Jane Rhodes). There are two things Jim doesn't know: Joan was raised by an evil brother and sister duo known as the Cobra (Henry Brandon) and Shanghai Lil (Evelyn Brent), and is herself known as the Lion Goddess to the natives; and one of her relatives, Bruce Redmond (Bryant Washburn) is also trying to find her so he can kill her off and acquire her inheritance. The Cobra operates out of a castle in the jungle, and aside from manipulating the natives via Joan, his motives and plans seem rather shadowy, but there's not much love lost between him and his sister. Joan's parents were killed during a ship wreck which is depicted in the first chapter, and features the startling sight of a tiger in the state room. [The serial is full of lively shots of beautiful lions, tigers and leopards, and the stock footage is generally well-integrated.] There's a nifty bit with a rope "bridge" -- actually just a cord of rope over a high chasm -- as well as a rock slide following a volcanic eruption, and neat footage of a tiger battling a gator. The acting from the leads is serviceable, but the serial seems full of missed opportunities. Brandon and Brent make an interesting pair of villains, but they really aren't given that much to do, and while this is fairly entertaining at times, it's not really one of the better Columbia chapterplays. Not to be confused with the full-length feature Jungle Jim, with Johnny Weissmuller playing the same role. Based on the Alex Raymond comic strip. Brent made more of an impression in Holt of the Secret Service four years later.

Verdict: If you've seen one jungle ... **1/2.

SECRET AGENT X-9

SECRET AGENT X-9 (12 chapter Columbia serial/1937). Directors: Ford Beebe; Cliff Smith.

This is the first of two serials based on the Secret Agent X-9 comic strip, the latter being released in 1945. This earlier version is much, much better. Agent X-9, also known as Agent Dexter (Scott Kolk), is assigned when the Belgravian crown jewels are stolen and the agent guarding them murdered by a sinister villain known only as "Brenda." Brenda gives orders to his top aide, Blackstone (Henry Brandon), and X-9 can't quite figure whether a pretty woman involved in the case, Shara (Jean Rogers), is on the side of the angels or not. Monte Blue is Belgravia's Baron Karsten, and Lon Chaney Jr. is a hood that works for Brenda. David Oliver is Pidge, a pal of Dexter's who is not an agent but always seems to be around, managing to be both helpful and comical at times. As each chapter begins, the events of the previous installment are presented in comic strip panels. This is an exciting, well-made serial with fairly standard but adept cliffhangers [Dexter's boat nearly smashes into a large obstruction at high speed at the end of chapter one], more than adequate performances, very good chase sequences, and some lively fisticuffs. Kolk makes an appealing, boyish leading man, and the incredibly versatile Brandon (who played everyone from Fu Manchu to Barnaby in Babes in Toyland) nearly steals the show as Blackstone. Jean Rogers was Dale Arden in the Flash Gordon serials and closed out her career in The Second Woman.

Verdict: Far superior to the 1945 version with Lloyd Bridges. ***.

KOLCHAK, THE NIGHT STALKER

KOLCHAK, THE NIGHT STALKER (1974 television series).

After the high ratings of the two movies featuring Darren McGavin as Carl Kolchak, intrepid reporter who uncovers the unusual in The Night Stalker and The Night Strangler, Kolchak was given his own series, which lasted one season, and took place in Chicago where he worked for International News Service (INS). Clad always in his rumpled white suit and straw hat, Kolchak would probably not be very likable were he not played by the always-likable McGavin, who is excellent in the show, along with Simon Oakland [Psycho] as his testy, rotund boss, Jack Grinnage as snooty Ron Updyke and the delightful Ruth McDevitt [The Birds] as senior reporter "Miss Emily" [these last two also worked at the paper and were semi-regulars]. The publisher's daughter Monique (Carol Ann Susi, who's now on The Big Bang Theory) also appeared in a couple of episodes before being called back to New York. Often closer to black comedy than out and out horror,  Kolchak could be pretty cheesy and silly, and was only modestly entertaining. Most of the episodes were not memorable, although at least four were better than average: "Chopper" guest stars spirited Sharon Farrell in the tale of a ghostly biker who comes back and beheads the old buddies who were responsible for his accidental death; "Firefall" deals with cases of spontaneous combustion; "The Trevi Collection" (with Nina Foch of The Return of the Vampire, an excellent Lara Parker from Dark Shadows, and Henry Brandon of The Land Unknown) deals with a woman who uses witchcraft to take control of a fashion house; and "The Devil's Platform" features Tom Skerritt of Alien as a politician whose campaign trail is dogged by "accidental" deaths and murders -- this is probably the best episode of the series.

Verdict: Fun, minor, easy to take, if hardly all that it could have been. **1/2.

CAPTAIN SINDBAD

Guy Williams as Sindbad

CAPTAIN SINDBAD (1963). Director: Byron Haskin.

In the mythical kingdom of Baristan, the evil El Karem (Pedro Armendariz), who's taken the throne from the elderly king, tries to kill off the Princess Jana's (Heidi Bruhl) lover, the dashing hero Captain Sindbad (Guy Williams). Easier said than done, although El Karem puts Sindbad in an arena with an invisible monster [we only see its footprints a la Forbidden Planet] and has the distinct advantage of being unkillable. Commanded by El Kerim, the court wizard Galgo (Abraham Sofaer) has magically placed the former's heart in a tower in the middle of a swamp, protecting him from death. Sindbad and his men brave the swamp and face hungry gators, whirlpools that suck down the men, man-eating vines, and a mechanical hydra [this last creation is a well-made and busy beastie but it takes a far second to the stop-motion Ray Harryhausen hydra in Jason and the Argonauts, which came out the same year]. The movie wisely intercuts from the desperate race to smash El Karem's heart in the tower to the approaching execution of the princess, whose head is to be stepped on by an elephant! Although the effects aren't in the same league, this is one of the better fantasy films made in the wake of The 7th Voyage of Sinbad [the correct spelling of the Arabian nights hero's name is actually with a "d"]. Williams makes a properly dashing Sindbad, Bruhl is very pretty and capable, and Armendariz is a fairly zesty bad guy. Sofaer's comedy relief antics are somewhat tiresome. Colonel Kabar, El Karim's right hand man, is well played by the incredibly versatile Henry Brandon: Barnaby in Babes in Toyland, Fu Manchu in Drums of Fu Manchu, and the hermit in The Land Unknown. The musical score seems to be a steal from a Borodin piece popularly known as "Stranger in Paradise." Excellent scenic design, especially in the colorful and sinister swampland. Bruhl appeared mostly in German films, while most of Williams' appearances were on television. After making a great many Mexican and American films, Armendariz died the same year of this film's release at 51 [he committed suicide to avoid a painful death from cancer, possibly contracted while working on The Conquerer] after making a final screen appearance in From Russia With Love.

Verdict: Highly entertaining fantasy with some decent effects work and generally good performances. ***.

THE LAND UNKNOWN

THE LAND UNKNOWN (1957). Director: Virgil Vogel.

A helicopter carrying passengers lands in a lost world full of prehistoric animals and dangerous plant life. No, it's not The Lost World, it's The Land Unknown, which came out from Universal three years earlier and was similarly in CinemaScope [if black and white]. The Technicolor 20th Century-Fox production of Lost World, with bigger names in the cast and a ton of publicity, sort of eclipsed this earlier film, which is not bad at all. Commander Roberts (Jock Mahoney), reporter Maggie Hathaway (Shawn Smith), Lt. Carmen (William Reynolds) and machinist's mate Steve Miller (Phil Harvey) set out in their copter to explore the South Pole and wind up descending through mist into a lost world of monsters, discovering the sole human inhabitant is a crashed scientist, Dr. Hunter (Henry Brandon). There are lots of gigantic slithering lizards (which Hunter can control with a horn), some mechanical T-Rex's with slobbering jaws, and a creditable lake monster with big flippers and a long memory, not to mention a big rubbery plant that badly wants to wrap its tentacles around Maggie Hathaway. The optical work can be uneven, but there are many effective shots, as well as an exciting bit with Comdr. Roberts running from a voracious T-Rex. There are some impressive and elaborate sets and excellent art direction, and the film manages to work up some suspense [if the group doesn't get out of this valley in a certain number of days, their ship will leave without them]. Despite their phony appearance, the T-Rex's are better than the ones in Unknown Island and actually work well enough in context. Despite the absence of stop-motion effects, which would have greatly improved the picture, The Land Unknown is still quite entertaining, with the cast more than adequate for the proceedings. Vogel also directed The Mole People. Henry Brandon had a very long list of credits, probably his most famous role being nasty old Barnaby in the 1934 Laurel and Hardy masterpiece Babes in Toyland, in which he was made up to look older than he does in Land Unknown 23 years later! He also had the title role in the 1940 cliffhanger serial Drums of Fu Manchu. Phil Harvey appeared in a number of Universal horror/sci fi films of the period, including The Monolith Monsters. NOTE: This movie is now available in a remastered DVD which keeps the widescreen ratio intact and is complete, a far better way to see it than on TV with commercials, missing sequences, and no Cinemascope, which is how most people have seen it, unfortunately.

Verdict: For big lizard and lost world lovers. ***.

BABES IN TOYLAND aka MARCH OF THE WOODEN SOLDIERS

BABES IN TOYLAND (1934). Directed by Gus Meins and Charley Rogers.


Stannie Dum (Stan Laurel) and Ollie Dee (Oliver Hardy) are tenants in the shoe of Mrs. Peep (Florence Roberts), mother of Little Bo-Peep (Charlotte Henry). Unfortunately the mortgage on the shoe is held by the sinister Silas Barnaby (Harry Kleinbach -- see more on him below), who will accept the hand of Bo-Peep in marriage in lieu of the latest payment. Trying to help Widow Peep secure the money, Stannie and Ollie only make things worse. After many very amusing complications, it all ends up with the boys saving the town from the boogie men in Boogeyland with the 100 wind-up soldiers that they accidentally made six feet tall instead of 12 inches.


Babes in Toyland (retitled March of the Wooden Soldiers for TV and to distinguish it from a later Walt Disney production) is irresistible and utterly charming. Laurel and Hardy are at the top of their game, and the supporting cast is very well chosen. As Bo-Peep's boyfriend Tom-Tom, Felix Knight exhibits a fine singing voice; he should have had a bigger career in movies. The score by Victor Herbert is romantic and melodious (albeit most of the lyrics are pretty silly). There are too many great scenes to mention but I always get a kick out of the mouse (a chimp in a mouse outfit? -- I've never figured it out) flying across Toyland in a miniature zeppelin and lobbing firecrackers at boogeymen! The boogeymen themselves are scary enough to frighten big children, and the whole production is wonderfully elaborate.


NOTE: Harry Kleinbach was also known as Henry Brandon (his usual billing in later years); a very busy and versatile actor with many, many credits, he had the title role in the serial Drums of Fu Manchu (1940) and was also in the cast of The Land Unknown (1957) and many others.

Verdict: A delight from start to finish! ****.