THE VAMPIRE'S GHOST

Charles Gordon, John Abbott, Adele Mara

THE VAMPIRE'S GHOST (1945). Director: Lesley Selander. Colorized.

In the village of Bokunda in Africa, dead bodies are turning up partially drained of blood. The natives believe a vampire is on the loose, something which is scoffed at by Father Gilchrist (Grant Withers of Jungle Jim), as well as Roy Hendrick (Charles Gordon), his girlfriend, Julie (Peggy Stewart), and her father Thomas (Emmett Vogan of Hop Harrigan). On an expedition to a nearby village, tavern owner Webb Fallon (John Abbott of Deception) puts a spell on Roy and reveals that he is four-hundred years old and fond of drinking blood. As more murders occur, Fallon develops an overwhelming "fondess" for Julie, whom he hopes to make one of the Undead to ease his loneliness. Will Roy be able to shrug off the mind control and save his lover? 

John Abbott as the unlikely vampire

The Vampire's Ghost -- there is actually no ghost in the picture -- is a cheap Republic horror film that has some well-staged sequences (a night time attack on gambler Roy Barcroft, for instance) but is overall mediocre. In motion pictures vampires tend to be frightening and/or romantic figures, but the funny-lookin' John Abbott more often played comical or weaselly roles. However, Abbott is a good enough actor to be entirely credible as the sinister Fallon. Republic contract player Charles Gordon, who only made ten pictures, is effective as Roy, who doesn't seem much of a match for Fallon. Peggy Stewart, and Adele Mara as the ill-fated dancer Lisa, are also good. Grant Withers and Roy Barcroft, old standbys in classic serials, go through their paces with panache, especially Barcroft. The conclusion at a jungle temple devoted to a long-gone cult of evil is so drawn out that the film, which is less than an hour long, temporarily seems interminable. Lesley Selander also directed the serial Jungle Raiders. 

Verdict: Worth seeing just once. **1/2. 

BELLS OF ROSARITA

Roy Rogers and Dale Evans

BELLS OF ROSARITA (1945). Director: Frank McDonald. 

Sue Farnum (Dale Evans) appeals to her late father's good friend, Slim Phillips (Addison Richards), when she realizes that her father's slimy business partner, Ripley (Grant Withers) is trying to cheat her out of her circus. Slim and his daughter, Patty (Adele Mara) travel west to see what they can do. Almost immediately Slim is kidnapped! Filming nearby Sue's property, Roy Rogers, playing himself, gets involved and tries to find Slim with the help of Gabby Whittaker (Gabby Hayes) and Bob Nolan (also playing himself), head of the vocal group Sons of the Pioneers. 

Elliott, Livingstone, Sunset Carson, Allan Lane, Red Barry

Roy also comes through for Sue when he convinces her to put on a show in the nearby town and enlists the aid of the other Republic Studios western stars: Allan Lane [King of the Mounties], Sunset Carson, Wild Bill Elliot [Footsteps in the Night], Bob Livingstone and Don "Red" Barry. These fellows also help round up the ornery polecats who have kidnapped Slim. This must have been quite a thrill for Western movie fans back in the day. There's also a bunch of pleasant tunes, including Roy's "Build a Fence Around Texas" and the very talented Robert Mitchell Boy Choir. Gabby Hayes wears out his welcome rather quickly, however. 

Robert Mitchell Boy Choir

Bells of Rosarita is another "modern-day" Rogers western. The film-within-a-film that Roy is making is also entitled Bells of Rosarita and has something to do with a woman being forced to marry a man she does not love. Although there are some would-be exciting chases in the film, it can't quite escape being a little dull, although it is fun to see all of those handsome Western heroes in one movie. My mind wandered through the movie and I found myself wondering if the one black child in the choir was treated respectfully by the other white boys. It's good that he was included at all, of course. 

Verdict: A fairly typical Roy Rogers western musical with talented cast members. **1/4.    

I MOBSTER

Steve Cochran

I MOBSTER (1959). Produced and directed by Roger Corman.

I Mobster traces the rise and fall of gangster Joe Sante (Steve Cochran of The Big Operator), whose father virtually disowns him and whose mother (Celia Lovsky) eventually follows suit. As a boy (played by an uncredited but talented youngster), Joey was taken under the wing of Black Frankie (Robert Strauss), and later also works for crime boss Paul Moran (Grant Withers of the Jungle Jim serial). Joe takes up with a nice neighborhood gal named Teresa (Lita Milan), who is at first highly disapproving of his activities but ultimately there's no arguing with love. But Joe's ambitions and high-risk lifestyle may become his undoing ...

Saucy Yvette Vickers 

I Mobster is an absorbing crime drama with a fine and charismatic lead performance by the always-under-rated Steve Cochran, who is perfect as Joe. Celia Lovsky does her usual hand-wringing turn as the heartbroken mother; Strauss is quite good as his mentor and associate; and Lita Milan [Never Love a Stranger] turns in a very nice performance as Teresa. Grant Withers also scores as the big boss, and there is a very nice bit by Yvette Vickers as a saucy blond who tries to pay off her gambling debt by coming on to Joe -- fat chance! Ed Nelson, Robert Shayne, Thomas Browne Henry and Bruno VeSota have smaller  parts, and stripper Lili St. Cyr (who is much more attractive than the rather horse-faced Gypsy Rose Lee) does her cameo on stage in a bath tub.

In the long run, however, I Mobster doesn't really rise above all of the hoodlum cliches -- sobbing mother, worried, conflicted girlfriend, rivals and hits -- but the darn thing is too entertaining and well-played for that to matter much. As for Cochran, a hell-raising lover boy off-screen, he died at only 48 under very mysterious circumstances.

Verdict: Fast-paced Corman melodrama with a well-chosen cast. ***. 

THE GIRL WHO DARED

Peter Cookson

THE GIRL WHO DARED (1944). Director: Howard Bretherton.

Ann Carroll (Lorna Gray) and her brother Josh (Kirk Alyn of Superman) are given a lift by the mysterious Rufus Blair (Peter Cookson) to a sort of haunted house party on an island that lies past a causeway. However, the owners of the house, Beau and Chattie Richmond (John Hamilton and Vivien Oakland), never sent out any invitations. While the group is pondering who might have invited people to a non-party, one of a pair of twins (Veda Ann Borg) is found murdered. The phone lines are cut and the causeway is cut off due to a storm. Everything seems to be tied into a theft of radium which someone is killing for. The suspense is quite bearable in this otherwise entertaining if distinctly minor Monogram mystery. The cast is game enough, with Willie Best [My Little Margie] making the best impression (despite the old-fashioned nature of his acting) as the funny and likable manservant Woodrow, along with Peter Cookson [Shadow of Suspicion], who proves once again that he was a criminally underutilized leading man. Roy Barcroft and Grant Withers are also in the cast. Howard Bretherton directed a number of serials, Charlie Chan movies, and Frankie Darro features.

Verdict: The girl who dared what? **1/2 out of 4.

DOOMED TO DIE

Henry Brandon, Catherine Craig, William Stelling

DOOMED TO DIE (1940). Director: William Nigh.

Cyrus Wentworth (Melvin Lang) is bitterly opposed to his daughter Cynthia's (Catherine Craig) marriage to Dick Fleming (William Stelling) because he is the son of his shipping rival, Paul Fleming (Guy Usher). Paul is hoping to consolidate both firms, especially after there's an accident at sea which claims many lives. Naturally the Flemings are the top suspects when Cyrus is murdered, but Cynthia sticks by her fiance. Of course Captain Street (Grant Withers) is convinced Dick is guilty, but reporter "Bobbi" Logan (Marjorie Reynolds) gets James Lee Wong (Boris Karloff) on the case. Other characters embroiled in the mystery include Matthews (Wilbur Mack), who works for Wentworth; attorney Victor Martin (Henry Brandon); and insurance adjuster Baldwin (Tristram Coffin). Doomed to Die is not awful and moves fast, but it's just blah; it's a series that ran out of gas early on. One of the problems is that the blustery character of Captain Street and his prickly relationship with Bobbi wore thin. The considerable talents of Henry Brandon [Captain Sindbad] are completely wasted in this movie. This was the penultimate Mr. Wong movie, and the last to star Boris Karloff. Keye Luke replaced him for Phantom of Chinatown. Catherine Craig is much better in this than she was in Spy Train.

Verdict: One last gasp for Karloff's Mr. Wong. **.

THE FATAL HOUR

Hands up! Grant Withers and Boris Karloff

THE FATAL HOUR (1940). Director: William Nigh.

Police captain Bill Street (Grant Withers) is disheartened to learn that old friend and fellow cop Dan O'Grady has been murdered and his body dumped in the river. Criminologist James Lee Wong (Boris Karloff) thinks there's little he can do as the case seemingly has no connection with the Chinese-American community, until Street reminds him that many Chinese objects have been smuggled; O'Grady himself was investigating a smuggling racket. The people the two men investigate include dealer Frank Belden (Hooper Atchley); his son (Craig Reynolds of Romance on the Run), who is in love with adventuress Tanya (Lita Chevret); radio actor Griswold (Jason Robards Sr.); financier Forbes (Charles Trowbridge of Mysterious Dr. Satan); and crooked club owner "Hardway" Lockett (Frank Puglia of The Boogie Man Will Get You), who owns the Club Neptune. Street has a love-hate thing going with reporter Roberta Logan (Marjorie Reynolds). The actors, especially Karloff, are swell, and Tristram Coffin has a small role as a desk clerk in a hotel. The Fatal Hour has a fairly clever murder scheme but the movie is not very memorable. One of the characters is inexplicably murdered in police headquarters right outside Street's office.

Verdict: Pleasant time-passer but little else. **.

THE MYSTERY OF MR. WONG

A well-composed cast shot from "Mr. Wong"

THE MYSTERY OF MR. WONG (1939). Director: William Nigh.

"I confess I'm completely at a loss."

James Lee Wong (Boris Karloff) is invited to the home of Brendan Edwards (Morgan Wallace), who shows him the fabulous and cursed sapphire known as the Eye of the Daughter of the Moon. Not much later, Edwards participates in a parlor sketch [during a Charades-like game called "Indications"] in which he gets shot by a jealous husband, but in a plot twist used in other films, Edwards is really killed. At first there seem to be real bullets in the gun, but this is just the first of a number of interesting twists in the movie. Suspects include his wife, Valerie (Dorothy Tree of City in Darkness); his secretary Harrison (Craig Reynolds of Romance on the Run); the musician Strogonoff (Ivan Lebedeff); and the maid, Drina (Lotus Long); among others. Wong is assisted by his old associate Professor Janney (Holmes Herbert of Daughter of the Dragon) as well as Captain Street (Grant Withers). Karloff is excellent, as usual, there's a good wind-up, and the picture is quite entertaining.

Verdict: Snappy Mr. Wong mystery. ***.

MR. WONG, DETECTIVE

Boris Karloff and Grant Withers

MR. WONG, DETECTIVE (1938). Director: Hugh Wiley.

Mr. Wong is the third Oriental sleuth introduced after Charlie Chan and Mr. Moto. James Lee Wong originally appeared in stories that appeared in Collier's and was the subject of several pictures for cheapie studio Monogram (where Charlie Chan eventually wound up). In this first Mr. Wong movie, Wong (a well-cast Boris Karloff) receives a plea for help from the frightened Dayton (John Hamilton), who runs a chemical company and who is convinced that someone is out to get him. As usual in these pictures, the client winds up dead, and there are more murders to follow. The murder method is poison gas but the killer is especially clever in figuring out how to get the gas to the victim. Suspects and other characters include Captain Street (Grant Withers of Radio Patrol) who's investigating the case; his gal, Myra (Maxine Jennings); the bitter inventor Roemer (John St. Polis); the mysterious Olga Petrov (Evelyn Brent of Daughter of Shanghai); and Dayton's partners, Meisle (William Gould) and Wilk (Hooper Atchley). The performances are fine and the picture moves fairly quickly, although a musical score certainly would have helped. Withers and Brent also appeared together in the serial Jungle Jim. 

Verdict: Not bad intro to the Mr. Wong series. ***.

RADIO PATROL

Rentschler, Hughes, and Withers

RADIO PATROL (12 chapter Universal serial/1937). Directors: Ford Beebe; Clifford Smith.

"He acts like he knows something." -- Policeman Pat, referring to the dog. 

Scientist John Adams (Harry Davenport of Pardon My Past) has invented a formula for flexible steel which could make planes impervious to bullets and have other amazing uses. When Adams is murdered, the chase is on to not only find out who killed him, but keep the formula out of the hands of the bad guys. Cops Pat O'Hara (Grant Withers) and his partner Sam Maloney (Adrian Morris) join up with Adams' young son, Pinky (Mickey Rentschler); Molly Selkirk (Kay or Catherine Hughes), whose brother is at first accused of the Adams' murder; and Pinky's smart-as-a whip and spirited doggie, Irish (Silver Wolf). Bad guys include the sinister Egyptian, Tahata (Frank Lankteen), and slimy entrepreneur W. H. Harrison (Gordon Hart). Early on in the serial there are a couple of good cliffhangers -- Pat nearly winds up in a smelter furnace; and is almost smashed by a crushing door on a hydraulic hinge --  but other than that there's not much to recommend in this comparatively dull cliffhanger. Withers was in The Secret of Treasure Island, Jungle Jim, and other serials. Adrian Morris, sort of a Charles Laughton-lookalike, was the brother of Chester Morris. Beautiful Silver Wolf had only three film appearances. This serial was based on the comic strip of the same name; "Pinky," a youthful protagonist, came from "Pinkerton, Jr.," the original name of the strip. [In the the opening sequence a crime wave occurs and it is noted that the cops need radios in their cars to keep up with the bad guys; otherwise there is no real "radio patrol" in the storyline.] Withers and Morris also appeared together in the terrible serial Fighting Marines.

Verdict: When the dog is the most interesting character -- and actor -- and it isn't a Rin Tin Tin movie, you know you're in trouble. **.

JUNGLE JIM (1936)

LEFT TO RIGHT: Rhodes, Brandon, Hatton and Withers

JUNGLE JIM (/12 chapter Universal serial/1937). Directors: Ford Beebe; Clifford Smith.

"I could send you to the whipping post, too." -- The Cobra.

"That's a mistake you would make only once!" -- Shanghai Lil. 

Jungle Jim (Grant Withers), who arrives on the scene warbling a tune (with dubbed voice), is importuned to go into the African jungle to find a missing heiress, one Joan Redmond (Betty Jane Rhodes). There are two things Jim doesn't know: Joan was raised by an evil brother and sister duo known as the Cobra (Henry Brandon) and Shanghai Lil (Evelyn Brent), and is herself known as the Lion Goddess to the natives; and one of her relatives, Bruce Redmond (Bryant Washburn) is also trying to find her so he can kill her off and acquire her inheritance. The Cobra operates out of a castle in the jungle, and aside from manipulating the natives via Joan, his motives and plans seem rather shadowy, but there's not much love lost between him and his sister. Joan's parents were killed during a ship wreck which is depicted in the first chapter, and features the startling sight of a tiger in the state room. [The serial is full of lively shots of beautiful lions, tigers and leopards, and the stock footage is generally well-integrated.] There's a nifty bit with a rope "bridge" -- actually just a cord of rope over a high chasm -- as well as a rock slide following a volcanic eruption, and neat footage of a tiger battling a gator. The acting from the leads is serviceable, but the serial seems full of missed opportunities. Brandon and Brent make an interesting pair of villains, but they really aren't given that much to do, and while this is fairly entertaining at times, it's not really one of the better Columbia chapterplays. Not to be confused with the full-length feature Jungle Jim, with Johnny Weissmuller playing the same role. Based on the Alex Raymond comic strip. Brent made more of an impression in Holt of the Secret Service four years later.

Verdict: If you've seen one jungle ... **1/2.

NIGHT TIME IN NEVADA

NIGHT TIME IN NEVADA (1948). Director: William Witney.

Farrell (Grant Withers) doesn't want to share the booty with his mining partner Andrews (James Nolan), so he murders him and hides his body. Many years later Andrews' daughter, Joan (Adele Mara), shows up hoping to get her hands on some of the money in her father's trust fund -- of course there isn't any. Sheriff Roy Rogers (Roy Rogers, of course) suspects that Farrell is a bad 'un, and his suspicions prove correct when he and his hench men try to rustle some cattle off a train, leading to an exciting climax with Roy and Farrell having a battle on a speeding truck. If this sequence reminds you of a cliffhanger serial, it's because the movie was directed by serial specialist William Witney. Aside from the climax and Withers' good performance as the nasty, murderous Farrell, Night Time has little to recommend it. Rogers made over one hundred similar features in addition to his TV show. Andy Devine [A Star is Born/1937] and Trigger the horse [who had a notable part in Son of Paleface, along with Rogers] are Rogers' co-stars and they are both about as usual. Adele Mara later wound up in Curse of the Faceless Man.

Verdict: A good-looking hero never hurts. **.

PHANTOM OF CHINATOWN

PHANTOM OF CHINATOWN (1940). Director: Phil Rosen.

While giving a lecture accompanying slides of a recent trip he'd undertaken with colleagues, Dr. Benton (Charles Miller) collapses and dies. Jimmy Wong (Keye Luke) investigates and along the way discovers the existence of a scroll that leads to a shrine of eternal flame that is over a valuable oil deposit. Captain Street (Grant Withers) pokes his nose in the plot, and so does Benton's secretary, Win Lee (Lotus Long), who may or may not be on the side of the angels. Keye Luke isn't bad as Wong, and he's authentically Chinese-American, but he's a bit colorless compared to Karloff, who originated the role. Of course, he plays a sort of alternate Wong. Lee Tung Foo makes an impression as Jimmy's excitable cook, Foo. Mason is played by John Holland, probably most famous for his role as Alice's handsome employer, who thinks Ralph is her brother, in a classic episode of The Honeymooners. (He also played Henry Higgins' butler years later in My Fair Lady.)

Verdict: Acceptable if very minor mystery. **.

MR. WONG IN CHINATOWN

MR. WONG IN CHINATOWN (1939). Director: William Nigh.

A woman (Lotus Long) comes to see investigator James Lee Wong in his house in San Francisco, and is promptly murdered with a blow gun. it turns out that she is a princess who recently came into the country on a tramp steamer. Could some of the other passengers be involved? What does the dwarf on the ship know about the murder? Boris Karloff gives a flavorful performance as Mr. Wong, and Grant Withers is Police Captain Street. Marjorie Reynolds is a reporter who saves Wong and others from a violent murder attempt. Bessie Loo is the princess' maid, Lilly May. Lotus Long had a larger part in the Mr. Wong film Phantom of Chinatown wherein Keye Luke essayed the role of James Lee Wong. The picture holds the attention -- barely -- but doesn't really amount to much.

Verdict: Where's Charlie Chan when you need him? **.

FIGHTING MARINES

FIGHTING MARINES (1935). 12 chapter Mascot serial. Directed by B. Reeves Eason and Joseph Kane.

Grant Withers and Adrian Morris star as a Marine corporal and sergeant who come up against a saboteur named the Tiger Shark who works out of Halfway Island. Ann Rutherford, who is nearly unrecognizable from her gig as “Polly Benedict” in the Andy Hardy series, plays the love interest, although there ain't much romance in this serial. The Tiger Shark is after a gyro-compass [“designed to aid blind flying”] invented by Rutherford's brother. The Tiger Shark wears goggles and a black leather aviator's outfit and flies an auto-gyro – he's certainly more striking and heroic in appearance than either of the potato-headed heroes. The opening sequence with the Marines fighting pirates on Halfway Island is busy but dull, and the rest of the serial, alas, isn't much better. Aside from a well-done sequence involving a closing, crushing wall, the cliffhangers are pretty lame and there are far too many flashbacks. This is a mostly by-the-numbers serial that fails to sustain suspense even though the identity of the villain is withheld until the very end. Mascot did some pretty good serials with John Wayne as star, but Fighting Marines is a major disappointment.

Verdict: Several hours of your life that you can't get back! *1/2.