THE PERFECT FURLOUGH

Janet Leigh and Tony Curtis

THE PERFECT FURLOUGH (1958). Director: Blake Edwards.

104 lonely men are stationed at an Arctic outpost and a notion is advanced to raise morale. One man will be chosen to go on a "perfect furlough," which is decided will be three weeks in Paris with the sexy movie queen Sandra Roca (Linda Cristal). Manipulating everyone behind the scenes, Corporal Paul Hodges (Tony Curtis) manages to become the winner. But when Colonel Leland (Les Tremayne) discovers that Hodges is an incurable skirt-chaser, he insists that his aide Major Collins (King Donovan) and Army psychologist Lt. Vicki Loren (Janet Leigh), who came up with the idea of the furlough, go along to keep Hodges out of trouble. But when Hodges gets a load of Sandra, this assignment may be more difficult than anyone imagines.

Elaine Stritch with Leigh

The Perfect Furlough could have been a smirking dirty joke but it's generally tasteful and consistently amusing. There are a lot of laughs in watching Hodges' efforts to escape from the MPs so he can hook up with Sandra -- who has a few surprises of her own -- as well as in the interplay between Hodges and a disapproving, yet attracted, Vicki. This is the perfect material for Curtis, who understandably has great chemistry with Leigh as the two were married at the time (1951 - 1962). While no comedian, Leigh is fine in the role, and there are excellent supporting performances from Elaine Stritch as Sandra's keeper; Tremayne and Donovan; Keenan Wynn as Sandra's manager; Alvy Moore as Private Brewer, who almost gets to go to Paris; and Gordon Jones as an MP. 

Argentinian actress Linda Cristal is cute, curvaceous and charming as Sandra, but she had her biggest success on television, starring in The High Chaparrral for several seasons. Troy Donahue [A Summer Place], playing a sergeant who accompanies Donovan and Leigh, is in the background in several scenes but has no dialogue. Another cast member who should be mentioned is the wonderful Jay Novello [The Mad Magician], who plays a French winemaker and lives with his father (Marcel Dalio), who hopes he'll get married. Lilyan Chauvin [Lost, Lonely and Vicious] shows up very briefly as a nurse. 

Verdict: Well-acted and funny fifties service comedy. ***. 

MA AND PA KETTLE ON VACATION

Parisian dining: Marjorie Main and Percy Kilbride

MA AND PA KETTLE ON VACATION (1952). Director: Charles Lamont.

Ma (Marjorie Main) and Pa (Percy Kilbride) Kettle receive an invitation from Elizabeth and Jonathan Parker (a returning Barbara Brown and Ray Collins) -- their married daughter's in-laws -- to accompany them on a trip to Paris after their original traveling companions cancel. Once there, the foursome get embroiled in a silly story involving a nest of spies and secret Naval plans. Ma and Pa Kettle On Vacation is a step down from the previous movies in the series, although Ma and Pa remain utterly endearing creations and Main and Kilbride are superb in bringing them to life. There are still humorous lines and sequences in the film, such as when Ma belts an Apache dancer in a nightclub because she thinks he's actually hitting his lady partner, and Ma cluelessly refers to Parisians as "Parasites!"  The supporting cast includes Sig Ruman [Thank You Mr. Moto] as a spy, and the ever-versatile Jay Novello has a very small role -- as a Frenchman no less!

Verdict: The screenplay is weak but the players are spirited. **½.

THE ADVENTURES OF SMILIN' JACK

Jay Novello, Tom Brown, Marjorie Lord, Rose Hobart

 THE ADVENTURES OF SMILIN' JACK (13 chapter Columbia serial/ 1943). Directed by Lewis D. Collins and Ray Taylor. 

Columbia turned the popular aviation comic strip The Adventures of Smilin' Jack into a serial in 1943. In this exciting and action-packed cliffhanger,  Jack Martin (Tom Brown) is working in China just before the U.S. entry into WW2.  Mah Ling (Cyril Delevanti of The Night of the Iguana), the governor of Handan, a province of China in the Himalayas, knows the secret route of a passage into India which would be helpful to the allies. The Japanese group, the Black Samurais, a division of Axis Espionage, is anxious to get this secret as well. The Samurais are under the uneasy control of a German agent, Fraulein Von Teufel (Rose Hobart of Conflict), who is better-known to the allies as "Trudi Miller," a war correspondent. We learn early on in the serial that Trudi is a ruthless double agent, but neither Jack, his friend, Tommy (Edgar Barrier), nor his sister, Janet (Marjorie Lord), are aware of this. It seems that in every other episode the evil Fraulein is reminding Kageyama (Turhan Bey) that she is in charge of the Samurais despite the fact that she is German. Philip Ahn is Wu Tan, the loving aide to the elderly Mah Ling; Keye Luke is Captain Wing; and Sidney Toler is cast as the Chinese general, Kai Ling. The ever-versatile Jay Novello is a cast stand-out as the Japanese saboteur Kushimi, and David Hoffman [The Creeper] also scores as the weasel-like Blenker.  With his pudgy face and kind of geeky voice, Tom Brown is hardly perfect casting as the sleek, handsome Smilin' Jack, but his performance is okay, while Lord and Barrier are adept enough in somewhat pointless secondary roles. Rose Hobart, on the other hand, while lacking the viciousness and sensuality of Carol Forman of Black Widow, is quietly effective and quite venomous as the steel-hearted Fraulein, and pretty much walks off with the serial (even if she is saddled with a highly unflattering headpiece). At one point the Fraulein suspends Jack in a net in the water below a trap door, even as the tide comes in and sharp floating spikes rise up higher and higher toward his back. Tom also plunges out of a plane to find that his parachute won't open, and is locked into a leaky box that is thrown into the river. In two of the best cliffhangers, a clipper ship holding our hero and friends crashes into the ocean, letting in gallons of rushing water; and a Japanese sub with Jack and the others aboard is rammed by a huge ship that is also controlled by Jap agents. An amusing aspect of the serial is that Mah Ling seems to take forever to make up his mind to give up the secret of the Mandan route and comes up with one obstacle after another to prevent him from divulging it. With the participation of such actors as Hobart, Luke, Toler, Bey and others, Similin' Jack has a better and better-known cast for a serial than usual. 

Verdict: Decidedly one of the better Universal serials. ***. 

THE PRODIGAL

Edmund Purdom and Lana Turner

THE PRODIGAL (1955). Director: Richard Thorpe.

Micah (Edmund Purdom) of Joppa is betrothed to Ruth (Audrey Dalton), but on a trip to Damascus he takes one look at High Priestess Samarra (Lana Turner) and is instantly smitten. He asks his father for his inheritance so he can go off and claim this woman, who worships pagan gods such as Astarte and Baal, and his father gives him the money but says he is now "dead to him". But getting to Samarra as a bearded "interloper" might be a bit of a problem. MGM has taken a simple Biblical parable and "fleshed" it out with a story that is pure Hollywood, but quite entertaining on that level. Purdom is fine as Micah, but Turner, besides being a bit too old, seems to have no clue as to the inner thoughts and feelings of the (admittedly underwritten) character she's playing -- she's just saying lines. There's a host of good character actors in the film, including Cecil Kellaway, seen briefly as the governor; Neville Brand [Eaten Alive] as an evil and sadistic soldier, Rhakim; Henry Daniell as the slave, Ramadi; Jay Novello as a merchant; John Dehner as Micah's brother; and Joseph Wiseman as another slave and instigator. Louis Calhern as the High Priest Nahreeb offers one of his rare indifferent performances, as costume dramas aren't his cup of java. "You hunger for [freed slave Asham] as a pig for husks," Micah tells Nahreeb, and even Samarra tells her High Priest that she doesn't like what he does to his slaves. Francis L. Sullivan [Hell's Island] is better as the portly Bosra. Although Paul Cavanagh is listed in the cast, I couldn't spot him. Although he hasn't a line of dialogue as the mute Asham, who comes to work for Micah, James Mitchell is effective; most of his credits were on TV and All My Children. Little Sandy Descher [Them] plays the strange little girl, Jasmin, but she's not very memorable. Highlights of the film include Micah's battle with a determined vulture in a pit of skeletons and a man who sacrifices himself for Baal by throwing himself into a pool of fire. The film's religiosity never becomes overbearing.

Vwerdict: Not exactly the bible, but worth a look. *** out of 4.

CAN'T HELP SINGING

Deanna Durbin and some spectacular scenery

CAN'T HELP SINGING (1944). Director: Frank Ryan.

When Caroline (Deanna Durbin),  a senator's daughter, learns that he disapproves of the man she loves and hopes to marry -- the opportunistic Lt. Robert Latham (David Bruce) -- she runs off into the wild west after him. Along the way she runs into some colorful characters, as well as a new romantic interest in the form of Lawlor (Robert Paige). Can't Help Singing has some pleasant tunes by composer Jerome Kern (especially the title tune), and Durbin and Paige [Fired Wife] make a very good team. Durbin, whose voice seemed to get even better as she got older, also became a bit double-chinned and puffy, but was still attractive. The handsome production boasts beautiful photography [Elwood Bredell and W. Howard Greene], and some good performances from the leads, along with Ray Collins [Hideout] as Durbin's father; Akim  Tamiroff (out west!) and Olin Howlin/Howland as two likable scoundrels; Bruce as the lieutenant; and Jay Novello [Atlantis, the Lost Continent] as a "sucker."

Verdict: One of the better Deanna Durbin musicals. ***.

SYLVIA

SYLVIA (1965). Director: Gordon Douglas.

"Before you can save the soul, you gotta feed the body."

Frederic Summers (Peter Lawford) hires private eye Alan "Mack" Macklin (George Maharis) to investigate the background of his fiancee, Sylvia (Carroll Baker). As Mack tracks down the woman's past, he learns about how she was raped by her stepfather, became a prostitute, then a poet, and has favorably impressed many of the people she met along her journey. This includes the librarian, Irma (Viveca Lindfors) and a former "hostess" named Jane (Joanne Dru), whose hospital bills were paid by Sylvia. Mack finally catches up with Sylvia herself, and is drawn to her -- but what will happen when she discovers the truth about him? At first Sylvia seems that it might have serious possibilities, and doesn't just seem like a tawdry exercise despite the subject matter, but as the film proceeds it's clear that it's pretty much junk that isn't lurid enough. The two leads are okay, but small-scale, and hardly give great performances. There is better acting from Lindfors (whose character has often been considered a lesbian although there's nothing in this to indicate it); Dru; and especially Ann Sothern [A Letter to Three Wives] as a slatternly former co-worker of Sylvia's. There are also nice turns by Nancy Kovack as a stripper, Jay Novello as a priest, Edmond O'Brian [Backfire] as a former client of Sylvia's, Connie Gilchrist as a madame, and especially Paul Gilbert [So This is Paris] as a drag queen entertainer/club owner known as "Lola." Lawford is actually quite good and there are appearances by Aldo Ray, Lloyd Bochner, and Majel Barrett, among other familiar faces, as well. Although the story bounces around from Mexico to New York and other places, there is never any sense of time or location, as if everything exists in that certain soap opera void that only Hollywood could produce.

Verdict: There's a reason why certain movies are completely forgotten. **.

CAPTAIN AMERICA (1944)

The Scarab (Lionel Atwill) vs Captain America (Dick Purcell)

 CAPTAIN AMERICA (15 chapter Republic serial/1944). Directors: Elmer Clifton; John English.

"A shocking exhibition of barbarism!" -- Cyrus Maldor.

District Attorney Grant Gardner (Dick Purcell) is secretly -- actually, not so secretly -- the famous costumed hero Captain America. His adversary, as we know from the first, is the Scarab, who is -- very secretly, except to the audience -- Cyrus Maldor (Lionel Atwill). Maldor first kills off members of an expedition who know too much via a poison known as the Purple Death. He has his men steal a destructive device that brings down a building; uses a scientist's secret of perpetual life to bring one of his henchmen back from the dead; and employs a "Singari blow-gun" to kill off another of his enemies. Later he tries to get a portion of a map that will lead him to a secret city and its treasures. Highlights of this exciting serial include the aforementioned building collapse in chapter one; a bit with a guillotine in chapter five; and a sequence when our hero is nearly crushed by a mine car hurtling down a shaft in chapter six, Another interesting scene has the Scarab brutally whipping John Hamilton, the "chief" from Adventures of Superman. Purcell [Brides are Like That] is quite suitable as Captain America/Grant Gardner; pretty Lorna Gray makes less impression in this than she did in The Perils of Nyoka; and Atwill [The Devil is a Woman], in his classy, elegant and utterly evil performance as Maldor, positively walks off with the picture; his underplaying makes him that much more effective. Jay Novello also registers in his brief turn as a thug. The fight scenes in this are furious and frenetic and very well-done. In the comic books Captain America was a soldier named Steve Rogers, not a D.A. I find this serial a lot more entertaining than the recent movies about this character such as Captain America The First Avenger.

Verdict: Delightful Republic cliffhanger. ***1/2.

KISS THE BLOOD OFF MY HANDS

KISS THE BLOOD OFF MY HANDS (1948). Director: Norman Foster.

In post-WW2 England Bill Saunders (Burt Lancaster) -- who thinks with his fists -- lashes out at a middle-aged bar owner simply because he says it's closing time and inadvertently kills the man. He runs off -- and hides out in the apartment of lady doctor Jane Wharton (Joan Fontaine). Jane tries to resist her attraction to Bill, but gets drawn deeper into his unsavory life, and winds up committing an act  of violence herself. Does this screwed-up couple have any hope? Frankly, it's hard to care about this romance of two unsympathetic people. Jane makes dumb excuses for Bill, and Bill never gives a thought to the man he killed or his family. Thrown into the mix is a creepy guy named Harry (Robert Newton of Obsession) who wants to get Bill involved in criminal activities, but whose chief purpose is to introduce someone Bill can feel morally superior to. It's as if the film is telling the audience: "See, Bill isn't so bad. Now this guy is a rotter." [But as far as we know Harry was never responsible for anyone's death.] Then there's the casting. Joan Fontaine can certainly play a woman who is obsessed with one man -- witness Letter from an Unknown Woman -- but she simply seems too intelligent to fall so hard for this loser, the vagaries of love notwithstanding. Lancaster also gives a good performance, by Hollywood standards at least, getting across the man's violence but not necessarily the aspects that make him a love object for Jane. Although only 80 minutes long the movie eventually becomes tedious, which is a shame because it has atmospheric photography by Russell Metty [The Omega Man], a nice score by Miklos Rozsa, adroit direction and editing -- but, sadly, a script that is lacking, to say the least. Norman Foster also directed the film noir Woman on the Run and many others.

Verdict: At least it has a good -- if kind of gross -- title. **. 

KING OF THE MOUNTIES

One good-lookin' mountie: Allan Lane as Sgt. King

KING OF THE MOUNTIES (12 chapter Republic serial/1942). Director: William Witney.

In this sequel to King of the Royal Mounted, Sgt. Dave King (again Allan Lane) and his cohorts are up against a triumvirate of Axis baddies: Admiral Yamata (Abner Biberman) of Japan; Marshal von Horst (William Marshall) of Germany; and Count Baroni of Italy (Nestor Paiva of Tarantula). This gruesome threesome is behind numerous deadly acts of sabotage on Canadian soil, targeting such as oil fields, munition factories and the like, and employing such devices as a spiffy-looking flying Falcon ship. They use an active volcano [!] as their headquarters. Their plans for an Axis invasion of Canada are threatened by an invention called the Brent Airplane Detector; when the inventor is killed, his daughter Carol (Peggy Drake) carries on in his efforts to keep the device out of the determined enemies' hands. The three main bad guys are aided in their efforts by the traitor Harper (Douglass Dumbrille) and his associate Pierre (Duncan Renaldo). The wonderful Jay Novello shows up in a beard and engages in some of the lively fisticuffs that are sprinkled all through the serial. King makes some amazing death-defying leaps as well. Highlights include the remote control torpedo hidden beneath a phony haystack, and King's fight with a Japanese soldier in the cockpit of an out-of-control spitfire. Mort Glickman's music is also effective. This is a bit better than King of the Royal Mounted due to its somewhat more interesting storyline. Director Witney keeps things moving and at a high-excitement level throughout. NOTE: Much of the sound and some of the picture of this serial have been lost. You can find cheap copies of this with the missing parts, or buy a more expensive DVD from Serial Squadron which adds sub-titles to the parts without a soundtrack.

Verdict: Snappy stuff. ***.

RICHARD DIAMOND, PRIVATE DETECTIVE Season 2

David Janssen on his car phone

RICHARD DIAMOND, PRIVATE DETECTIVE Season 2. 1958.

David Janssen was back as urbane P.I. Richard Diamond for the second season out of four, consisting of 21 half-hour episodes. Diamond narrates the stories a la Mike Hammer, whose show began the same year, and even roughs up people the way Hammer does on occasion, even though he's otherwise a very different sort of fellow. Most of the episodes are a solid "B" or "B+," making the show entertaining but not outstanding. Among the more memorable episodes are: "The Dark Horse," in which a lady politician rejects the notion of a bodyguard; "Pension Plan," about a unique retirement scheme involving stolen jewelry; "Another Man's Poison," in which Rick, as everyone calls him, wonders if he was the real target when a man nearby gets shot; "Last Testament" (was the will of an electrocuted man altered?); "Percentage Takers," in which Rick protects an obnoxious Broadway star played by Jack Cassidy; "The Bungalow Murder," in which a studio head is found dead; "One Foot in the Grave" [an old cop is shot]; and "Snow Queen," in which an art store covers up a brisk trade in heroin. Guest-stars include Gordon Jones, Doris Dowling, Jay Novello, Keye Luke, Gloria Talbott, Nick Adams, Lee Van Cleef, Kipp Hamilton, and many others.

Verdict: Janssen is fine and the show quite entertaining. ***.

THE LUCY SHOW SEASON TWO

Lucy and Viv try to get the "world famous Thunderbolt" to move

THE LUCY SHOW Season 2.1963.

The first season of The Lucy Show had its moments but was certainly no I Love Lucy. The second season also has some laughs, but there isn't a single really outstanding episode. The more memorable ones feature Jay Novello as a safe cracker; Robert Alda and John Carradine as art student and instructor [and a very clever bit involving the Mona Lisa]; Lucy's all-woman fire department putting out a fire at the bank; Lucy and Viv opening a restaurant [though it can't compare to "The Diner" episode on I Love Lucy]; Lucy working with Mr. Mooney [Gale Gordon, who is introduced on the fourth episode of the season] at the same bank; the gals competing in a bake-off; and the frenetic couple organizing kiddie parties [the funniest bit has the gals trying to get a recalcitrant dog, "the world-famous Thunderbolt" -- see photo -- to just get up and move]. The problem with The Lucy Show is that everyone thinks that all Ball needs is a little shtick to be hilarious, but the episode with her conducting an orchestra is just plain bad, and there are other overly silly and unfunny episodes with labored and poor material that even the talents of Ball and Vance can't save. However, the gals get some good support from Gale Gordon, Mary Jane Croft, Kathleen Freeman, and others. Ball's second husband, comic Gary Morton, appears in one episode and is quite good. Season three was slightly better. In the introduction to the show, there are nuermous photos of Lucy, and only one of Vivian Vance, who is still billed only as a "co-star."

Verdict: "Ethel Mertz" is one thing, but you can really miss her teaming up with Ethel Merman. **.  

FEDERAL OPERATOR 99

FEDERAL OPERATOR 99 (12 chapter Republic serial/1945). Directors: Spencer Bennett; Yakima Canutt.

Jerry Blake (Marten Lamont) -- AKA Operator 99 -- and assistant Joyce Kingston (Helen Talbot) vs. crime lord Jim Belmont (George J. Lewis) and his moll Rita Parker (Lorna Gray). At least Belmont appreciates some of the finer things in life, such as classical music. He plays the Moonlight Sonata as a henchman begins to torture a countess (Elaine Lange) with fire. Hal Taliaferro is distinctive as the gunsel Matt. Among other plots, Belmont tries to get his hands on some jewels and a prized Stradivarius. Joyce is almost cremated in chapter three, and strung up to face a giant propeller in chapter four. [There are a couple of recycled cliffhangers as well.] Federal Operator 99 has an interesting cast and characters, including Jay Novello as a diamond cutter and Tom Steele as several thugs and others. Lorna Gray was in many other serials, including Daughter of Don Q and The Perils of Nyoka.

Verdict: Fast-paced and with great fight choreography. ***.

CRIME WAVE

CRIME WAVE (1954). Director: Andre De Toth.

Ex-con Steve Lacey (Gene Nelson) is trying to build a new life with his wife when former inmates show up and force him to participate in a bank robbery. Sterling Hayden is the cop who leans on Lacey in an attempt to get the goods on the bad guys. Charles Bronson is a murderous hood, and the wonderful Jay Novello is a vet who comes afoul of the gang and Bronson. Song and dance man Nelson gives a solid performance, as does Hayden and Phyllis Kirk as Nelson's wife. Lacey's actions are occasionally inexplicable and the picture just misses being special.

Verdict: Minor but absorbing film noir. **1/2.

THE SNIPER

THE SNIPER (1952). Director: Edward Dmytryk.

Eddie Miller (Arthur Franz) is a delivery man for a cleaning service and has a problem with women. When one of his customers, a singer named Jean (Marie Windsor) innocently excites him but sends him away when her boyfriend shows up, he begins a spree of shooting women, with Jean the first victim. Franz, who is excellent, is the perfect choice for the title role, with his clean cut features and appealing presence in stark contrast to the terrible crimes he's committing. The movie certainly has an interesting cast. Adolphe Menjou is the head cop on the case, Lt. Frank Kafka, and Richard Kiley, that Man of La Mancha himself, is a police psychologist. He gives disturbing statistics about sexual predators (the situation has obviously gotten much worse since 1952). Frank Faylen and Gerald Mohr are also cast as policemen. Miller's landlady is played by Mabel Paige, who sold Lucy and Ethel her dress shop in a classic I Love Lucy episode. Jay Novello, who also appeared on I Love Lucy, turns up in another amazing characterization as Pete, the owner of the bar where Jean sings for her supper. The movie is well made and completely absorbing, but it does give rather short shrift to the victims.

Verdict: Probably Franz' finest hour. ***.

GREAT OLD CHARACTER ACTORS: JAY NOVELLO

JAY NOVELLO. 1904 - 1982.

When I was a kid I saw Irwin Allen's production of The Lost World and the classic seance episode of I Love Lucy many times, but I never made the connection between the simpering South American "Costa" of the former and the nerdy but lovable "Mr. Merriweather" of the latter. ("We're all odd, aren't we?" he says to Lucy and Ricky.) Novello, who has 205 credits to his name, also appeared on two other I Love Lucy episodes, playing Mario from Italy and a nervous trial witness who only wants some peace and quiet which, of course, he doesn't get from Lucy. He was in dozens of films, appeared in virtually every famous TV show, had parts in cliffhanger serials, and was always first-rate in everything he did. Why did it take me so long to recognize that Costa and Mr. Merriweather were played by the same actor? Because Novello was one of those rare birds, a very gifted, genuinely versatile performer who could lose himself in every role he played, convincingly portraying any kind of person and affecting whatever accent was required by the role. (In The Mad Magician with Vincent Price you'd have thought he was actually a British actor. And he played an Eskimo chief in The Great Alaskan Mystery!) Jay Novello left behind more than his share of very memorable portrayals and was one of those really great character actors who was a boon to every production he took part in.

THE MAD MAGICIAN

THE MAD MAGICIAN (1954). Director: John Brahm.

Don Gallico (Vincent Price), who seeks fame as a world-class magician in the Victorian era, is stymied at every turn by his nasty employer Ross Ormond (Donald Randolph). So he makes the man a victim of his buzz saw device in a zestfully ghoulish sequence. This leads into other murders as he takes on Ormond's identity and has to deal with another magician, Rinaldi (John Emery), who covets his latest device, a working crematorium. With a very clever script by Crane Wilbur, The Mad Magician is very entertaining and features a winningly devilish performance by Price as a man pushed to the end of his rope. His knocking off evil people provides a certain catharsis as only a film can do. Mary Murphy is Gallico's assistant, and Patrick O'Neal plays her boyfriend, a visiting New York City police lieutenant. Eva Gabor is Claire, Ormond's wife, who used to be married to Price. Lenita Lane is Mary Prentiss, a mystery novelist who helps O'Neal get at the truth; five years later she would again appear with Price as Lizzie in The Bat. The versatile Jay Novello plays her husband, Frank, as British in this as he was South American in The Lost World (1960); he also played Mr. Merriweather in the classic "Seance" episode of I Love Lucy. The wildest scene has Price trying to get back a valise accidentally picked up by Karen which, unbeknownst to her, contains the head of Ormond! Originally presented in 3-D.

Verdict: Lots of fun! ***.

GREAT ALASKAN MYSTERY

GREAT ALASKAN MYSTERY (1944). 13 chapter Universal serial. Directed by Ray Taylor and Lewis D. Collins.

This serial focuses on attempts to steal and use a “Peraton” ray gun that uses a new energized mineral as a power source. At the beginning an evil captain maroons the inventor and party on an iceberg, but they manage to survive for several more chapters of highly moderate and essentially mediocre “excitement.” Yep, Great Alaskan Mystery is more evidence of why Universal was never considered one of the better studios for cliffhanger serials. Milburn Stone is too low-key and dull to make a memorable serial hero. There are a few good scenes, however: a polar bear swims after and attacks a man in the water off the iceberg; and a terrific cliffhanger when a mine car plunges into a pit with the added danger in the fact that it's carrying explosives! The theme music is excellent, and the ever-versatile Jay Novello plays an Eskimo chief. With Marjorie Weaver as Ruth Miller and the always-sinister Martin Kosleck as a nasty turncoat scientist.

Verdict: Okay if you're in the mood for nothing special. **.