THE SECRET FURY

Claudette Colbert and Robert Ryan

THE SECRET FURY (1950). Director: Mel Ferrer. Colorized version.

Ellen Ewing (no relation to J. R. Ewing) is about to marry architect David McLean (Robert Ryan), when a strange man (Willard Parker) interrupts the ceremony and insists that he was present when Ellen married another man -- she is about to commit bigamy! Ellen insists that she never heard of her "husband," Lucian Randall (Dave Barbour). Although Ellen's Aunt Clara (Jane Cowl) seems to fear that her niece might have had a nervous breakdown, David has a more supportive attitude and sets off with his fiancee to find Randall and get to the bottom of this mystery. The couple get more than they bargained for when a murder is committed and Ellen is accused. Is she the victim of a far-reaching conspiracy, or is Ellen truly unhinged? 

Robert Ryan questions Vivian Vance

Although there are some holes in the plot -- the whole logistics of the murder, for instance -- The Secret Fury proceeds at a fairly swift pace and maintains suspense for its entire length. You'll find yourself being suspicious of virtually everyone in the picture. The acting can't be faulted. Although Ryan has the less showy role of the two stars, he never reveals too much nor too little about David. Colbert is excellent, particularly in a courtroom sequence when she has a positive meltdown (and gives Doris Day of Midnight Lace a run for her money!) Paul Kelly is wonderful as a former flame of Ellen's, although it is highly unlikely that he would be the prosecutor on the case. Philip Ober is given one of his all-time best roles as Ellen's defense attorney and friend, and his then-wife Vivian Vance makes an impression as a maid who swears that she met Ellen and her husband, the aforementioned Randall, before. (The following year Vance wound up as Ethel on I Love Lucy.) Jane Cowl is also excellent as the aunt who hardly seems like she's that much on her niece's side. Percy Helton, Paul Picerni and Elisabeth Risdon also make an impression in smaller roles. This is one of ten or so films directed by actor Mel Ferrer; his work on this is efficient enough if hardly Hitchcock level. Jose Ferrer (no relation to Mel) has a small role in the film as a wedding guest. 

Verdict: Very suspenseful thriller with some excellent performances. ***. 

THE GREAT RACE

Blink and you'll miss her: Vivian Vance

THE GREAT RACE (1965). Director: Blake Edwards.

Near the turn of the century, rival daredevils Professor Fate (Jack Lemmon) and the Great Leslie (Tony Curtis), among others, embark on a race from New York to Paris (they go way up north and head for Siberia to make their way into Europe). They are joined by Maggie Dubois (Natalie Wood), a suffragette and wannabee reporter. Along the way -- the very longgg way -- they have assorted misadventures ... Frankly, I only put on The Great Race because I heard Vivian Vance [The Blue Veil] was in it. Unfortunately, "Ethel" -- now playing the wife of newspaper editor Arthur O'Connell -- is a mere "guest star" and is on screen for at best a minute and a half. Boo hiss! Worse, the movie is nearly three hours long. No, it's not awful and there are enough entertaining moments and good acting to keep you watching, but there's no need for this picture to be so long. (The movie is, rather presumptuously, dedicated to Laurel and Hardy, who certainly never needed three hours to make a funny movie!) Probably inspired by the success of such mammoth productions as Around the World in 80 Days and It's a Mad, Mad, Mad, Mad World, The Great Race is bloated and episodic, with way too many digressions. There is a long and unnecessary detour involving a foppish (or stereotypically gay?) prince who happens to be a lookalike of Fate's, a sequence which could and should have been excised from the final cut, despite some good performances from Lemmon as the prince and George Macready as a conniving member of his court. A sequence for some reason situated in the old west has Dorothy Provine [Kiss the Girls and Make Them Die] -- looking sort of like a monkey with a bouffant hairpiece that threatens to topple off of her head any minute -- belting out a terrible number, but at least it leads into a fairly rousing bar fight. On the other hand, a pie fight that caps the prince sequence goes on too long (keeping in with the "theme" of the movie) and hasn't a single laugh. Oddly, the best scene in the movie is a well-cut and choreographed sword and saber fight between Curtis and Ross Martin that isn't played for laughs but plays. Jack Lemmon is in manic mode (as he was in Luv) throughout the movie but is effective on that sometimes irritating level. Curtis and Wood are Curtis and Wood, although they are well-coached in their line readings. Keenan Wynn, Larry Storch, Macready and Martin make a better impression.

Verdict: Not quite "Blake's Folly" -- but not for lack of trying. **1/2.

GREAT OLD EPISODE: THE OPERETTA -- I LOVE LUCY

"I am the queen of the gypsies..."

I LOVE LUCY: "The Operetta." Season Two. 1952.

SQUIRE/FRED MERTZ: "There's lots of ale and stout upon the shelf.
  And I take a drop or two myself"

PEASANTS: "A drop, he says! The squire's got the gout.
The stout makes him ail, and the ale makes him stout."

Needing to quickly replenish the treasury of the Ladies Wednesday Fine Arts League (or whatever the heck it's called), Lucy decides to write and put on an operetta entitled "The Pleasant Peasant." Since Ethel can sing much better than Lucy, she is given the lead role of Lily, while Lucy has to be content with Camille, "the snaggle-toothed old queen of the gypsies." To drown out Lucy's awful singing, the cast has been instructed to join in every time she opens her mouth. The costumes and scenery have been rented, everything's going well on opening night, but as always when Lucy Ricardo (Lucille Ball) is in charge, things don't go quite as expected ...

Asked who wrote the songs, Lucy replies "Did you ever hear of Victor Herbert?" Of course, Lucy wrote the songs herself. When I first saw this in reruns as a child, I thought the rather tuneful music really was composed by Victor Herbert -- it's in his melodious style --  but I've never been able to determine who really did the music. [I Love Lucy has credited composers such as Eliot Daniel and Wilbur Hatch but they did general music for many episodes.] In any case, all of the songs are surprisingly memorable, including Ethel/Vivian Vance's delightfully-performed number "Lily of the Valley" ["when other girls go walking on their arm they've got a swell beau; whenever I go walking on my arm is just my elbow"], Ricky's love song to Lily, the drinking song, the Squire/Fred's number, and so on. I assume the clever and amusing lyrics were written by the Lucy writing team, Jess Oppenheimer, Madelyn Davis and Bob Carroll, Jr. The episode was directed by Marc Daniels.

Ball, Vance, Desi Arnaz, and William Frawley are all in top form, aided and abetted by Myra Marsh as the club president and the other ladies, especially the woman who interrupts the performance to sing to Lucy about a bounced check, and whose identity I can't determine [she isn't listed on imdb nor even on the I Love Lucy DVD], although I have definitely seen her elsewhere, possibly other Lucy episodes.

UPDATE: Aside from the first number in the operetta, the songs were all composed by Eliot Daniel, who also composed the show's theme song.

Verdict: Classic comedy. ****.

THE LUCY SHOW SEASON TWO

Lucy and Viv try to get the "world famous Thunderbolt" to move

THE LUCY SHOW Season 2.1963.

The first season of The Lucy Show had its moments but was certainly no I Love Lucy. The second season also has some laughs, but there isn't a single really outstanding episode. The more memorable ones feature Jay Novello as a safe cracker; Robert Alda and John Carradine as art student and instructor [and a very clever bit involving the Mona Lisa]; Lucy's all-woman fire department putting out a fire at the bank; Lucy and Viv opening a restaurant [though it can't compare to "The Diner" episode on I Love Lucy]; Lucy working with Mr. Mooney [Gale Gordon, who is introduced on the fourth episode of the season] at the same bank; the gals competing in a bake-off; and the frenetic couple organizing kiddie parties [the funniest bit has the gals trying to get a recalcitrant dog, "the world-famous Thunderbolt" -- see photo -- to just get up and move]. The problem with The Lucy Show is that everyone thinks that all Ball needs is a little shtick to be hilarious, but the episode with her conducting an orchestra is just plain bad, and there are other overly silly and unfunny episodes with labored and poor material that even the talents of Ball and Vance can't save. However, the gals get some good support from Gale Gordon, Mary Jane Croft, Kathleen Freeman, and others. Ball's second husband, comic Gary Morton, appears in one episode and is quite good. Season three was slightly better. In the introduction to the show, there are nuermous photos of Lucy, and only one of Vivian Vance, who is still billed only as a "co-star."

Verdict: "Ethel Mertz" is one thing, but you can really miss her teaming up with Ethel Merman. **.  

THE BLUE VEIL

Laughton, Wyman and Vance with little Freddy 

THE BLUE VEIL (1951). Director: Curtis Bernhardt.

In the maternity ward widow Louise Mason (Jane Wyman) asks to see her newborn but the doctor has to tell her that the child has passed away. Seeking employment, Louise is told [somewhat tactlessly] that she might enjoy being a nanny, a situation she at first rejects. However she becomes a nanny to the little boy of a widower named Fred Begley (Charles Laughton); this is only the first of many positions she has in this episodic film. As the years go by, Louise passes up her own happiness, such as with suitor Gerald Kean (Richard Carlson), when she feels the children she looks after need her more. There is an eventual custody battle over a child virtually abandoned by its mother, and a very moving wind-up. Wyman is excellent, as usual, and she has a stellar supporting cast, including a wonderful Laughton, a solid Carlson, Vivian Vance as Laughton's secretary, Agnes Moorehead and Joan Blondell as subsequent employers, little Natalie Wood as a needy child, and Don Taylor as one of her grown-up charges. This same year Vance became as famous as Wyman and Laughton when she took on the role of Ethel Mertz on I Love Lucy; this movie proves there was more to her than Ethel [wonderful as she was]. A priceless bit in Blue Veil has a now-senior Louise being told that she's too old to look after children but she could always get a job as a maid -- such easy work!

Verdict: Tearjerker supreme. ***1/2.

MEET THE MERTZES

MEET THE MERTZES: The Life Stories of I Love Lucy's Other Couple. Rod Edelman and Audrey Kupferberg. Renaissance books; 1999.

This book takes an interesting and pleasant look into the lives of Vivian Vance (Ethel Mertz) and William Frawley (Fred Mertz) both before, during and after I Love Lucy, their appearances on which made them forever famous. There is a look at Frawley's long, long career in films, his important role on the post Lucy sitcom My Three Sons, and tales of his drinking and famous, if lovable, grumpiness. Vivian, who grew up in Albuquerque [but was not born there] -- "Ethel's" home town -- got her start in New Mexico theater then migrated to Manhattan where she had some important stage roles but never quite graduated to stardom [she made very few films]. She appeared with Lucille Ball on The Lucy Show, even  though she would rather have stayed in Connecticut with her gay husband, a publisher who was her late-in-life companion. There are also details on her earlier marriages, as well as the one time Frawley tied the knot. Illustrated.

Verdict: A good read for Lucy fans. ***.

THE LUCY SHOW: SEASON ONE

Lucy and a bleating sheep

THE LUCY SHOW: SEASON ONE. CBS/1962.

After the end of I Love Lucy as well as the dissolution of Lucille Ball's marriage to Desi Arnaz [although not the end of their professional relationship due to their involvement in Desilu], Ball and Vivian Vance re-teamed without the boys as a widow and a divorcee living together with their children in a small town. Although The Lucy Show had the same writers as I Love Lucy, the show -- which also ran several years before turning into Here's Lucy -- was not in the same classic league. [One problem was that the writers couldn't resist re-using some classic I Love Lucy bits and plot lines.] There are, however, some funny moments and memorable scenes in the first season, such as "Lucy and Viv take Up Chemistry" and "Lucy Buys a Boat." The two best episodes are "Lucy Builds a Rumpus Room," which has a very funny finale, and "Lucy is Kangaroo for a Day," which has a priceless bit in which a strand of her suit is caught in an elevator and completely unravels her outfit, as well as some hilarious scenes in a restaurant. Dick Martin is okay as the girls' neighbor and occasional date, Harry, but Charles Lane [later replaced by Gale Gordon] is terrific as the severe banker Mr. Barnsdahl. The three children in the cast are all talented and appealing as well. However, there are too many mediocre episodes to make most people want to look at later seasons, although they had their moments.

Verdict: Lucy can still make you laugh -- with reservations. **1/2.

DESILU: THE STORY OF LUCILLE BALL AND DESI ARNAZ

DESILU: THE STORY OF LUCILLE BALL AND DESI ARNAZ. Coyne Steven Sanders and Tom Gilbert. New and Expanded Edition. Itbooks; 2011.

This isn't just the story of I Love Lucy, but of the marriage [and eventual divorce] of Ball and Arnaz, their Desilu empire and its successes [Star Trek] and failures [Guestward Ho], Lucy's subsequent TV shows after Lucy went off the air, and the often unsavory private lives of both individuals. Desi's business sense was often compromised by his heavy drinking, and after awhile he was incapable of helming Desilu. Ball could be kind to friends and associates, but on other occasions she could be a real monster. [According to this she had guest star Joan Crawford in tears!] Bolstered by many interviews, including with daughter Lucie Arnaz, this goes behind the scenes of The Lucy Show, Here's Lucy, and Ball's last attempt at a TV show, Life with Lucy, with comments from the cast. The book also looks into her marriage with second husband Gary Morton. You'll find lots of info on William Frawley and Vivian Vance as well.

Verdict: An inside, page-turning look at television's most famous and influential couple. ***1/2. 

THE LUCY SHOW Season 3

Ball and Vance with bird

THE LUCY SHOW Season 3. 1964. CBS.

"Her hair's dyed -- and her brain isn't too long for this world, either."

After I Love Lucy wrapped up and Lucy divorced Desi -- the two remained involved with Desilu Studios -- Ball importuned Vivian Vance, who only wanted to stay on the east coast with her husband, to co-star with her in a new vehicle. Supposedly based on a book called "Life Without George," The Lucy Show basically had Lucy (now the widowed Lucy Carmichael with two children) and Ethel (reborn as the divorced Vivian Bagley with one son) sharing a house and expenses and a lot of misadventures. The network kept wooing Lucy and Lucy kept wooing Vance, so she returned for a third season of silly episodes. Vance did not appear in every episode -- one condition for her doing the show -- so she was occasionally replaced by special guest-stars, including Ann Sothern, who isn't bad as a widowed countess who returns to the town where she was born. However, the episodes with Ball and Vance are generally the most memorable. Arguably the best third season episode has Lucy and Viv vying for Charles Drake as Lucy shows up at a dance on roller skates, ensuring pandemonium. Other reasonably good shows have Jack Benny playing a plumber, Lucy and Viv acting as camp cooks, and a wacky trip to Las Vegas. Lucy loses a contact lens in chocolate icing but doesn't know which cake, and she accidentally sucks a rare valuable stamp into a vacuum cleaner she's trying to sell. And so on.

Lucy and Viv can still be very funny,-- and occasionally overbearing, especially the former --  but the scripts weren't always up to their standards. Gale Gordon makes an excellent foil as irritable banker Mr. Mooney; he's especially good in a sequence wherein he tries to teach Lucy how to ski. The episode where Lucy tries to get tickets to a Danny Kaye performance is fairly wretched, as are the episodes where she becomes a traffic and undercover cop. Guest-stars and supporting players include a very funny Harvey Korman, Reta Shaw, Byron Foulger, Keith Andes, John Williams, Kathleen Freeman, Jim Davis, Carole Cook, Nestor Paiva, Mabel Albertson, Jack Kelly, Steven Geray and Norma Varden. The children haven't got much to do but they are appealing and do it well.

Verdict: No I Love Lucy, but a certain amount of laughs and clever comic antics. **1/2.