THE FLAME

John Carroll and Vera Ralston

THE FLAME (1947). Director: John H. Auer. Colorized. 

George MacAllister (John Carroll of Zorro Rides Again) is in love with a nurse named Carlotta (Vera Ralston), who happens to be looking after George's supposedly dying brother, Barry (Robert Paige of Hellzapoppin). Carlotta marries Barry with the full approval of George, who is hoping to wrest his brother's fortune away from him. Complicating matters are another gal pal, Helena (Constance Dowling), and a guy with a big crush on her, Ernie (Broderick Crawford of All the King's Men). Then there's the termagant Aunt Margaret (Blanche Yurka), who casts a dim eye on Carlotta and Barry's marriage. Which of the two brothers will Carlotta ultimately wind up with, and which will be alive at the end? 

Robert Paige and Ralston

The Flame is an interesting if flawed bit of film noir from Republic Studios starring Ralston, the wife of the studio head. She seems to give a more convincing performance in this than in other films, although she'll never be seen as another Barbara Stanwyck. Carroll is excellent, however; Paige is somewhat less notable but good enough, Yurka scores as the aunt, and Crawford and Dowling nearly walk off with the movie. Crawford proves that there's much more to him than Highway Patrol, and Dowling does a snappy and sexy song and dance number in a nightclub. The generally unpredictable film keeps throwing curveballs at the viewer when it comes to the inter-relationships of the characters. Victor Sen Yung is a breath of fresh air and is very effective as George's manservant, Chang. There's also good work from Henry Travers as a doctor and Hattie McDaniel as a cheerful domestic. Reggie Lanning's cinematography and Heinz Roemheld's score are added attractions. It is never specified exactly what is wrong with Barry and he never seems to be "dying" or even ill. Much of the story takes place at Manhattan's tony Hampshire House on Central Park West, which is still standing today. 

Verdict: Some more character development might have helped, but this is intriguing enough in its own way. **3/4. 

JUBILEE TRAIL

JUBILEE TRAIL (1954). Director: Joseph Kane.

A dance hall gal who calls herself Florinda (Vera Ralston) and a "nice" gal named Garnet (Joan Leslie), recently married, develop an unexpected friendship that lasts from 1845 New Orleans to California in the days just before and after it became a state and on the verge of the Gold Rush. The main story of this meandering "epic" from Republic pictures has to do with Garnet's brother-in-law trying to kidnap her young son after her husband's death, and the chaos that results. Along the way there are Indians on the warpath and assorted romantic complications. Richard Webb, Forrest Tucker, Buddy Baer, Barton MacLane and Jim Davis are also in the cast. Pat O'Brien has a notable turn as "Texas," a kind-hearted drunk with a secret. Leslie is okay as Garnet; Vera Ralston is oddly appealing as Florinda. Jubilee Trail isn't awful but it isn't memorable, either.

Verdict: A trail you may not want to wander along. **1/2.

MAKE HASTE TO LIVE

Stephen McNally and Dorothy Maguire

MAKE HASTE TO LIVE (1954). Director: William A. Seiter. 

At the very beginning of Make Haste to Live, a shadowy stranger arrives at the home of Crys Benson (Dorothy Maguire) -- who has learned that her dangerous husband Steve (Stephen McNally of The Black Castle) has just been released from prison and may be coming to kill her -- and is able to easily open the front door which is not even locked and get inside. This is just one of many problems with the script for Make Haste, but the movie has other issues as well. 

John Howard with a distraught Maguire

Crys (originally named Zena) got away from her husband after she discovered he had shot and killed a cop. He gets away with that murder but winds up going to jail for the murder of Zena in an explosion (it was actually another unknown woman and it may have been an accidental death). Zena has reinvented herself and lives far away from Chicago in New Mexico with her teenage daughter, Randy (Mary Murphy of The Mad Magician). She has a boyfriend named Josh (John Howard of The Mad Doctor) whose proposals she keeps rejecting. The scene when Steve shows up -- something "Crys" has clearly been dreading and is terrified of -- completely lacks tension and impact and is badly muffed. Maguire was certainly a talented actress but in this sequence she acts as if it was only her brother -- whom Steve pretends to be -- showing up instead of the man who spent twenty years in prison for her alleged murder! McNally could also give decent performances but there are a dozen actors who could have made much, much more of this interesting role. For that matter Barbara Stanwyck could also have made a lot more of Crys and her situation. 

Ron Hagerthy and Mary Murphy

The supporting cast, including Howard, Murphy, Ron Hagerthy as her boyfriend, Edgar Buchanan as the sheriff, and Carolyn Jones as Crys' old friend, Mary -- who at Zena's direction tells the authorities she is alive but who is not believed -- are all good, and there is an effective score by Elmer Bernstein [Far From Heaven]. But there are a few too many holes in the plot, and Crys' actions are often senseless. The reactions and attitudes of the two lead characters in an incredibly difficult situation simply do not ring true. There are interesting elements to this that never jell. A bit with a bottomless pit in some Indian diggings being worked by Josh leads to a moderately exciting climax. From Republic studios. 

Verdict: An intriguing situation but you can see why this flick is completely forgotten today. **1/4. 

UNDER COLORADO SKIES

UNDER COLORADO SKIES (1947). Director: R. G. Springsteen. in TruColor. 

Bank teller and medical student Monte Hale (Monte Hale) is in the bank when it's robbed, and becomes the chief suspect not only in the robbery but the murder of the bank president. One of the real perpetrators is Jeff Collins (John Alvin of This Side of the Law), who happens to be the brother of Monte's fiancee Julia Collins (Lorna Gray of Daughter of Don Q). In a foolish attempt to protect the woman he loves from the truth, Monte runs off and then encounters a group in a runaway wagon, whom he rescues. These men turn out to be members of the Riders of the Purple Sage singing group (actually the Foy Willing band), who sign him  up without even hearing him sing. Hotel and saloon owner Lucky (Paul Hurst) hires the band, and proves generally helpful to Monte and Julia after she is shot during a stage coach robbery perpetrated by the Marlowe gang. After cutting a bullet out of Julia, Monte is forced to do the same thing for Marlowe (William Haade), the head of the gang, who takes a liking to him. For his part, Monte manages to convince Marlowe that he's really on his side. But will Monte be able to pull off this deception? And what will happen when Julia learns the truth about her miserable polecat of a brother?

Monte Hale

Although forgotten by all but classic B western fans, Monte Hale was another popular Republic studios singing cowboy who had quite a following in his day. His comic book lasted eight years. A big attractive lug, if not quite as handsome as Roy Rogers, Hale was not a bad singer in his own right, had a very deep speaking voice, and more of a kind of "macho" presence than Rogers. His acting can best be described as adequate but ingratiating. Showing her versatility, Lorna Gray is quite different in this than she is in the occasionally villainous roles she would play in serials. This was the very first film for Gene Evans [The Giant Behemoth], who adeptly plays one of the gang members. Busy actor Hank Patterson is also in the cast as Slim, and he has an amusing drunk scene. R. G. Springsteen also directed Black Spurs and many others. The best song number -- there are several -- is Holiday for the Blues.

Verdict: Well-turned-out western musical fare with an appealingly gauche Hale in the lead. **3/4. 

MURDER IN THE MUSIC HALL

William Marshall and Vera (Hruba) Ralston

MURDER IN THE MUSIC HALL (1946). Director: John English.

Lila Leighton (Vera Ralston) is a figure skater who appears in an ice show on the stage of a music hall. She is contacted by Carl Lang (Edward Norris), who spent five years in the penitentiary for killing a man named Douglas. Now Carl tells Lila that he was only covering for her, that he knows she killed Douglas out of jealousy. Lila is still digesting this absurd accusation when Carl himself is murdered, literally stabbed in the back in his penthouse. With the aid of her boyfriend, handsome conductor Don Jordan (William Marshall), Lila tries to ferret out who killed Carl before she herself is accused of the crime by Inspector Wilson (William Gargan). The suspects include Lila's fellow performers -- Millicent (Helen Walker of Nightmare Alley), Diane (Julie Bishop of Why Men Leave Home), and Gracie (Ann Rutherford) -- as well as Rita Morgan (Nancy Kelley of The Bad Seed), the wife of gossip columnist George Morgan (Jerome Cowan). 

Suspects: Helen Walker, Ann Rutherford, Julie Bishop

Murder in the Music Hall is a well-turned-out mystery from Republic studios starring the wife, Ralston, of the studio head. The plot has interesting aspects, especially concerning a certain blind stranger, although the true identity of this person is obvious from the first. The identity of the murderer, however, is by no means certain but won't come as that much of a surprise, either. Never a particularly great actress, Ralston generally manages to be appealing, as she is in this. Marshall, Norris, Gargan and the ladies are all adept. There are some skillful real-life figure skaters who put on brief acts as well. James Craven, Jack La Rue and Anne Nagle are also in the cast in small roles. Director John English also helmed a number of serials.

Verdict: Acceptable Republic murder mystery with an interesting cast. **1/2. 

TRAIL OF ROBIN HOOD

Roy sings to dog Bullet

TRAIL OF ROBIN HOOD (1950). Director: William Witney. Filmed in TruColor.

Retired actor Jack Holt, playing himself, hopes to sell a batch of Christmas trees at cost so all the little children can have one. Businessman Aldredge (Emory Parnell) sees this as a good way for him to lose money, so his daughter Toby (Penny Edwards of That Hagen Girl) goes out west to see what she can do. She can't convince Holt to change his methods, and comes into conflict with Roy Rogers (Roy Rogers), who heads the Soil Conservation Service. When Jack is injured in a bad fire, little Sis McGonigle (Carol Nugent of Vice Raid) rounds up a bevy of cowboy stars to bring the Xmas trees to market even though the bridge out of town has been set on fire!

Rex Allen yells at Sis to move her ass -- sort of

Republic studios would occasionally bring together many of its western stars in one movie but fans must have been greatly disappointed -- as I was -- to see how little screen time they get in this, which is, after all, a Roy Rogers and Trigger picture. Monte Hale doesn't even get a close up, although Rex Allen and Allan "Rocky" Lane have a little more to do (but not much). Lesser lights such as Tom Tyler, Crash Corrigan, Tom Keene, and Kermit Maynard at least get a little dialogue. Rex yells at Sis to go ahead and plough over the bridge even though it's on fire and collapses just a second later -- good idea, Rex! 

Jack Holt

Jack Holt appeared in only two more movies and died the year after Trail was released. He had started out in silent films in 1914 and amassed nearly 200 credits, including the serial Holt of the Secret Service. George Chesbro, who was a bad guy in many of Holt's movies, also appears in Trail. The title of this flick makes no sense as there's no Robin Hood, and it's stretching things a bit to suggest that Holt is like Robin Hood in his giving his Christmas trees to the poor. The dog Bullet also appears in the movie, and there's a talented turkey named Galahad who is spared the carving knife. Gordon Jones, who played The Green Hornet, is cast as Sis' big brother, and Clifton Young, who began as a child actor in "Our Gang" comedies, makes an impression as the bad guy Mitch McCall. Young was especially notable in Dark Passage with Bogart.

Verdict: Boo! Hiss! Let's see more of Monte Hale! **. 

EYES OF TEXAS

EYES OF TEXAS (1948). Director: William Witney. 

Thad Cameron (Francis Ford of Charlie Chan at the Circus), who has started a home for boys who lost their fathers in WW2, is overjoyed to discover that his long-lost nephew, Frank, has survived. Before the two are reunited, however, Thad is killed by a pack of bloodthirsty dogs. Roy Rogers, playing himself -- this time he's a Marshall and not an actor -- investigates with the help of the Sons of the Pioneers as well as Doc Cookie Bullfincher (Andy Devine) and his amorous nurse, Penny (Lynne Roberts of Dick Tracy Returns). This time Roy is up against the ruthless lawyer Hattie Waters (Nana Bryant), a tough and clever middle-aged lady, her chief gunsel Vic (Roy Barcroft) and his evil pals, and the ex-con (Danny Morton of The Royal Mounted Rides Again) who pretends to be Thad's real nephew. Then there's those deadly dogs ...    

Pure evil: Barcroft, Morton, and Bryant

Eyes of Texas is a near-perfect "modern" Roy Rogers vehicle. The performances are all on target -- Bryant and Barcroft make especially nasty and effective villains in this -- the comedy relief isn't too pervasive -- Andy Devine is far more palatable than Gabby Hayes -- serial specialist William Witney keeps things moving at a thrilling pace, and Roy even sings a couple of pleasant tunes, "The Texas Trail" and "The Padre of Old San Antone." Then there's the amazing Trigger, who participates in fist fights by kicking out at the bad guys with his hooves and other amazing equine feats! 

Verdict: A prime example of why Roger Rogers movies were so damned popular! ***. 

BELLS OF ROSARITA

Roy Rogers and Dale Evans

BELLS OF ROSARITA (1945). Director: Frank McDonald. 

Sue Farnum (Dale Evans) appeals to her late father's good friend, Slim Phillips (Addison Richards), when she realizes that her father's slimy business partner, Ripley (Grant Withers) is trying to cheat her out of her circus. Slim and his daughter, Patty (Adele Mara) travel west to see what they can do. Almost immediately Slim is kidnapped! Filming nearby Sue's property, Roy Rogers, playing himself, gets involved and tries to find Slim with the help of Gabby Whittaker (Gabby Hayes) and Bob Nolan (also playing himself), head of the vocal group Sons of the Pioneers. 

Elliott, Livingstone, Sunset Carson, Allan Lane, Red Barry

Roy also comes through for Sue when he convinces her to put on a show in the nearby town and enlists the aid of the other Republic Studios western stars: Allan Lane [King of the Mounties], Sunset Carson, Wild Bill Elliot [Footsteps in the Night], Bob Livingstone and Don "Red" Barry. These fellows also help round up the ornery polecats who have kidnapped Slim. This must have been quite a thrill for Western movie fans back in the day. There's also a bunch of pleasant tunes, including Roy's "Build a Fence Around Texas" and the very talented Robert Mitchell Boy Choir. Gabby Hayes wears out his welcome rather quickly, however. 

Robert Mitchell Boy Choir

Bells of Rosarita is another "modern-day" Rogers western. The film-within-a-film that Roy is making is also entitled Bells of Rosarita and has something to do with a woman being forced to marry a man she does not love. Although there are some would-be exciting chases in the film, it can't quite escape being a little dull, although it is fun to see all of those handsome Western heroes in one movie. My mind wandered through the movie and I found myself wondering if the one black child in the choir was treated respectfully by the other white boys. It's good that he was included at all, of course. 

Verdict: A fairly typical Roy Rogers western musical with talented cast members. **1/4.    

KING OF THE COWBOYS

Roy Rogers behind bars

KING OF THE COWBOYS (1943). Director: Joseph Kane.

Rodeo star Roy Rogers, playing himself, is importuned to quit the show so he can go undercover to find some WW2 saboteurs. His sidekick, Frog Milhouse (Smiley Burnette),  goes along with him and they hook up with another show of which Judy Mason (Peggy Moran of Horror Island) and her pal Ruby (Dorothea Kent of Young Fugitives) are a part. The gals work with Maurice  (Gerald Mohr) -- the "Mental Marvel" -- who does a mind-reading act via which he communicates with his fellow spies. James Bush plays Dave Mason, the show manager, who may not be on the side of the angels. Lloyd Corrigan plays Karley, the governor's private secretary, who is definitely not on the side of the angels.

Kent, Moran and Mohr

King of the Cowboys is often mistaken as Roger's first starring role, but he starred in a great many films-- mostly for Republic Studios  --  before he made this one. The plot in this "modern" nominal western is negligible, but Rogers has a nice voice and the film's highlights are the musical numbers: "I'm an Old Cowhand;" "Ride, Ranger, Ride;" and especially "Prairie Moon." An odd moment occurs when the governor (Russell Hicks) tells Roy how his last agent was killed and that his final words were "following May." Rogers, who is not too swift, assumes that May was some hot tamale, says "sounds like nice work," and shows absolutely no concern for the agent who was murdered! Otherwise, Rogers is pleasant, handsome and bland, and Burnette is only mildly amusing. The two gals don't get much to do, but Mohr and Corrigan are as professional as ever. Irving Bacon, Ethel's dad on I Love Lucy, has a small role as well. In addition to other Roy Rogers features, as well as co-directing a couple of serials, Joseph Kane also helmed Jubilee Trail for Republic.

Verdict: Odd mixture of cowboys and spies with some good songs. **1/2. 

HAPPY TRAILS: OUR LIFE STORY -- ROY ROGERS AND DALE EVANS

HAPPY TRAILS: OUR LIFE STORY. ROY ROGERS AND DALE EVANS. With Jane and Michael Stern. Simon and Schuster; 1994.

In alternating chapters, and with overviews provided by the co-authors, Roy Rogers [Wall Street Cowboy] and Dale Evans tell their love story and their life as entertainers and parents of several children, some of whom were adopted. Rogers' first wife died in childbirth, and the heart-broken cowboy made several films with Evans before finally falling in love with her and vice versa. Evans, whose first marriage ended in divorce, admits that in her younger days she cared about little else but her career and at first did not especially want to be one half of the Rogers-Evans combo. Despite toiling for low-budget Republic studios, Rogers caught on with the public and became a bonafide movie star, then garnered even more fans with his rodeo appearances with his beloved horse, Trigger (whom he later had mounted after the horse's death). Rogers, who somehow got out of WW2 military service, took advantage of the fact that rival cowboy Gene Autry went into the military and Republic promoted Rogers as "King of the Cowboys" during his absence. (Rogers' undeniable squinty-eyed sex appeal certainly didn't hurt.) When the film career petered out, Roy and Dale had their own successful TV series. Dale eventually found religion, and Rogers followed suit, although they seem unable to grasp that one can have positive values in life without necessarily having a personal relationship with God. On the other hand, they have helped a great many children, and the most affecting sections of the book deal with the tragic deaths of some of their adopted and biological youngsters. Roy and Dale clearly believed in corporal punishment, and despite the fact that their boys could often be naughty and rambunctious, there are passages that may raise eyebrows, particularly one in which Dale confesses she secretly fed a field mice to one of the boys because she'd heard it was a folk remedy for curing bed-wetting! Factoids in the book include the interesting news that sidekick Gaby Hayes [From Broadway to Cheyenne] was actually a well-educated man who could perform Shakespeare (!), and that Roy's favorite TV show was the soap opera, The Guiding Light!

Verdict: If you can get past the tiresome religiosity, this is more interesting than you might imagine, although it is primarily recommended for Roy Rogers addicts. ***. 

TAHITI HONEY

Dennis O'Keefe and Lionel Stander

TAHITI HONEY  (1943). Director: John H. Auer.

In Tahiti just before Pearl Harbor, bandleader Mickey Monroe (Dennis O'Keefe) decides he needs a woman for the act, although previous songbirds have only caused trouble for the band. Mickey hires Suzette (Simone Simon), who agrees to join his team because he tells her he can get her to the U.S. The other band members are against taking her, but Mickey appeals to their sympathy by saying she wants to be reunited with her soldier fiancee, Charlie. Mickey makes up so many phony letters that the band members all come to believe that "Charlie" actually exists. And then a real soldier shows up, Lt. John Barton (Michael Whalen), whom everyone thinks is Charlie. Suzette decides to go along with the deception, creating romantic feelings in John and jealousy in Mickey. Which man will she finally wind up with?

Dennis O Keefe and Simone Simon

Tahiti Honey is a typical Republic musical time-waster, although it's easy to take for most of its length until it eventually wears out its welcome. The songs are pleasant enough but not likely to stay in your memory. O'Keefe is excellent, an adept comic actor who makes the most of his role as a smooth-talkin' ladies man; you just wish he had better material. Simon (of Cat People fame and Girls' Dormitory) is cute and apparently dubbed -- her singing, that is. Lionel Stander, whom I usually can't abide, is not only very good but much less obnoxious than usual. Michael Whalen [Highway 13] is fine as the initially confused, then smitten, lieutenant. Simon made this movie in between her most famous feature, Cat People, and its sequel. Her American career never really took off.

Verdict: O'Keefe fans may enjoy this, but not recommended for anyone else. **1/4. 

CANADIAN MOUNTIES VS ATOMIC INVADERS

William Henry and Susan Morrow

CANADIAN MOUNTIES VS. ATOMIC INVADERS (12 chapter Republic serial/1953). Director: Franklin Adreon.

Sgt. Don Roberts (William Henry) of the Canadian Mounted Police and agent Kay Conway (Susan Morrow) team up to tackle a gang of spies who are planning to launch missiles against the U.S. from a remote base in Canada. First the spies do their best to get rid of people who want to settle in the very area where they want to build the rocket launchers, then shift their efforts in attempts to kill off Sgt. Roberts. To that end there are cliffhangers that employ avalanches, warehouse fires and explosions; and Roberts is both shot off the top of a cliff, and then knocked off another cliff when a car crashes into the spot where he's standing. The fight scenes in this serial are well-choreographed and exciting, especially a battle that occurs in the back of a careening pick-up truck. William Henry [The Thin Man] is solid as the Mountie, certainly essaying a different kind of role than he did in his earlier films. Susan Morrow [Macabre] is also good as Kay, who is handy with a gun when required and seems as diligent and brave as Roberts. Arthur Space [Panther Girl of the Kongo] is terrific as the villain, a foreign agent named Marlof who disguises himself as a simple-minded trapper named Ol' Smoky Joe -- he is particularly effective in this role. Hank Patterson, Harry Lauter (who appears so briefly I never noticed him), Tom Steele, Dale Van Sickel, and -- wouldn't you know it? -- Pierre Watkin appear in smaller roles.  One lively sequence has Roberts trying to stop a pack of wild dogs let loose by the bad guys from attacking a group of reindeer that are meant to be food for the settlers (those poor reindeer can't win either way!). William Henry began acting at a very young age and amassed 230 credits.

Verdict: Another fast-paced, utterly mindless, but very entertaining and action-packed Republic serial. ***. 

KING OF THE FOREST RANGERS

Larry Thompson and Helen Talbot

KING OF THE FOREST RANGERS (12 chapter Republic serial/1946). Directors: Spencer Gordon Bennet; Fred C. Brannon.

Professor Carver (Stuart Hamblen) discovers that there might be a treasure in the woods when he discovers an old Indian rug and a transparent map that can be fitted over it. He begins to buy up the property of the people in the woods, and uses force if they don't comply. His chief enforcer is the utterly nasty Spear (Anthony Warde), who isn't above killing and torturing anyone who gets in his way. Chief among his opponents are good guy Steve King (Larry Thompson) of the Forest Rangers and his staff, as well as the pretty and feisty Marion (Helen Talbot), who is handy with a pistol. The fisticuffs in this serial are amazing, with a let's-smash-all-the-furniture fight scene at least twice in every exciting episode, all ably choreographed by Tom Steele, who also plays one of the bad guys. Notable cliffhangers include: King engulfed in flames in an old cellar; a fight on a plane that ends in a crash; a platform of spikes crashing down on King; Marion about to be fed via conveyor belt into a pulp grinder; and King and Marion trapped in a pit where Spear and his cohorts throw flaming branches down at them, causing a conflagration. Larry Thompson is a likable and efficient hero; Helen Talbot is an attractive and equally likable second lead; and Anthony Warde [Roaring City] is completely convincing as the truly evil and loathsome Spear. Mort Glickman [King of the Mounties] has contributed some memorable theme music. This was really the only lead role for Larry Thompson, who did mostly uncredited small parts in various features.

Verdict: Really snappy and fast-paced Republic serial. ***. 

GOVERNMENT AGENTS VS PHANTOM LEGION

Walter Reed

GOVERNMENT AGENTS VS PHANTOM LEGION (12 chapter Republic serial/1951). Director: Fred C. Brannon.

"I'm a dead duck anyway, so I might as well take you along. " -- Duncan to opponent with murder on his mind.

The members of a trucking association, who have government contracts to deliver important supplies, are alarmed when their trucks are attacked and hijacked, the equipment stolen. Agent Hal Duncan (Walter Reed of Flying Disc Man from Mars) is assigned to track down the perpetrators with the help of assistant Sam Bradley (John Pickard). A complication is that one of the members of the association is secretly behind the robberies, and his two main henchmen, Regan (Dick Curtis of Terry and the Pirates) and Cady (Fred Coby of The Brute Man) report to him through a two-way mirror as he sits safe and unidentified in another office. The cliffhangers in this are of the standard "missing information" variety, but they are still effective: fire engulfs a mine car full of hand grenades and nearly blows Duncan to bits; an ore dump drops its contents on top of him; his parachute lands right on the tracks in front of an onrushing train; he gets trapped in a remote-controlled runaway truck; and -- best of all -- is nearly incinerated when a stream of gasoline is ignited and rushes down the highway towards his automobile! Walter Reed is not afraid to show panic and dismay on his face during these frightening moments. The other cast members are good, although Mary Ellen Kay as the nominal heroine displays little acting skill. Stanley Wilson's exciting score is a plus. Tom Steele and Arthur Space are also in the cast.

Verdict: Fun serial ***.

ZORRO'S BLACK WHIP

Linda Stirling and George J. Lewis

ZORRO'S BLACK WHIP (12 chapter Republic serial/1944). Directors: Spencer Gordon Bennet; Wallace Grissell.

Newspaper editor and publisher Randy Meredith (Jay Kirby of Rockin' in the Rockies) not only rails against the lawlessness of 1889 Idaho in his paper, but dresses up as the Black Whip to fight the bad guys. When he is murdered, his sister Barbara (Linda Stirling) takes over the role, and she proves to be mighty handy with a whip. The evil banker Hammond (Francis McDonald) is secretly leading a group of criminals who desperately want to prevent Idaho from becoming a state, which would interfere with their plans to enrich their own coffers. Barbara is helped by a secret government agent, Vic Gordon (George J. Lewis), who disguises himself as the Black Whip at one point to fool the crumb bums when they have almost figured out Barbara's secret identity. The one thing that's missing in this exciting serial is the character of Zorro, whose name is used for marquee value but who does not appear, although one could argue that the Black Whip is a variation on that character (along with many others, of course). Cliffhanger highlights include a wagon rolling over the edge of a cliff; Barbara being locked in a bank vault with a bomb that's about to go off; the bad guys ordering Barbara to "take off that mask!" or else they'll shoot Gordon; and especially the sequence when a whole mountain seems to come down on the cabin they're in, as well as a terrific bit when Barbara and Gordon are trapped in a mine with burning oil flooding towards them. Stirling was never a great actress, but she's more than competent for this type of material; Lewis has a certain degree of charm and ability; McDonald [Burn 'Em Up Barnes] makes an effective and oily two-faced villain, and Hal Taliaferro (who looks a bit and sounds a lot like Ben Johnson) is also good as his bad right hand, Baxter. Lucien Littlefield [Reducing] makes his mark as "Ten Point," the nervous little guy who works in the newspaper office. John Hamilton is one of the townspeople dedicated to ridding the town of the criminal element; Marshall Reed and Ken Terrell also have smaller roles. Zorro's Black Whip has a great climax with the gang attacking the town in an attempt to alter the election results, and loathsome Hammond is given a satisfying death scene. Zorro's Black Whip may not be a top-notch Republic serial -- and is quite short as serials go -- but it is exciting and entertaining. George J. Lewis played a villain in Federal Operator 99, and Taliaferro was his henchman. Stirling appeared in The Purple Monster Strikes and many other serials.

Verdict: This gal wields a mean whip! ***. 

DICK TRACY SERIAL (1937)

Fred Hamilton, Ralph Byrd and Kay Hughes

DICK TRACY (15 chapter Republic serial/1937). Directors: Alan James; Ray Taylor.

The famous cartoon strip character first appeared on the big screen in this Republic serial starring Ralph Byrd, who would be forever after identified with the character (although at least two other actors also played the role). In this cliffhanger Tracy matches wits with an unknown club-footed figure known alternately as the Lame One or The Spider, since he heads a so-called "Spider Ring" of criminals. With the help of the Lame One's twisted scientist ally Moloch (John Picorri), the Lame One operates on Tracy's brother, Gordon (Richard Beach), and turns him evil, as well as changing his features (he is then played by Carleton Young of Double Deal) so that even his own brother doesn't recognize him. Gordon and his associates fly about in a wide, stylish aircraft known as the Wing, and each week come up with another sinister scheme that Tracy manages to smash after nearly being killed. Tracy is a Federal agent in this and his main assistants are handsome Steve Lockwood (Fred Hamilton) and secretary Gwen Andrews (Kay Hughes of Radio Patrol), who is much more than a secretary and is a scientist who provides her boss with important information. We also have Mike McGurk (Smiley Burnette) and Junior (Lee Van Atta of Undersea Kingdom), who are meant to be comic relief but are more often merely tiresome. Byron Foulger makes an impression as a brave if terrified guy who goes up against the Spider to his regret. The Spider uses a ring to burn an insignia into the forehead of his victims, an idea also used by the famous pulp magazine character, also known as the Spider. Highlights of the serial include the Bay Bridge nearly being destroyed by sonic waves in chapter one; Dick's small boat nearly crushed between two huge ships in chapter three; Dick dropping from the bottom of one plane to land neatly into another far below in chapter four; and Dick being pulled underwater by a submarine because a rope has been tied around his ankle. By the time we learn the true identity of the Lame One, you'll probably have forgotten who the guy is! Dick Tracy is a long but entertaining serial, but the best was yet to come. It was followed by Dick Tracy Returns, Dick Tracy's G-Men, and the best of all, Dick Tracy vs Crime Inc.

Verdict: Nice intro to Dick Tracy on the big screen. **3/4.

DICK TRACY RETURNS

Charles Middleton as Pa Stark 

DICK TRACY RETURNS (15 chapter Republic serial/1938). Directors: John English; William Witney.

This follow-up to Dick Tracy has our hero (Ralph Byrd), an FBI agent instead of a cop, battling the vile villainy of Pa Stark (Charles Middleton of Flash Gordon Conquers the Universe) and his five evil sons, each of whom has a criminal specialty. Over the course of fifteen chapters, Stark and his gang pull off a bank job (in which new agent, Ron Merton -- played by David Sharpe -- is murdered on his first case); try to grab an important lens from an observatory; steal special government planes; get their hands on a dangerous torpedo boat; and work with a foreign agent named Boris Zarkov (Walter Mills). Tracy is joined by agent Steve Lockwood (Michael Kent), and gets help and sometimes interference from comedy relief Mike McGurk (Lee Ford) and young Junior (Jerry Tucker); Lynne Roberts is cast as Tracy's efficient secretary, Gwen. The highlights of this exciting serial include an unconscious Tracy being put in a car that's sent hurtling down the levels of a parking garage; Tracy being thrown out of a plane with a sabotaged parachute; a huge tower falling on a rooftop where Tracy and an enemy are in heated combat; and especially the thrilling sequence when two trains rush towards each other on the same track even as Lockwood is handcuffed to the top of one of the cars. Byrd is perfection as Tracy and Middleton is great as Stark. His "boys" don't get much of a chance to make an impression, with the exception of Ned Glass, who plays the trigger-happy "Kid Stark." Followed by Dick Tracy's G-Men and the superior Dick Tracy vs. Crime Inc.

Verdict: Byrd vs Middleton is a winning combination. ***. 

JEALOUSY

Nils Asther and Jane Randolph

JEALOUSY (1945). Director: Gustav Machaty.

Peter Urban (Nils Asther of Storm at Daybreak) was a successful author before he fled Europe, but in the U.S. he has become a bitter, alcoholic and suicidal failure. His wife, Janet (Jane Randolph of The Mysterious Mr. M) drives a cab to make ends meet. One afternoon she meets a kindly doctor, David Brent (John Loder), and the two fall in love. Although she feigns happiness over this development, Brent's assistant, Monica (Karen Morley of The Mask of Fu Manchu), is secretly heartbroken. Then someone gets shot in the head ... Jealousy is an interesting romantic melodrama with some poetic touches that just misses being really special. The screenplay could have used more development (and more running time) and the two leads -- Randolph and Loder -- are barely adequate as the lovers. Asther is more effective as Peter, and the best performances come from Morley as the complicated Monica and Hugo Haas (who directed quite a few cheap thrillers) as Peter's amiable friend, a minor actor named Hugo Kral. There's a lovely scene when Monica first learns that David is in love with someone else, and she goes into the bedroom to change, making happy talk for his sake, but we see in the mirror a true reflection of her inner feelings. Another interesting moment occurs when Monica, who has written a medical tome, inscribes it lovingly to her "friend," Janet, as Janet and David talk of their plans in the next room. Director Machaty, who was responsible for Hedy Lamarr's Ecstasy, does his best to add some stylish camera angles and the like to the low-budget production. The story was by Dalton Trumbo. Machaty also directed Within the Law, but much of his directorial work in the U.S. went uncredited.

Verdict: Interesting entry from Republic pictures. ***.

DOUBLE JEOPARDY

Robert Armstrong and Gale Robbins

DOUBLE JEOPARDY (1955). Director: R. G. Springsteen.

Marge (Gale Robbins of Three Little Words) is married to the drunken Sam Baggott (Robert Armstrong), who has trouble coming up with the rent money. Marge gets some comfort from the handsome used car salesman, Jeff (Jack Kelly), and when they discover Sam is getting blackmail payoffs, figure they should get themselves some of the loot. Sam's victim is wealthy Emmett Devery (John Litel), whose daughter, Barbara (Allison Hayes), is dating attorney Mark Hill (Rod Cameron) and who can sense something's up with her father. Then somebody dies ... Double Jeopardy is well-acted for the most part, especially by Armstrong [Sky Raiders] and Litel, and Hayes offers a lovely and sympathetic portrayal for a change, but Robbins is just a bit superficial as the femme fatale and Cameron is as stiff as a board. Minerva Urecal [Who's Guilty?] adds some spice in her portrayal of a disapproving landlady. There are a couple of tense sequences but the script lets the audience down in the long run. There's some suspense but no surprises. From Republic studios.

Verdict: Armstrong steals the show. **1/2.

SPY SMASHER

Kane Richmond

SPY SMASHER (12 chapter Republic serial/1942). Director: William Witney.

Jack Armstrong (Kane Richmond) discovers that his identical twin brother, Alan, is secretly the heroic Spy Smasher. The nefarious Nazi Mask (Hans Schumm) wants to flood the U.S. with counterfeit currency, and that's just one of his schemes, which keep SS hopping through this serial's 12 action-packed chapters. The Mask has a "batplane" which can rise straight up into the stratosphere, and an electric ray gun that can knock airplanes out of the sky. Spy Smasher, which was based on the very popular Fawcett comic book, is full of exciting cliffhangers: SS in a mining car loaded with grenades with a fiery conflagration ahead of him and a steel door in front (1); a torpedo room that floods with water (3); a descending frieght elevator that nearly squashes our hero (5); a conveyor belt with rapidly spinning and deadly blades (6); another mining car that heads directly for a fiery doorway; and others. Our hero appears to die in the penultimate chapter, and someone in his uniform is indeed dead. The serial is full of furious fisticuffs and superior stunt work, and the locations are wisely chosen.

Kane Richmond [Stage Struck] makes just about the perfect serial hero: square-jawed, handsome, imposing, and looking great in his uniform instead of silly. He strikes just the right note as both Jack and Alan. Marguerite Chapman [Man Bait] hasn't that much to do as the nominal heroine/love interest, but Tristram Coffin [Up in the Air], as usual, is notable as a cameraman and quisling secretly working for the Mask. Hans Schumm may not go down in history as one of the more memorable serial villains, but he's effective enough in the part. The music is attributed to Mort Glickman, who bowdlerizes Beethoven's 5th symphony to create some rousing and classy theme music.

Verdict: One of the best of the Republic super-action serials. ***