Welcome to William Schoell's GREAT OLD MOVIES blog. Feel free to leave a comment regardless of the date the review was posted -- I read 'em all. Or if you prefer -- and especially if you have any questions directly for me -- email me at tawses67424@mypacks.net and I'll get back to you as soon as I can. Click on a label link (labels can be found at the bottom of each post) to find other movies from that year, the star, that director or genre and so on. Or enter a title, director, genre, star or supporting player in the small Blogger "search blog" box at the far left up above and click search blog. [NOTE: While this blog mostly reviews films -- and TV shows -- that are at least twenty-five years old, we do cover films up until the present day.] HAVE FUN AND THANKS FOR DROPPING BY. William.

Wednesday, May 28, 2008


CURSE OF THE FACELESS MAN (1958). Director: Edward L. Cahn.

This was one half of a double bill of two films directed by Cahn and written by Jerome Bixby (most famous for the short story "It's a Good Life," adapted on The Twilight Zone in 1961.) The other, much more successful feature was It! The Terror from Beyond Space, but Faceless Man is not without interest. Taking his cue from old Mummy movies, Bixby fashioned a story wherein an encrusted slave, Quintillus Aurelius, buried during the eruption of Vesuvius in Pompeii is unearthed and brought to a museum in the city (he is not actually a mummy but rather is covered with crusted mud). Radiation from the earth and from an X-ray machine bring the slave back to life, and - wouldn't you know it? -- the reincarnation of the woman he once loved (Elaine Edwards) is conveniently nearby, the fiancee of Dr. Paul Mallon (Richard Anderson). Also involved in the action -- what there is of it -- are Mallon's old girlfriend Maria (Adele Mara), her new boyfriend Dr. Ricci (Gar Moore) and her father Dr. Fiorillo (Luis Van Rooten), among others. The picture isn't terrible, but a lot of it isn't that well-staged, and it never quite comes to a full boil. The storyline is interesting, however, the acting sufficient, and Gerald Fried's music adds some excitement now and then.

Verdict: Disappointing but not awful cheapie creepie. **1/2.

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