MURDER IN THE MUSIC HALL

William Marshall and Vera (Hruba) Ralston

MURDER IN THE MUSIC HALL (1946). Director: John English.

Lila Leighton (Vera Ralston) is a figure skater who appears in an ice show on the stage of a music hall. She is contacted by Carl Lang (Edward Norris), who spent five years in the penitentiary for killing a man named Douglas. Now Carl tells Lila that he was only covering for her, that he knows she killed Douglas out of jealousy. Lila is still digesting this absurd accusation when Carl himself is murdered, literally stabbed in the back in his penthouse. With the aid of her boyfriend, handsome conductor Don Jordan (William Marshall), Lila tries to ferret out who killed Carl before she herself is accused of the crime by Inspector Wilson (William Gargan). The suspects include Lila's fellow performers -- Millicent (Helen Walker of Nightmare Alley), Diane (Julie Bishop of Why Men Leave Home), and Gracie (Ann Rutherford) -- as well as Rita Morgan (Nancy Kelley of The Bad Seed), the wife of gossip columnist George Morgan (Jerome Cowan). 

Suspects: Helen Walker, Ann Rutherford, Julie Bishop

Murder in the Music Hall is a well-turned-out mystery from Republic studios starring the wife, Ralston, of the studio head. The plot has interesting aspects, especially concerning a certain blind stranger, although the true identity of this person is obvious from the first. The identity of the murderer, however, is by no means certain but won't come as that much of a surprise, either. Never a particularly great actress, Ralston generally manages to be appealing, as she is in this. Marshall, Norris, Gargan and the ladies are all adept. There are some skillful real-life figure skaters who put on brief acts as well. James Craven, Jack La Rue and Anne Nagle are also in the cast in small roles. Director John English also helmed a number of serials.

Verdict: Acceptable Republic murder mystery with an interesting cast. **1/2. 

THE SECRET LIFE OF WALTER MITTY (1947)

Danny Kaye

THE SECRET LIFE OF WALTER MITTY (1947). Director: Norman Z. McLeod.

Walter Mitty (Danny Kaye) is an editor at a pulp publishing house that puts out magazines of horror and crime. His own life -- living with his unpleasant mother (Fay Bainter) and engaged to an unappreciative fiancee (Ann Rutherford) -- is dull  enough for him to indulge in a variety of fantasies. He imagines himself as a brilliant physician, a famous pilot in the RAF, a riverboat gambler, old west cowboy, and so on. But then he meets a beautiful blond (Virginia Mayo) and his life suddenly gets more exciting -- and dangerous. The blond is named Rosalind, and she gets Mitty involved with deadly spies who are after a book that lists the location of art treasures hidden away from the Nazis. In their attempts to get the book, Mitty almost loses his life on more than one occasion.

Virginia Mayo with Kaye

Walter Mitty holds the attention for the most part, is generally well-acted, and has some clever and amusing moments -- a shot of Whistler's Mother in a bathing suit -- but it just isn't that funny. A routine Kaye does in which he imitates an old music professor goes on forever and hasn't a single laugh. The song numbers by Sylvia Fine, Kaye's wife, are pretty awful. The ever under-rated Virginia Mayo is luminescent, however, and there's some good work from Fritz Feld as a European designer of women's hats. (Kaye later does an imitation of him with some characterizing the caricature as "homosexual," but I doubt if that was the intention.) Thurston Hall is fine as Kaye's boss, who is near-apoplectic at times, and Boris Karloff shows up as a very peculiar psychiatrist.

Boris Karloff with Kaye

Rutherford does a nice job as the fiancee, and Florence Bates is typically on-target and amusing as her somewhat disapproving mother. Bainter [The Children's Hour] makes Mitty's mother a borderline harridan, treating her son like he's a ten-year-old, and she isn't funny enough to make the character palatable; a very good actress but not a skilled comedienne. Gordon Jones of The Green Hornet serial plays a man who has a romantic interest in Rutherford; Konstantin Shayne [The Unknown Man] is a nasty character known as the Boot; and the ever-cadaverous Milton Parsons plays his butler.

Verdict: Kaye running around amiably but not that memorably. **1/2. 

LIFE BEGINS FOR ANDY HARDY

LIFE BEGINS FOR ANDY HARDY (1941). Director: George B. Seitz.

"A child? Listen Andy Hardy, my mother just bought me an evening gown that has no visible means of support!" -- Betsy

"What is the world coming to?" -- Andy

"Somebody's dead -- it doesn't seem right unless somebody cries."

Although 18-year-old Andy Hardy (Mickey Rooney) has been offered a college scholarship, he decides to wait a month and see what living and working alone in the big city, Manhattan, will be like -- "today I am a man," he declares as he drives away from Carvel with ever-hopeful Betsy Booth (Judy Garland). Although previously he had run from a sophisticated city woman as if she had the plague, in this outing he has better luck with a vivacious if slightly shady secretary named Jennitt (Patricia Dane). A genuinely nice young man, Andy offers to share his room with a young aspiring dancer, Jimmy (Ray McDonald), who has become homeless. Meanwhile Betsy does her best to help a proud Andy while he struggles to find work, finally settling at Consolidated Stocks and Bonds, run by the gruff Mr. Maddox (Lester Matthews). And then an unexpected tragedy occurs ... Life Begins for Andy Hardy is one of the best Hardy films, with an excellent script by Agnes Christine Johnson that provides plenty of very funny moments along with more sobering sequences. Rooney and Garland are both simply superb, with the latter looking especially pretty in this entry. Dane [Rio Rita], McDonald [Presenting Lily Mars] and Matthews [The Adventures of Dr. Fu Manchu] give top-notch performances as well. The picture continues directly after Andy Hardy's Private Secretary, and almost  immediately Andy and Polly (Ann Rutherford) decide to split up amicably. Marion is not seen, and Beezy (George Breakston), now a milkman, and Aunt Millie (Sara Haden) appear only briefly. As usual, Fay Holden is wonderful as Mrs. Hardy. There's an interesting scene when Andy implies that one is washed up at around age thirty, and the Judge (Lewis Stone) all too clearly is thinking of his own age and his lost youth.  Life Begins for Andy Hardy is occasionally on the sappy side -- those evil big city women and so on! -- but it's very entertaining. Mercifully scenes involving a priest and rabbi, undoubtedly concerning a certain character's death, were left on the cutting room floor.

Verdict: The best of the Hardys? ***1/2.

ANDY HARDY'S DOUBLE LIFE

William Lundigan, Mantan Moreland, Mickey Rooney

ANDY HARDY'S DOUBLE LIFE (1942). Director: George B. Seitz.

"You're really the stuff, dad!"

Andy Hardy (Mickey Rooney) is leaving for Wainwright college in just a few days, and he finds himself with two dilemmas. First, his father, Judge Hardy (Lewis Stone), wants to accompany Andy to Wainwright, his old alma mater, where he will introduce him around, and stay for two weeks, a prospect which leaves Andy feeling like a little kid going to kindergarten. Then Andy finds himself supposedly engaged to two women, Polly Benedict (Ann Rutherford), and her friend, Sheila (Esther Williams), a psych major. As for the judge, he's dealing with a little boy (Bobby Blake) hit by a truck, while an ever-touchy Marian (Cecilia Parker) has high hopes for her blossoming romance with Jeff Willis (William Lundigan) from The Courtship of Andy Hardy. Both Rooney and Parker were getting older -- Rooney was 22 playing 18 and Parker was 28, starting to look a bit chubby and matronly  --  but the series still had a lot of life in it judging by this superior installment. Lewis Stone and Fay Holden as his wife really have a chance to shine with their expert performances -- Stone is particularly affecting -- and more cannot possibly be said about the simply wonderful Rooney. Parker, Sara Haden as Aunt Millie, and Lundigan are also fine, and there's a funny bit with that excellent comic character Mantan Moreland as Prentiss, the butler for the Benedict family. Addison Richards [The Royal Mounted Rides Again] also makes his mark as Polly's father, as does Robert Pittard as Andy's friend (?), Botsy. There are also brief appearances by Arthur Space as a lawyer, and Junior Coghlan as another of Andy's so-called buddies. Esther Williams [Raw Wind in Eden] was "introduced" in this movie -- it really was her first picture -- and she's quite good in fact, playing the role in just the right note. Andy Hardy's Double Life has an excellent, often touching script with equal parts humor and drama, and despite some silly moments, all of it works.

Verdict: One of the very best of the Hardy pictures. ***1/2.

ANDY HARDY'S PRIVATE SECRETARY

ANDY HARDY'S PRIVATE SECRETARY (1941). Director: George B. Seitz.

"I don't care to discuss anything on such a low level of conversation." -- Andy Hardy to Polly Benedict.

Andy Hardy (Mickey Rooney) is excited about graduating high school and has put together a ceremony based on Greek tragedy; he will play Apollo in a curly blond wig and beard. Apparently having learned nothing from his experiences with snobs in Manhattan in Andy Hardy Meets Debutante, Andy has a high-handed attitude toward two students -- Kathryn  (Kathryn Grayson) and her handsome brother Harry (Todd Karns) -- who are poor because their father (Ian Hunter) is out of work; the judge (Lewis Stone) soon sets Andy straight. [Judge Hardy also rebukes Andy when he says of Kathryn, "does she have to sing grand opera instead of music?"] Wanting to get the two young people involved in the ceremonies, Andy asks Kathryn to be his private secretary, which results in Polly Benedict (Ann Rutherford) becoming hysterically jealous, as usual. A worse problem arises when it is revealed that old maid Aunt Millie (Sara Haden) is an English teacher and she has had to give Andy a failing grade -- now he won't graduate! Always superb, Mickey Rooney even outdoes himself in this outing, etching a skillful and amusing portrait of a basically decent young man who can be terribly gauche and insensitive -- and dumb -- at times [wanting to cover up a sign put on the stage to advertise the business that loaned the school the sets, Andy asks a fat girl to stand in front of it]. Andy Hardy's Private Secretary is an amusing romp with lots of interesting developments, and Grayson [Rio Rita] sings an aria from Lucia Di Lammermoor as well as a jazzy-type number. Well-acted by all. Todd Karns was the son of Roscoe Karns and later co-starred with his father on a detective program; perhaps his most famous role was in It's a Wonderful Life. Tall, good-looking, and charismatic, it's surprising Karns didn't have an ever bigger career.

Verdict: Another cute Hardy picture. ***.

ANDY HARDY GETS SPRING FEVER

Mickey Rooney and Helen Gilbert

ANDY HARDY GETS SPRING FEVER (1939). Director: W. S. Van Dyke.

"I think my ending is better than Shakespeare's -- it's more spiritual." -- Andy Hardy

"You mean when the native girl throws herself into a volcano?" -- Miss Meredith

Andy Hardy (Mickey Rooney) is annoyed by Polly Benedict's attentions to a young Naval officer, but his spirits are revived when he meets the new dramatics teacher, Rose Meredith (Helen Gilbert). Andy writes a play, "Adrift in Tahiti," that is inspired by "Romeo and Juliet," with Andy and Polly (Ann Rutherford) cast as the star-crossed lovers. But will all go well on the play's opening night, and will "Tahula" -- Polly's heroine -- warm up her frigid attitude toward Andy? More importantly, will he get pretty teacher Miss Meredith to actually marry him? In a sub-plot Judge Hardy (Lewis Stone) discovers that he may have been swindled out of his life savings along with some of his friends, a development already used in the previous year's Jones Family film, Safety in Numbers. This is another charming and amusing Andy Hardy film [these were still called "Hardy Family" movies, but we all knew who the star was] with Andy discovering the pangs of unrequited infatuation. George Breakston ("Beezy") from Love Finds Andy Hardy makes another appearance. Sister Marion Hardy seems less flighty in this outing, Aunt Millie hardly appears, and Fay Holden has a little more to do as Mrs. Hardy and does it as well as ever. Helen Gilbert comes close to giving a very lovely performance but somehow there's something lacking in her.

Verdict: Randy Andy gets romantic. ***.

THE HARDYS RIDE HIGH

Mickey Rooney, Ann Rutherford and William Orr

THE HARDYS RIDE HIGH (1939). Director: George B. Seitz.

"Why do I want to get married and make one woman miserable when I can stay single and make lots of women happy!' -- Andy Hardy.

Judge Hardy (Lewis Stone) gets the astonishing news that he may have inherited two million dollars so he packs up the family to a Detroit mansion to check out the claim's validity. In the meantime son Andy (Mickey Rooney) goes "high-hattin'" to nightclubs where he refuses liquor and has trouble taking a smoke, but he is, after all, only sixteen years old [Rooney was actually three years older]. Daughter Marian (Cecelia Parker) proves to be as big an ass as usual. Aunt Milly (Sara Haden), who is the judge's sister-in-law [but always seems more like his sister] glamorizes herself but alas is still pretty homely, although gauche Andy thinks she's "all done up like a plush horse!" And Mrs. Hardy (Fay Holden) is just happy that she found a good frying pan in Detroit. A very young and unrecognizable Virginia Grey [Jeanne Eagels] plays a chorus girl who tries to vamp Andy -- the young stud is positively terrified by such a sophisticated city woman -- at the direction of her boyfriend, and rival heir, Phil Westcott (John King). Andy complains to girlfriend Polly (Ann Rutherford) that he's "all right until some la-di-da lizzie comes along," referring to the snooty Dick Bannersly (William Orr). The Hardys Ride High is a delightful entry in the series, with the usual top performances, especially the great Rooney, lots of humor, and the usual dose of honest sentiment. Judge Hardy comes mighty close to committing a crime in this, and frankly the whole business about the inheritance is never satisfactorily resolved, as if something were left on the cutting room floor. Marsha Hunt has a small role as a wife who appears before the court. William Orr later became the head of Warner Brothers television and was executive producer of many hit shows, including 77 Sunset Strip and Hawaiian Eye.

Verdict: Riding high indeed. ***.

LOVE FINDS ANDY HARDY

LOVE FINDS ANDY HARDY (1938). Director: George B. Seitz.

"Really, we're getting much too old for that sort of thing, hugging and kissing!" -- Polly

"Christmas -- with Andy Hardy next door!" -- Betsy

When Polly Benedict (Ann Rutherford) goes away for the holidays, Andy's (Mickey Rooney) pal Beezy (George P. Breakston) importunes him to date girlfriend Cynthia (Lana Turner) to keep the other guys away from her while he's on vacation. An added complication is Betsy Booth (Judy Garland), who is visiting her grandmother next door and develops a big crush on Andy despite him seeing her as "a child." Betsy, who despairs that she has "no glamour, no glamour at all" sings the cute number "In-Between" and proves that Garland was a great singer even at that tender age; Rooney and Garland both give especially outstanding performances in this and are a simply wonderful team. Meanwhile Polly comes back unexpectedly and is jealous of Cynthia, whom she calls "That awful red-headed creature!" In other developments the Hardy grandmother has a stroke and Mrs. Hardy (Fay Holden) has to go off to take care of her while cook Augusta (Marie Blake) complains about Marion's "mud" or coffee. Marion (Cecelia Parker), as flighty and immature as ever, finally breaks up with a still-unseen Wayne and Betty Ross Clarke again temporarily replaces Sara Haden as Aunt Millie as she did in Judge Hardy's Children. Communicating with Mrs. Hardy over ham radio, Judge Hardy acts as if he'd discovered the iphone. There is an excellent scene when the Judge (Lewis Stone) and Andy talk about the possibility of the much older man dying. Turner is a lot of fun as Cynthia, although she does seem to be out of Rooney's league. Don Castle [Roses are Red] plays a handsome bandleader who turns out to be Polly's cousin. Followed by Out West with the Hardys. 

Verdict: A nice combination of good humor and honest sentiment. ***.

JUDGE HARDY'S CHILDREN

Lewis Stone and Mickey Rooney

JUDGE HARDY'S CHILDREN (1938). Director: George B. Seitz.

Polly Benedict (Ann Rutherford) wants Andy Hardy (Mickey Rooney) to take her to a dance, but he's horrified to learn that he'll need to buy a tuxedo (it never occurs to the dope that he could rent one). Therefore it's just as well that he and the rest of the family accompany Judge Hardy (Lewis Stone) to Washington D.C. where the judge will serve on a committee exploring certain monopolies. Unfortunately, Andy becomes smitten with a pretty French gal, Suzanne (Jacqueline Laurent), who also invites him to a dance -- which is formal! Will Andy's dad give him the money to get a tuxedo? In the meantime Andy's sister Marian (Cecelia Parker) acts like a complete ass when it comes to her boyfriend and inadvertently gives away some of the committee's secrets to unscrupulous Washington types. Mickey Rooney gives another fine and funny performance as the irrepressible Andy, and has a great scene when he demonstrates the "Big Apple" dance to the French gal. Janet Beecher [So Red the Rose] makes an impression as Miss Budge, Suzanne's tutor, and the rest of the cast, especially Stone, is fine. In this entry, Aunt Millie is played by Betty Ross Clarke, who is much less of a "spinster" type. Dumb Mrs. Hardy (Fay Holden) doesn't know who Leonardo da Vinci is!

Verdict: Highly enjoyable Hardy picture. ***.

DANCING CO-ED

Lana Turner and Richard Carlson

DANCING CO-ED (1939). Director: S. Sylvan Simon.

"She stinks!"

Just when the Dancing Tobins are to begin a new film, Toddy Tobin (a barely-seen Mary Beth Hughes) gets pregnant, and the search is on for someone to co-star with her husband, Freddy (Lee Bowman sans mustache). Learning that the studio is to conduct a talent search on college campuses, Freddy protests that he needs a professional, so it is decided to fix the contest, send talented Patty Marlowe (Lana Turner) to one of the institutions, and make damn certain that she is the winner. Patty gets involved with the editor of the school paper, "Pug" Braddock (Richard Carlson), who figures there has to be a "plant" and decides to ferret out who she is even as Patty assists him as a way of hiding the truth. Will Patty go to Hollywood, or will her scheme come undone? The movie begins well, but the fun peters out halfway through or earlier, and you'll find that you couldn't care less how it comes out. The script lets down the players, who are game and enthusiastic throughout, with Turner [Love Has Many Faces] and Carlson [All I Desire] swell in the leads, Ann Rutherford perky as a secretary who helps Patty, Leon Errol his usual fun self as Patty's father, and Thurston Hall and Monty Woolley also briefly on hand as well. I think I spotted drummer Buddy Rich a couple of times. Band leader Artie Shaw, playing himself, is third-billed but only gets one line of dialogue! He must have impressed Lana Turner, however, because she married him the following year [he also married Ava Gardner and Evelyn Keyes, among others]. Hal Le Sueur, Joan Crawford's brother, plays a handsome college student but has no lines. S. Sylvan Simon also directed the far superior The Fuller Brush Man.

Verdict: Picture could have been cute but it turns into a stink bomb.**

THESE GLAMOUR GIRLS

Lana Turner and Lew Ayres

THESE GLAMOUR GIRLS (1939). Director: S. Sylvan Simon.

"Darling, I'm in the most awful man-jam!"

Upper-crust Philip (Lew Ayres) sort of has a fiancee, but when he's inebriated he invites a dance hall girl, Jane (Lana Turner), to the big dance on campus over the weekend. It's a little awkward when she actually shows up where she has to deal with all the college snobs. Other characters include man-hungry Daphne (Anita Louise); stalwart Carol (Jane Bryan); chatty Mary Rose (Ann Rutherford); Jane's roommate, Mavis (Dennie Moore); Betty (Marsha Hunt), who hangs around college in desperate fashion even though she's older than the rest; and Joe (Richard Carlson), who isn't too proud to be a waiter in the dining hall. The movie leads into highly melodramatic developments concerning the character of Betty. Most of the performances are good, with Turner, Hunt [Raw Deal], and Moore getting top honors. Rutherford [Fighting Marines] basically plays Polly Benedict in college -- where's Andy? Simon also directed The Fuller Brush Man and many others.

Verdict: This glamor you can keep. **.

JUDGE HARDY AND SON

Mickey Rooney and Lewis Stone

JUDGE HARDY AND SON (1939). Director: George B. Seitz.

When Judge Hardy (Lewis Stone) discovers that an elderly couple may lose their home, he enlists son Andy (Mickey Rooney) in a search for their daughter, who might be able to help. Andy enjoys looking for the lady as it brings him into contact with several nubile schoolgirls: eternally giggling Euphrasia (June Preisser): the oh-so-Southern Clarabelle Lee (Margaret Early); and the attractive, unhappy  Elvie (Martha O'Driscoll of Li'l Abner), who pretends to be 14-years-old but is actually much older. In a sub-plot Mrs. Hardy (Fay Holden) develops pneumonia and is placed in an oxygen tank by interne Jack Mulhall. One of the film's highlights is Andy's well-written and well-acted talk with his sister, Marian (Cecelia Parker). Judge Hardy and Son is a very entertaining comedy-drama that boasts an interesting story with some novel twists, fine acting and an outstanding performance from Rooney. The religiosity of the piece never quite gets out of hand. Marie Blake/Blossom Rock plays housekeeper Augusta, and Maria Ouspenskaya is one half of the elderly couple. Ann Rutherford is on hand as Andy's ever-jealous girlfriend, outraged as usual when she sees other girls' lipstick on his pan.

Verdict: One of the better Hardy Family entries from MGM. ***.

FIGHTING MARINES

FIGHTING MARINES (1935). 12 chapter Mascot serial. Directed by B. Reeves Eason and Joseph Kane.

Grant Withers and Adrian Morris star as a Marine corporal and sergeant who come up against a saboteur named the Tiger Shark who works out of Halfway Island. Ann Rutherford, who is nearly unrecognizable from her gig as “Polly Benedict” in the Andy Hardy series, plays the love interest, although there ain't much romance in this serial. The Tiger Shark is after a gyro-compass [“designed to aid blind flying”] invented by Rutherford's brother. The Tiger Shark wears goggles and a black leather aviator's outfit and flies an auto-gyro – he's certainly more striking and heroic in appearance than either of the potato-headed heroes. The opening sequence with the Marines fighting pirates on Halfway Island is busy but dull, and the rest of the serial, alas, isn't much better. Aside from a well-done sequence involving a closing, crushing wall, the cliffhangers are pretty lame and there are far too many flashbacks. This is a mostly by-the-numbers serial that fails to sustain suspense even though the identity of the villain is withheld until the very end. Mascot did some pretty good serials with John Wayne as star, but Fighting Marines is a major disappointment.

Verdict: Several hours of your life that you can't get back! *1/2.

WHISTLING IN THE DARK

WHISTLING IN THE DARK (1941). Director: S. Sylvan Simon.

It's easy to see why this comedy-thriller starring the likable Red Skelton was so popular, engendering a couple of sequels. Skelton plays a radio detective called The Fox, who is kidnapped by the head of a cult (Conrad Veidt) who wants him to help him and his gang come up with a way to bump off a certain individual without the crime being traced back to them. The victim is the nephew of a wealthy woman who left money to the cult, only they can't collect it until the nephew is deceased. Skelton's colleague and fiancee Ann Rutherford (pictured), as well as his boss's daughter (Virginia Grey) – who has a yen for him -- are also kidnapped to put pressure on Skelton. Skelton comes up with a murder plot but tries to outwit his captors and save the life of the nephew, who is due to be poisoned while traveling on an airplane. While the movie is certainly never as nail-biting or cinematic as a Hitchcock picture, it does manage a good mixture of genuine suspense and laughs. The performances are all top-notch – Rutherford is particularly effective – and Mariska Aldridge is a riot as the hatchet-faced Hilda.

Verdict: Lots of fun. ***.