THE VAMPIRE'S GHOST

Charles Gordon, John Abbott, Adele Mara

THE VAMPIRE'S GHOST (1945). Director: Lesley Selander. Colorized.

In the village of Bokunda in Africa, dead bodies are turning up partially drained of blood. The natives believe a vampire is on the loose, something which is scoffed at by Father Gilchrist (Grant Withers of Jungle Jim), as well as Roy Hendrick (Charles Gordon), his girlfriend, Julie (Peggy Stewart), and her father Thomas (Emmett Vogan of Hop Harrigan). On an expedition to a nearby village, tavern owner Webb Fallon (John Abbott of Deception) puts a spell on Roy and reveals that he is four-hundred years old and fond of drinking blood. As more murders occur, Fallon develops an overwhelming "fondess" for Julie, whom he hopes to make one of the Undead to ease his loneliness. Will Roy be able to shrug off the mind control and save his lover? 

John Abbott as the unlikely vampire

The Vampire's Ghost -- there is actually no ghost in the picture -- is a cheap Republic horror film that has some well-staged sequences (a night time attack on gambler Roy Barcroft, for instance) but is overall mediocre. In motion pictures vampires tend to be frightening and/or romantic figures, but the funny-lookin' John Abbott more often played comical or weaselly roles. However, Abbott is a good enough actor to be entirely credible as the sinister Fallon. Republic contract player Charles Gordon, who only made ten pictures, is effective as Roy, who doesn't seem much of a match for Fallon. Peggy Stewart, and Adele Mara as the ill-fated dancer Lisa, are also good. Grant Withers and Roy Barcroft, old standbys in classic serials, go through their paces with panache, especially Barcroft. The conclusion at a jungle temple devoted to a long-gone cult of evil is so drawn out that the film, which is less than an hour long, temporarily seems interminable. Lesley Selander also directed the serial Jungle Raiders. 

Verdict: Worth seeing just once. **1/2. 

EYES OF TEXAS

EYES OF TEXAS (1948). Director: William Witney. 

Thad Cameron (Francis Ford of Charlie Chan at the Circus), who has started a home for boys who lost their fathers in WW2, is overjoyed to discover that his long-lost nephew, Frank, has survived. Before the two are reunited, however, Thad is killed by a pack of bloodthirsty dogs. Roy Rogers, playing himself -- this time he's a Marshall and not an actor -- investigates with the help of the Sons of the Pioneers as well as Doc Cookie Bullfincher (Andy Devine) and his amorous nurse, Penny (Lynne Roberts of Dick Tracy Returns). This time Roy is up against the ruthless lawyer Hattie Waters (Nana Bryant), a tough and clever middle-aged lady, her chief gunsel Vic (Roy Barcroft) and his evil pals, and the ex-con (Danny Morton of The Royal Mounted Rides Again) who pretends to be Thad's real nephew. Then there's those deadly dogs ...    

Pure evil: Barcroft, Morton, and Bryant

Eyes of Texas is a near-perfect "modern" Roy Rogers vehicle. The performances are all on target -- Bryant and Barcroft make especially nasty and effective villains in this -- the comedy relief isn't too pervasive -- Andy Devine is far more palatable than Gabby Hayes -- serial specialist William Witney keeps things moving at a thrilling pace, and Roy even sings a couple of pleasant tunes, "The Texas Trail" and "The Padre of Old San Antone." Then there's the amazing Trigger, who participates in fist fights by kicking out at the bad guys with his hooves and other amazing equine feats! 

Verdict: A prime example of why Roger Rogers movies were so damned popular! ***. 

ROMANCE ON THE RANGE

Roy Rogers

ROMANCE ON THE RANGE (1942). Director: Joseph Kane.

Roy Rogers (Roy Rogers of Arkansas Judge) is the foreman of the Arrowhead ranch. One of his buddies is murdered by poachers who are out for furs. The owner of the ranch, Joan Stuart (Linda Hayes), at first wants to hire a private detective to investigate, but instead goes out west, incognito, with her maid, Sally (Sally Payne), who has been corresponding with Roy's pal, Pat (Pat Brady), through a lonely hearts club. Pat and Sally are happy to finally meet, but Roy, not realizing that Joan is his boss, makes some tactless remarks about spoiled city women with too much money and no common sense. But meanwhile, he and his buddies have to capture the bad guys.

Linda Hayes with Roy

The trouble with Romance on the Range, a Republic Roy Rogers programmer if ever there were one,  is that there isn't much romance and most of the picture consists of fairly dull horse chases and shoot-outs that are not done nearly as well as in the classic Republic serials. Rogers gets by, as usual, on his looks and charm, and he doesn't have a bad voice when he warbles some unmemorable country ditties with the Sons of the Pioneers.  Linda Hayes appeared in a couple of "Mexican Spitfire" movies and did a number of westerns; this was her penultimate feature. Sally Payne amassed 57 mostly minor credits.

Gabby Hayes 

Pat Brady basically played himself in 73 movies and TV shows, most if not all with Roy Rogers. Ditto for Bob Nolan. Edward Pawley [Thirteen Women] plays the head bad guy, Jerome Banning, in this, and serial specialist Roy Barcroft is also in the cast. And we mustn't forget -- although we should certainly try to -- Gabby Hayes [From Broadway to Cheyenne], Rogers' grizzled, old and somewhat misogynous sidekick whose antics have not worn well with time. He did manage to get one -- only one -- laugh out of me, however. Romance on the Range is a "modern-day" western -- it does not take place during the days of the Wild West.

Verdict: Not much to this cheap oater but Rogers is always pleasant. *1/2. 

MAN WITH THE STEEL WHIP

Our hero snoozes with the rest of the audience

MAN WITH THE STEEL WHIP (12 chapter Republic serial/1954). Director: Franklin Adreon.

In the old west, a man named Barnett (Mauritz Hugo) has discovered that there is gold on an Indian reservation, and wants both the natives and nearby ranchers to get out of the area. His chief opponent is Jerry Randell (Dick Simmons), who dresses up for no good reason as the legendary "El Latigo," whom he thinks the Indians will respect. Barnett is aided in his nefarious plans by Crane (Dale Van Sickel) and the ugly Indian Tosco (Lane Bradford of Zombies of the Stratosphere). Jerry gets tea and sympathy and some solid help as well from pretty school teacher, Nancy Cooper (Barbara Bestar of Safari Drums). A runaway wagon goes over a cliff in at least two episodes. Man with the Steel Whip is, as usual, a fast-paced and slick Republic production, but this has an especially dull premise, a villain that is just as colorless as the hero, and only one memorable cliffhanger. The acting is at least professional. The best thing about the serial is R. Dale Butts' theme music. Roy Barcroft [Don Daredevil Rides Again] is the sheriff and Tom Steele a henchman.

Verdict: One of the last and lesser Republic serials. **.

KING OF THE TEXAS RANGERS

Slingin' Sammy Baugh

KING OF THE TEXAS RANGERS (12 chapter Republic serial/1941). Directors: William Witney and John English.

Texas ranger Tom King Jr. (Slingin' Sammy Baugh) learns that his father (Monte Blue) has been murdered by fifth columnists who are out to sabotage certain oil fields. Since these fields  are out of his jurisdiction, King decides to fight against the saboteurs as a private agent. Working with King are Pedro (Duncan Renaldo of Zorro Rides Again) of the Mexican Rurales; intrepid reporter Sally Crane (Pauline Moore of Arkansas Judge); and Wichita Bates (Kermit Maynard). Working against King, although King is unaware of it, is John Barton (Neil Hamilton), who secretly reports to "His Excellency" (Rudolph Anders of She Demons) from his dirigible. Sammy Baugh was a football star who had a very brief career as an actor, and is perfectly adequate in this serial. Cast in the Lyle Talbot role of smooth bad guy, Neil Hamilton is slightly more interesting than Talbot, but hardly riveting. Duncan Renaldo probably makes the best impression as the likable Pedro, and others in the cast, generally Barton's henchmen, include Roy Barcroft and Jack Ingram. Chapter one has a great cliffhanger in which oil fields are set ablaze and a flaming derrick falls on top of a cabin with King and Sally inside. Even better is the explosion at the end of chapter two, which blows up both ends of a tunnel containing a train. There's a tense business involving a hood holding a grenade in order to force a man to obey his orders. In chapter seven a truck smashes into a shed with King inside. Cy Feuer's music helps keep things moving at a rapid pace. The serial's suspense is minimized, however, because we're clued into the ultimate bad guy's identity from the very beginning.

Verdict: Republic serial is not bad and not great. **1/2.

THE GIRL WHO DARED

Peter Cookson

THE GIRL WHO DARED (1944). Director: Howard Bretherton.

Ann Carroll (Lorna Gray) and her brother Josh (Kirk Alyn of Superman) are given a lift by the mysterious Rufus Blair (Peter Cookson) to a sort of haunted house party on an island that lies past a causeway. However, the owners of the house, Beau and Chattie Richmond (John Hamilton and Vivien Oakland), never sent out any invitations. While the group is pondering who might have invited people to a non-party, one of a pair of twins (Veda Ann Borg) is found murdered. The phone lines are cut and the causeway is cut off due to a storm. Everything seems to be tied into a theft of radium which someone is killing for. The suspense is quite bearable in this otherwise entertaining if distinctly minor Monogram mystery. The cast is game enough, with Willie Best [My Little Margie] making the best impression (despite the old-fashioned nature of his acting) as the funny and likable manservant Woodrow, along with Peter Cookson [Shadow of Suspicion], who proves once again that he was a criminally underutilized leading man. Roy Barcroft and Grant Withers are also in the cast. Howard Bretherton directed a number of serials, Charlie Chan movies, and Frankie Darro features.

Verdict: The girl who dared what? **1/2 out of 4.

GHOST OF ZORRO

Zorro's grandson goes into action!

GHOST OF ZORRO (12 chapter Republic serial/1949). Director: Fred C. Brannon.

An engineer and "eastern dude" named Ken Mason (Clayton Moore) comes to a small western town to help put in a telegraph line, but certain parties, such as George Crane (Gene Roth) and Hank Kilgore (Roy Barcroft), are opposed to the idea -- it might bring the law to the nest of fugitives who pay Crane protection money. Ken is assisted by Rita White (Pamela Blake) and Moccasin (George J. Lewis of Federal Operator 99). It develops that Ken is the grandson of the original Zorro, and he dresses up and goes into action when Crane's tactics against him and his friends become quite lethal. Rita, for instance, is caught in both a runaway wagon and runaway stagecoach in separate chapters. Ghost of Zorro no doubt employs a lot of stock footage, but it's fast and reasonably entertaining, and the frequent fistfights are certainly well-staged. Tom Steele and Marshall Reed are also in the cast. Pamela Blake was also in The Sea Hound and Hitchcock's Mr. and Mrs. Smith.

Verdict: Minor-league but acceptable Republic serial. **1/2. 

HAUNTED HARBOR

Boo!

HAUNTED HARBOR (aka Pirate's Harbor/15 chapter Republic serial/1944). Directors: Spencer Gordon Bennet; Wallace Grissell.

Captain Jim Marsden's (Kane Richmond) ship, the Dolphin, is lost at sea with a million dollars of gold bullion in its hold. If that weren't bad enough, Marsden is framed for the murder of a man he owes money to, but he escapes from jail with the help of his buddy, Tommy (Great Old Movies' favorite Marshall Reed). Sailing to another island the two men rescue Patricia Harding (Kay Aldridge) and her father, and they all become embroiled in efforts of bad guy Kane (Roy Barcroft), the real murderer, to take care of them so he can have the gold, which he's found, all to himself. Some of the action takes place in the mysterious "Haunted Harbor," which boasts a Chinese dragon-type stylized sea monster [see photo], which despite its obvious [intended] lack of life has an attractive design and is fun to watch. Memorable cliffhangers include Pat nearly punctured by an air drill; Jim tied to a huge bonfire; and others. The fisticuffs come frequently and are lively in the Republic tradition. Excellent theme music by Joseph Dubin. The actors all give at least serviceable performances. Tom Steele, Fred Cordova, Jay Silverheels (as a native) and Ken Terrell are also in the cast. Re-released as Pirate's Harbor but fun by any name.  Based on a novel by "Dayle Douglas."

Verdict:  Solid, very entertaining Republic serial. ***.

G-MEN NEVER FORGET

G-MEN NEVER FORGET (12 chapter Republic serial/1948). Directors: Fred C. Brannon; Yakima Canutt.

Federal agent Ted O'Hara (Clayton Moore) pretends to be a hood and Sgt. Frances Blake (Ramsay Ames) a gun moll so they can infiltrate the gang of Vic Murkland, although both are unaware that after having plastic surgery Burkland has now replaced the police commissioner and is trying to trap them at every turn! Cliffhangers include water rushing after O'Hara on a motorcycle after a tunnel collapses [recycled from an earlier serial], and a deadly crane collapse in chapter 4. Tom Steele and Ken Terrell also get in on the action. This is an acceptable, entertaining Republic serial done in its usual slick and fast-paced style. Moore was also in Black Dragons with Bela Lugosi as well as such serials as The Perils of Nyoka, in which he was a good guy, and The Crimson Ghost and Radar Men from the Moon, in which he was a villain. Ramsay Ames was also in The Vigilante and Barcroft appeared in a number of serials including Manhunt of Mystery Island. 

Verdict: Not quite unforgettable but okay. **1/2.

DON DAREDEVIL RIDES AGAIN

DON DAREDEVIL RIDES AGAIN (12 chapter Republic serial/1951). Director: Fred C. Brannon.

In the old southwest, a man named Stratton (Roy Barcroft) is using phony documents to try to grab up all the land in the county. Opposing him is Patricia (Aline Towne) and her lawyer cousin, Lee (Ken Curtis), who is importuned to dress up as an ancestor who wore a mask and outfit and called himself Don Daredevil. So now Don Daredevil is back, riding out against the bad guys and keeping out of the hands of the sheriff thanks to his dual identity. DD's headquarters is in a cavern behind a waterfall. There are a few clever if unspectacular cliffhangers in this -- the hero finds himself nearly impaled on more than one occasion --  as well as a few that have been borrowed from the earlier Zorro's Black Whip. Old Buck is played by the familiar Hank Patterson while Tom Steele shows up as the usual bad guy. There's a terrific fistfight in a saloon in chapter nine. Curtis, probably most famous nowadays for Killer Shrews, makes an unusual but effective masked hero in this. Towne has very little to do. Barcroft is competent as the villain but just as colorless as ever.

Verdict: Minor serial with its share of fun moments. **1/2.

DAUGHTER OF DON Q

DAUGHTER OF DON Q (12 chapter Republic serial/1946). Directors: Spencer Gordon Bennet and Fred C. Brannon.

The pretty sports celebrity Delores Quantero (Lorna Gray playing as Adrian Booth), one of many descendants of Don Quantero, is unaware that an old Spanish land grant actually leaves millions of dollars of real estate to his heirs. One of them, Carlos Manning (LeRoy Mason), is aware of this, and with the aid of his main henchman Donovan (Roy Barcroft), sets out to murder the other heirs. Cliff Roberts (Kirk Alyn) is an intrepid  reporter who aids Delores and tries to find out why someone is killing off all of her relatives. This is a nifty idea for a serial, and Daughter of Don Q makes the most of it. Although comparatively colorless, the villains in this are especially evil  -- at one point they are going to make it look like a perfectly innocent man committed embezzlement and then suicide. The serial also has a sense of humor. When one nasty gunsel falls out of a window to his death, it turns out that he made a living by proposing to wealthy women and absconding with their fortunes before the wedding. "I wonder if any of the ladies he left at the church will attend his funeral," someone quips. There are many good cliffhangers; one of the best has Delores hanging onto a shower curtain after she's knocked out of a window as it begins to slip off the rod notch by notch ... The feisty Delores, who gives as good as she gets, gets hit on the head so often it's a wonder she even knows who she is by the end of the serial! Although there is nothing elaborate or especially unique about Daughter, it's still terrifically entertaining. Lorna Gray played the villainess in Perils of Nyoka and Barcroft was the bad guy in Manhunt of Mystery Island, another superlative Republic serial.

Verdict: Maybe not a classic but fast-paced and action-packed from start to finish. ***1/2.  

RADAR MEN FROM THE MOON

RADAR MEN FROM THE MOON (1952). Director: Fred C. Brannon.

Although this is generally considered the sequel to King of the Rocket Men (and the second of three Rocket Man serials), it actually introduces a new character who wears the same helmet, uniform, and rocket pack: Commando Cody, played by George Wallace. Krog (Peter Brocco), an emissary from a Moon colony that needs to relocate to Earth due to atmospheric changes that threaten their survival, leads explosive attacks on US buildings, aided by some human thugs (one of whom is Clayton Moore, the Lone Ranger himself, quite good as a nasty bad guy). Earth decides to take the fight to the Moon, and Cody, pilot Hank (Wilson Wood), and Joan (Aline Towne) take off into Outer Space in a rocket built by Commando Cody. There they encounter Moon ruler Retik (Roy Barcroft), as well as more moon nasties inside tanks. (The tanks and the rocket ship are pretty neat, actually.) William Bakewell is cast as Cody's assistant Ted. Memorable cliffhangers include a flood of molten rock and a genuinely thrilling plane crash, among others. The FX are more than adequate. George Wallace may not be flamboyant or super-macho enough for some, but he imbues his character with a certain amount of quiet, manly dignity.

Verdict: More fun than a barrel of moon-men! ***. 

THE PURPLE MONSTER STRIKES

THE PURPLE MONSTER STRIKES (1945). Directed by Spencer Bennet and Fred Brannon. 

A man from Mars who is inexplicably known as the Purple Monster (Roy Barcroft) lands on Earth and literally takes over the body of Dr. Cyrus Layton (James Craven). He does this by dematerializing into a phantom form and simply sitting down in Leyton's body. He hopes to steal Layton's scientific devices -- especially a jet ship launching rocket -- for use in a planned Martian conquest of Earth, and by becoming Layton leads good guy Craig Foster (Dennis Moore) and Layton's niece Sheila (Linda Stirling), on a merry chase. The Purple Monster Strikes is snappy and fast-paced. There are some exciting cliffhangers involving a ladder dangling high over the ground, a pit that fills with water, a car in an auto shop that smashes rapidly downwards towards Moore, and spiked cell bars that threaten to impale Moore as he goes to use the phone (he uses his ingenuity to escape this trap). There's a zesty "cat-fight" between Sheila and Martian Bitch Marcia (Mary Moore) in chapter 12, and the fisticuffs are even more furious than before in chapter thirteen. Tom Steele is one of the thugs, and even Ken Terrell, butler Jess from Attack of the 50 Foot Woman, has a small role, as he usually did in these things. 

Verdict: The cast serves up this zany stuff with relish. ***.