Lively, entertaining reviews of, and essays on, old and newer films and everything relating to them, written by professional author William Schoell.
Showing posts with label William Orr. Show all posts
Showing posts with label William Orr. Show all posts

Thursday, May 26, 2016

77 SUNSET STRIP

The cast of 77 Sunset Strip
77 SUNSET STRIP (1958 - 1964).

This hour-long black and white private eye series lasted for six seasons and was one of the most successful and influential of its type on television. The main stars were Efrem Zimbalist Jr. as Stuart Bailey and Roger Smith as Jeff Spencer. Edd Byrnes ["Final Escape"on The Alfred Hitchcock Hour] as Gerald Kookson III or "Kookie," originally parked cars for the real-life Dino's Lodge next door -- the club was owned by Dean Martin who never appeared on the show -- did odd jobs for the detectives, and later became an employee with Bailey and Spencer. When Bourbon Street Beat was canceled Richard Long and the character he played were both moved over to Sunset. Louis Quinn played Roscoe, a horse player who made money also doing odd jobs for the agency; Jacqueline Beer was their secretary, Suzanne; and Robert Logan [Claudelle Inglish] took Kookie's old parking job, hung around the office, and got involved in a case or two. In the last episodes of the final season Stuart Bailey was the only private eye in sight, the others (as well as "Bailey and Spencer," Kooky, the agency's offices, the logo and theme,  and everything and everyone else) were all gone, possibly in a cost-cutting move.

While not every episode was a winner, the show, produced by former actor William Orr [The Hardys Ride High], managed to maintain a high-standard of entertainment value. Some of the most memorable episodes include "The Duncan Shrine," in which the statue of a dead western star is stolen from a cemetery; "Pattern for a Bomb," in which the gang try to stop a clever bomber-extortionist (with Joan Marshall); "The Gemologist Caper," in which a half million in gems disappears from a gallery; "Tarnished Idol," in which Suzanne goes undercover to investigate a paralyzed tennis player (Van Williams; Edgar Barrier); "Never to Have Loved," in which an actress tries to break with her Svengali-like husband/director; "By His Own Verdict," with Joseph Cotten as a lawyer whose acquitted client admits he's guilty; and one of the very best, "White Lie," in which a land claim dispute centers around a mulatto woman who has been passing for white, and who is understandably reluctant to answer tough questions in court (Gene Evans; Elizabeth Montgomery). The show featured many well-known guest-stars, such as Bert Convy, Paula Raymond, Diane McBain, George Petrie, Pat Crowley, Robert Clarke, Joan Taylor, Robert Vaughn, Jay Novello, Gena Rowlands, and many, many others. Orr also produced Surfside 6, which lasted two seasons.

Verdict: Snappy detective show with a finger-snappin' theme and appealing players. *** out of 4.

Thursday, December 3, 2015

HAWAIIAN EYE

HAWAIIAN EYE (1959 - 1964).

This popular private detective show set in the Hawaiian islands lasted for four seasons. The agency did security for the Honolulu Village Hotel, among many other cases, and the partners were Tom Lopaka (Robert Conrad), who was half Hawaiian, and Tracy Steele (Anthony Eisley). Later on they had another operative, Greg Mackenzie (Grant Williams), and Troy Donahue joined the cast as the hotel's social director, Philip Barton. The hotel's lounge -- featuring the "exotic sounds of Arthur Lyman" and his rather talented trio --  employed cutesy singer Cricket Blake (Connie Stevens), and a cab driver named Kim (Poncie Ponce) sometimes figured in the action. Hawaiian Eye also had a handsome security man, Moke (Douglas Mossman), and the gang frequently worked with Lt. Danny Quon (Mel Prestidge), who was actually a real-life police officer. Tina Cole appeared in a few episodes as "Sunny." filling in for Cricket.

Among the more memorable episodes: "Two for the Money" guest-stars Mary Tyler Moore in a story about a once-missing daughter who may be an impostor. "Payoff" investigates the possibility that a prosecutor may be on the take. "Echo of Honor" features an excellent Philip Reed in a story of murder and jewel thefts at the hotel. In "Pretty Pigeon" a pretty gal (Diane McBain) goes undercover to help Tom catch a murderer. In "Two Too Many" a man gets a love letter from a woman he claims he has never met. "Passport," features an outstanding performance from Randy Stuart [who co-starred with Williams in The Incredible Shrinking Man] in a story about a hunt for an embezzler (Gerald Mohr) with an estranged wife and daughter; Stuart and Mohr have an especially well-acted scene together. Andrew Duggan guest-stars in "Maybe Menehunes," in which a movie star (Mala Powers) fears her life is in danger. In "Pursuit of a Lady" Greg proposes to a woman (Diane McBain again) who is promptly murdered. "Concert in Hawaii" stars Faith Domergue as the teacher of a young prodigy who is subjected to murder attempts. Finally "V for Victim" features Nancy Kulp in a "Ten Little Indians" type story where tourists are beset by a murderer on an isolated island during -- you guessed it -- a storm that cuts off phones, power, and access to the mainland.

The acting was generally quite good. Eisley [The Mighty Gorga] could come off like an obnoxious bully at times, with Williams heading in that direction, but Conrad was generally pleasant, as was Donahue. Stevens was not bad as either singer or actress but she could be a trifle cloying at times, as could the self-consciously cute Ponce. Other guest-stars included George Takei (wonderful as an operative in Formosa), Jack Nicholson, Tom Drake, Richard Crane, Jeanne Cooper, Chad Everett, Grace Lee Whitney, Dyan Cannon, Biff Elliott, Fay Wray, and Joan Marshall, among others. This was also produced by William Orr, who did Surfside 6, Bourbon Street Beat, and 77 Sunset Strip.

Verdict: Maybe not a really great show, but a good and entertaining one. ***.

Thursday, June 18, 2015

BOURBON STREET BEAT

BOURBON STREET BEAT (1959). ABC television series. 38 episodes.

Producer William Orr [77 Sunset Strip] hoped lightning would strike twice with this private detective series set in New Orleans, but it only lasted one season. Rex Randolph (Richard Long) is a PI who meets police lieutenant Cal Calhoun (Andrew Duggan) during the premiere episode. The two decide to form a partnership and Cal takes a leave of absence from the police. Rex is a gourmet cook who delights in making spectacular meals, and Cal is a lover of old movies who can do dead-on impressions of Charles Boyer and the like. The two men are assisted by Kenny Madison (Van Williams), a law student, and secretary Melody Lee Mercer (Arlene Howell). Just as the offices at 77 Sunset Strip were located next to a real dining/drinking establishment in LA (Dino's Lodge, owned by Dean Martin), the offices for Randolph and Calhoun were in a courtyard right next to the historic Old Absinthe House (which unlike Dino's still exists today). Each episode had at least one scene that took place inside the Absinthe House, although these were undoubtedly filmed on a sound stage in Hollywood. The outside of the building was used in exterior shots and apparently a facsimile was built for scenes that take place in the courtyard. Melody went off to Europe halfway through the series, and Howell never returned. Another disappearance was of the Baron (Eddie Cole), a black musician who worked in the Absinthe House and often commented on the cases or imparted info. Character of strip tease artiste Lusti Weather (Nita Talbot) appeared in four episodes, but thankfully never became a regular as she was kind of irritating. When Bourbon Street Beat was canceled, Rex Randolph, still played by Long [House on Haunted Hill], joined the firm of Bailey and Spencer on 77 Sunset Strip, while Kenny Madison, still played by Williams, signed up with a trio of private eyes on Surfside 6 in Miami Beach. Duggan [Seven Days in May] wound up on the sitcom Room for One More and did a lot of television and movie work.

Among the more memorable episodes of the series: the suspenseful "Woman in the River," in which a young man claims his wife is missing, and which features fine performances from Ray Stricklyn, Henry Brandon, Mary Tyler Moore, and especially Jeanette Nolan. "Portrait of Lenore" features a famous painting that is ransomed by a mysterious masked woman and boasts excellent work from Andrea King and Madlyn Rhue. Marie Windsor, Tristram Coffin and Harry Jackson star in "The 10% Blues," an absorbing tale of a corrupt talent agency that uses strong-arm tactics to gain clients. "Six Hours to Midnight," perhaps the best episode, features that old plot of a man on death row with only hours to live, but is well-written and well-acted by George Wallace, Victor Buono, and Duggan in top form. In "Suitable for Framing" with Barbara Lord, Rita Moreno, and Craig Hill, Rex is accused of murdering a wealthy woman's husband. Most of the episodes of this entertaining series were solid "b"s or better.

Verdict: Good old private detective show with an interesting setting should have lasted longer. ***

Thursday, April 9, 2015

THE HARDYS RIDE HIGH

Mickey Rooney, Ann Rutherford and William Orr
THE HARDYS RIDE HIGH (1939). Director: George B. Seitz.

"Why do I want to get married and make one woman miserable when I can stay single and make lots of women happy!' -- Andy Hardy.

Judge Hardy (Lewis Stone) gets the astonishing news that he may have inherited two million dollars so he packs up the family to a Detroit mansion to check out the claim's validity. In the meantime son Andy (Mickey Rooney) goes "high-hattin'" to nightclubs where he refuses liquor and has trouble taking a smoke, but he is, after all, only sixteen years old [Rooney was actually three years older]. Daughter Marian (Cecelia Parker) proves to be as big an ass as usual. Aunt Milly (Sara Haden), who is the judge's sister-in-law [but always seems more like his sister] glamorizes herself but alas is still pretty homely, although gauche Andy thinks she's "all done up like a plush horse!" And Mrs. Hardy (Fay Holden) is just happy that she found a good frying pan in Detroit. A very young and unrecognizable Virginia Grey [Jeanne Eagels] plays a chorus girl who tries to vamp Andy -- the young stud is positively terrified by such a sophisticated city woman -- at the direction of her boyfriend, and rival heir, Phil Westcott (John King). Andy complains to girlfriend Polly (Ann Rutherford) that he's "all right until some la-di-da lizzie comes along," referring to the snooty Dick Bannersly (William Orr). The Hardys Ride High is a delightful entry in the series, with the usual top performances, especially the great Rooney, lots of humor, and the usual dose of honest sentiment. Judge Hardy comes mighty close to committing a crime in this, and frankly the whole business about the inheritance is never satisfactorily resolved, as if something were left on the cutting room floor. Marsha Hunt has a small role as a wife who appears before the court. William Orr later became the head of Warner Brothers television and was executive producer of many hit shows, including 77 Sunset Strip and Hawaiian Eye.

Verdict: Riding high indeed. ***.