SEVEN WERE SAVED

Richard Denning and Catherine Craig

SEVEN WERE SAVED (1947). Director: William H. Pine. Colorized version. 

Captain Jim Wilson (Russell Hayden of Lost City of the Jungle) is looking forward to a future with Lt. Susan Briscoe (Catherine Craig of The Pretender), but their plans hit a snag when she finds out he wants to stay in the service and she wants out. Although engaged, they don't really know each other that well. Later Susan is flying as a nurse in a plane that not only carries her patient and others, but a Japanese prisoner, Colonel Yamura (Richard Loo). Yamura tries to get the pilots to fly him to an island, and the plane winds up hitting the ditch. Now the lifeboat is filled to the brim with, among others, the Hartleys (John Eldredge and Ann Doran), and the amnesiac Smith (Keith Richards), who turns out to have a highly surprising connection to Mrs. Hartley. As various problems confront the castaways hoping for rescue, chief among them Captain Danton (Richard Denning), Captain Wilson is on a desperate search for the woman he loves, but a bout of malaria may prevent this. 

Russell Hayden and Don Castle

Seven Were Saved begins with a tip of the hat to the Air and Sea Rescue Service, for which this might be considered an advertisement. Although the movie is by no means in the same league as such films as Lifeboat and similar adventures, there is an attempt to create interest with a couple of intriguing characters and situations. The film might have had more impact with a more stellar cast, but a bigger problem is the cutting back and forth between the inflatable lifeboat and the attempts to find it, and there are too many tedious stretches. However, there is some decent acting in this, and a few nice touches. Star Russell Hayden later directed When the Girls Take Over. 

Verdict: Rather minor sea crash melodrama. **1/2. 

I TAKE THIS WOMAN

Hedy Lamarr

I TAKE THIS WOMAN (1940). Director: W. S. Van Dyke.

"Time wounds all heels." -- Marcesca.

Georgi Gregore (Hedy Lamarr) tries to throw herself off of an ocean liner due to an unhappy love affair, but she is saved by the compassionate Dr. Karl Decker (Spencer Tracy). Georgi is still dealing with her feelings for the married Phil Mayberry (Kent Taylor), when she gets involved with Karl -- who works at a clinic for low-income patients -- and marries him. But trouble begins when Karl joins a practice that caters to the wealthy, and Georgi runs into her ex-lover, Phil, once more. Can this marriage be saved?

Spencer Tracy and Hedy Lamarr

When I Take This Woman was first released, it came in for a mostly critical drubbing, and over the years has been considered a very bad picture starring a completely mis-matched Tracy and Lamarr. In actual truth, while the film is certainly not excellent, and at one point begins to rip off The Citadel, it is entertaining and very well-acted, with Tracy and Lamarr  playing very well together and making a very convincing romantic couple. In addition we've got some good work from Verree Teasdale as Georgi's effervescent friend, Marcesca, Kent Taylor as Phil, and Mona Barrie [Something to Sing About] as his bitter, heart-broken wife. Laraine Day, Louis Calhern, Frances Drake, and Paul Cavanagh also have notable supporting parts, along with Marjorie Main, Willie Best, Reed Hadley [Racket Squad], Don Castle [Roses are Red], and others.

I Take This Woman, alas, makes the mistake of trying to ape Frank Capra, throwing in a final scene that is sentimental in the wrong way and unconvincing. But the picture is still easy to take, Lamarr looks stunning, and the performances by both stars are quite memorable.

Verdict: Tracy and Lamarr make a better team than you might imagine. **3/4. 

MOTOR PATROL

Jane Nigh and Don Castle

MOTOR PATROL (1950). Director: Sam Newfield.

"Hope to see you again real soon." -- Happy, the morgue attendant.

Larry Collins (William Henry) is an officer with the traffic division of the LAPD. His sister, Jean (Gwen O'Connor), is engaged to a friend and fellow cop, Ken Foster (Don Castle of Roses are Red), who also wants to be on "motor patrol." When Larry is murdered by people involved in a hot car racket, Ken steps in to do undercover work, but seems somewhat ill-prepared. Connie Taylor (Jane Nigh of State Fair) is in love with Russ Garver (Charles Victor), who is the head man in the gang. Connie is secretary to George Miller (Frank Jaquet), a formerly honest car dealer who reluctantly works with the crooks. Motor Patrol is a routine, plodding, if professional low-budget cops and robbers production with little to distinguish it. Richard Travis [Missile to the Moon] and Onslow Stevens play, respectively, a police detective and lieutenant. Sid Melton is less obnoxious than usual as the manager of a coffee shop where some of the "action" takes place.

Verdict: Few if any thrills in this. *1/2.

LOVE FINDS ANDY HARDY

LOVE FINDS ANDY HARDY (1938). Director: George B. Seitz.

"Really, we're getting much too old for that sort of thing, hugging and kissing!" -- Polly

"Christmas -- with Andy Hardy next door!" -- Betsy

When Polly Benedict (Ann Rutherford) goes away for the holidays, Andy's (Mickey Rooney) pal Beezy (George P. Breakston) importunes him to date girlfriend Cynthia (Lana Turner) to keep the other guys away from her while he's on vacation. An added complication is Betsy Booth (Judy Garland), who is visiting her grandmother next door and develops a big crush on Andy despite him seeing her as "a child." Betsy, who despairs that she has "no glamour, no glamour at all" sings the cute number "In-Between" and proves that Garland was a great singer even at that tender age; Rooney and Garland both give especially outstanding performances in this and are a simply wonderful team. Meanwhile Polly comes back unexpectedly and is jealous of Cynthia, whom she calls "That awful red-headed creature!" In other developments the Hardy grandmother has a stroke and Mrs. Hardy (Fay Holden) has to go off to take care of her while cook Augusta (Marie Blake) complains about Marion's "mud" or coffee. Marion (Cecelia Parker), as flighty and immature as ever, finally breaks up with a still-unseen Wayne and Betty Ross Clarke again temporarily replaces Sara Haden as Aunt Millie as she did in Judge Hardy's Children. Communicating with Mrs. Hardy over ham radio, Judge Hardy acts as if he'd discovered the iphone. There is an excellent scene when the Judge (Lewis Stone) and Andy talk about the possibility of the much older man dying. Turner is a lot of fun as Cynthia, although she does seem to be out of Rooney's league. Don Castle [Roses are Red] plays a handsome bandleader who turns out to be Polly's cousin. Followed by Out West with the Hardys. 

Verdict: A nice combination of good humor and honest sentiment. ***.

ROSES ARE RED

New D.A. faces criminal lookalike; Don Castle plays both

ROSES ARE RED (1947). Director: James Tinling.

"I can't place the face but the feet are familiar."

Robert Thorne (Don Castle) has just become the new D.A. of an unspecified city. His photograph, along with some roses, is found near the body of a young woman who has been murdered. [No one ever expresses the slightest sympathy for this woman.] Thorne doesn't know the victim, and doesn't realize the photo is actually of his double, the crooked Don Carney. Thorne is kidnapped by Carney's confederates so the latter can study his movements and impersonate him with the help of corrupt police lieutenant, Wall (Joe Sawyer). Meanwhile Thorne's girlfriend, Martha (Peggy Knudsen of Hilda Crane), comes into contact with Carney's wife, Jill (Patricia Knight of Shockproof), when she tries to trace the photo. When the D.A. finally shows up again, is it Thorne or Carney, and how will Martha know the difference? Roses are Red is a modestly entertaining little low-budget flick with more than adequate performances and an intriguing premise that not enough is done with. Although Thorne is as brave as anyone, Castle makes him look realistically dismayed by and frightened of the situation he finds himself in. But the picture is stolen by Jeff Chandler [Raw Wind in Eden] in a very early role as thug John Jones, alias the Knuckle, displaying the sexy insolence that would eventually turn him into a star. Other familiar faces include Charles McGraw, James Arness, Douglas Fowley, and Charles Lane.

Verdict: Adequate in all departments, but that's about it. **.