FOUR BOYS AND A GUN

Hinnant, Franciscus, Sutton, and Green -- with the gun

FOUR BOYS AND A GUN (1957). Director: William Berke.

Four young neighborhood buddies have their problems. Eddie (Tarry Green) learns that his girlfriend, Marie (Diana Herbert), is dating their boss, who fires him. Ollie (Frank Sutton) has gambling debts that could get his legs broken. Johnny (James Franciscus of I Passed for White), who has a wife and baby on the way and has high hopes for a boxing career, is told he's strictly an amateur with no future. Stanley (William Hinnant) is a little nerd who can't get a girlfriend. To make matters worse, the proceeds for a dance they put together, hundreds of dollars, are stolen by some hoods.

James Franciscus

The "boys" -- with the exception of Johnny -- go on a nasty spree where they mug a cab driver and walk out of an expensive restaurant without paying. They then importune Johnny in joining them in a robbery of the arena where he had his last fight. Unfortunately, during the botched robbery, a police officer with a family is shot and killed. Although technically all four of the participants are guilty of murder, the DA wants to know specifically which one fired the gun. Amidst flashbacks showing events leading up to the robbery, the boys contemplate their future and try to blame each other for what happened.

Frank Sutton and Tarry Green

Four Boys and a Gun is an unusual feature with an intriguing storyline. None of the characters are especially likable, however, even the more sympathetic Stanley and the more mature Johnny. In fact, most of them come off like total creeps. The boys develop some very unlikely nobility at the end, which is otherwise uncompromising. The dialogue as they analyze each other's shortcomings in crude fashion rings true, although the legal aspects are suspect. The performances are too stagy at times, with Sutton making the best impression. Of the four actors, Franciscus had the biggest career, although Sutton eventually played the nasty marine on Gomer Pyle. This was the only film Tarry Green appeared in, although he did have a couple of TV credits. William Hinnant had a few more credits and also did a lot of stage work. He died at 42 in a drowning accident. Smaller roles are played by Frank Campanella as a cop, Nancy Devlin as Eddie's sister, who likes Ollie, and Patricia Bosworth as Johnny's pregnant wife.

Verdict: Something different. **3/4. 

THE MUGGER

Kent Smith, Nan Martin, James Franciscus

THE MUGGER (1958). Producer/director: William Berke. Based on a novel by Ed McBain (Evan Hunter).

An unidentified man is running about the city stealing women's purses and leaving a slight slash on their cheeks. Lt. Pete Graham (Kent Smith of Nora Prentiss), a police psychiatrist, is assigned to the case. He is convinced that it is unlikely the "mugger" will move up to murder, but then a victim, Jeannie (Sandra Church), is found dead. But was she really a victim of this mugger, or did someone else kill her? Suspects in the case include Nicholas Grecco (George Maharis), who was infatuated with the murder victim; cab driver Eddie Baxter (James Franciscus), who was the brother-in-law of the victim; and Franklin Corey (Bert Thorn), who may be hiding a secret from his wife  Graham's fiancee is policewoman Claire Townsend (Nan Martin), who goes out undercover to try to catch the mugger. Dick O'Neill is a police sergeant and Renee Taylor plays a woman who is being followed -- by her husband.

James Franciscus and Kent Smith

The Mugger is a slick, low-budget, generally absorbing feature that in some ways resembles a television crime show. A very young James Franciscus [The Valley of Gwangi] has some good scenes as the cab driver; Smith is reasonably effective; Maharis [Journey to the Unknown] plays his character like a nerd to explain why Jeannie doesn't want to date him; and the other performers are all competent. The most chilling thing about the movie is after the killer is dispatched in a grisly fashion, and an old man who witnessed the death (and doesn't know the person was a murderer) waxes philosophical about the event without displaying a shred of compassion, although this may have to do with some insufficient emoting on the bit actor's part.

Verdict: Okay programmer with some interesting players. **1/2. 

VALLEY OF HEADHUNTERS

VALLEY OF HEADHUNTERS (1953). Director: William Berke.

"The jungle has boiled over into one of the ugliest messes I've ever seen." -- Lt. Barry.

Jungle Jim (Johnny Weissmuller) attends the trial of nasty native M'Gono (Vince Townsend Jr.), but the latter gets off due to the skills of his lawyer, Arco (Robert Foulk). Arco has come up with a plan to turn the peaceful River Valley back into the "valley of the headhunters" by hiring men to raid villages and pretend to be headhunters. This way, Arco figures he will be free to get at the oil reserves in the valley. He also has women kidnapped to serve as slaves. Naturally, with the aid of Lt. Barry (Steven Ritch of The Werewolf) and Ellen Shaw (Christine Larson), as well as some friendly natives, Jungle Jim will rout Arco and his evil henchmen. Lots of smooching goes on in this movie between the lieutenant and Ellen, but poor Jungle Jim gets no lovin' at all, except maybe from Tamba, who in one funny sequence gets drunk on ether. Fair to middling Jungle Jim.

Verdict: Well, there's always Tamba. **.

HIGHWAY 13

Pamela Blake as Doris with Robert Lowery

HIGHWAY 13 (1948). Director: William Berke.

A series of mysterious accidents are plaguing a truck company, although the head of the outfit seems unconcerned. Another executive in the firm, Frank Denton (Michael Whalen), finds out that his wife's car has been driven off a cliff and feels he was the real target. Even an undercover detective (Steve Pendleton) hired to investigate comes to a bad end. Driver Hank Wilson (Robert Lowery), who is engaged to personable, pretty waitress Doris (Pamela Blake), is determined to get to the bottom of things. Other characters include Doris' uncle, known as "Pops" (Clem Bevans); his wife, Aunt Myrt (Mary Gordon); the trucking firm's personnel manager, Mary (Maris Wrixon of The Face of Marble); and detectives played by Lyle Talbot and Dan Seymour. Highway 13 could be dismissed as a typical minor "B"  thriller were it not for the fact that it has a good script, interesting characters and performances, and it isn't obvious from the first who the bad guys are. Pamela Blake [Ghost of Zorro] offers a very appealing portrait of the waitress Doris, Lowery is the stalwart hero, and Clem Bevans [Gold Raiders] pretty much steals the picture as the dyspeptic old Pops.

Verdict: Entertaining and suspenseful, with a few surprises and a satisfying wind-up. **1/2.

PYGMY ISLAND

Billy Barty and Johnny Weissmuller

PYGMY ISLAND (1950). Director: William Berke.

Army Captain Kingsley (Ann Savage of Dangerous Blondes) disappears when she leads an expedition into territory where she hopes to find a certain plant. This plant has unusual properties and will provide "strategic war materials." Major Bolton (David Bruce of Lady on a Train) arrives in Africa to search for Kingsley and confers with the famous Jungle Jim (Johnny Weismuller), who tells him that this plant grows primarily in pygmy territory. Some nasty foreigners led by Leon Marko (Steven Geray)  and his confederate Novak (Tristram Coffin) try to exploit the pygmies, who are led by Makuba (Billy Curtis). Billy Barty [The Day of the Locust] plays the likable pygmy, Kimba; in fact all of the pygmies seem to be played by Caucasian little people. Elephants go on a mini-stampede at one point, crushing a jeep and a truck, and Jungle Jim has an exciting battle with a crazed gorilla that tries to throw him off of a rope bridge into a watery chasm; the picture's best scene. Tamba the chimp gets in on the action as well. While this looks like an ultra-cheap Monogram production, the early Jungle Jim features were released by Columbia.

Verdict: Kind of dull for the most part. **.

FURY OF THE CONGO

Johnny Weissmuller as Jungle Jim

FURY OF THE CONGO (1951). Director: William Berke.

Ronald Cameron (William Henry of Nearly Eighteen) asks Jungle Jim's (Johnny Weissmuller) help in tracking down the missing Professor Dunham (Joel Friedkin). Dunham is working on extracting a narcotic from the glands of a strange zebra-like animal called the Okango. Jim doesn't know that Cameron's men have already found the professor and are keeping him captive, and have also rounded up the men of a native village to help them capture the animals. The remaining females importune Jim for help, and he sets out with Cameron and Leta (Sherry Moreland) to find both the men and the professor. Lyle Talbot [The Vigilante] is another of the bad guys, along with George Eldredge [Shadows Over Chinatown] and Rusty Westcoatte. Among the livelier scenes in this standard Jungle Jim adventure are a fight with a lion, an attack on Jim by a giant "death-spider," and the climactic fight during a sand storm. It's fun to see the ladies of the village taking off after the men to free them. Timba the chimp stupidly knocks Jim right into quicksand at one point and there's a great deal of running around. The film is heavily scored (by a very wide variety of composers) to make the low-budget Columbia flick seem faster and more exciting. The natives are all white in this.

Verdict: The spider steals the picture. **1/2.

SKY LINER

Would you want this shifty guy (Greg McClure) on an airliner?

SKY LINER (1949). Director: William Berke.

A diverse group of people are flying to San Francisco on TWA. Few of them realize that George Eakins (John McGuire of Sea Raiders) of the State Department has been murdered and been replaced by a man known only as Smith (Steve Pendleton). Smith, who is hoping to sell important papers on the flight, is accompanied by Eakin's secretary, Amy (Rochelle Hudson of Meet Boston Blackie). Steven Geray [The Unfaithful] plays Bokejian, a representative of a foreign power who is anxious to buy those government secrets. An added complication is the presence on the flight of one J. S. Konigsby (Greg McClure), who is a dangerous jewel thief. But when one of those characters is murdered, Federal agent Steve Blair (Richard Travis) teams up with intrepid stewardess Carol (Pamela Blake) to ferret out the murderer and keep the passengers under control. Sky Liner is not quite as interesting as it sounds, but it's a mildly entertaining programmer with a generally competent cast. William F. Leicester is the pilot, Captain Fairchild; George Meeker is a financier; and Jack Mulhall is Colonel Hanson.

Verdict: There have been worse ... **1/2.

TREASURE OF MONTE CRISTO

Eternal starlet: Adele Jergens

TREASURE OF MONTE CRISTO (1949). Director: William Berke.

Edmund Dantes (Glenn Langan) is a sailor just off a ship in San Francisco who encounters a sexy blonde named Jean Turner (Adele Jurgens). Jean tells Ed that she is an heiress, and she has escaped from a sanitarium where relatives who want control of her fortune are trying to lock her away. She offers Ed $10,000 if he'll agree to marry her -- which will supposedly prevent the bad guys from stealing her inheritance -- and he complies -- after all, Jean isn't exactly bad-looking. But after the marriage takes place Ed winds up accused of murder, and Jean is nowhere to be seen. When she is finally located, Jean Turner turns out to be an different woman entirely ... Treasure of Monte Cristo is an interesting, if minor, bit of film noir with an absorbing plot line (one angle prefigures a sequence in the later Homicidal). Langan [The Amazing Colossal Man] offers a good performance as a man in serious trouble, while Jergens [The Fuller Brush Man] is a cut below him as the femme fatale in question. Steve Brodie is notable as an associate of Jergens'. The title treasure figures in the convoluted story and the finale, although the movie isn't really about a treasure hunt. Albert Glasser contributed a typically brassy and effective score. Langan and Jergens were wed in real life two years after this film came out and had one of Hollywood's rare long-lasting marriages until his death forty years later.

Verdict: Attention-holding minor-league film noir with some good performances. **1/2 out of 4.

The Midnite Drive-In presents The Film Noir Blogathon. [I wouldn't necessarily consider Sunset Boulevard to be film noir, but it does have a handsome hero whose life is turned upside down by a woman, even if she's hardly a "hot" blonde!

ROARING CITY

Hugh Beaumont and Richard Travis

ROARING CITY (1951). Director: William Berke.

"You couldn't find an ingrown toenail if it was on your left foot." -- O'Brien to Bruger.

Hugh Beaumont had played private eye Michael Shayne in several films when he was cast in another, briefer series playing another tough P.I., Dennis O'Brien; Roaring City is the second of the three films. O'Brien is hired by a manager to place bets against his own boxer, who doesn't take a dive as expected and winds up murdered. Suspected of the crime, O'Brien convinces Inspector Bruger (Richard Travis) of the San Francisco police department that someone else is the guilty party. In the second of two stories, Irma Rand (Joan Valerie of Charlie Chan at the Wax Museum) hires O'Brien to pretend to be the husband of a friend, Sylvia (Wanda McKay), whose hood boyfriend, Rafferty (Anthony Warde) is back in town and looking for trouble. In both cases, O'Brien winds up in dutch because his clients are as shifty as any bad guys, and O'Brien seemingly won't say no when there's money concerned. Roaring City comes off like two TV episodes spliced together. The acting is sufficient, with Warde [The Masked Marvel] especially vivid as the nasty Rafferty. Edward Brophy [Romance on the Run] also makes the most of his role as O'Brien's pal and assistant, the professor. There's too much narration. From Lippert pictures.

Verdict: Watchable, but ultimately quite dull. **.

STREET OF SINNERS

STREET OF SINNERS (1957). Director: William Berke.

"Oh, Johnny, I don't want to die. I want to be loved."

John Dean (George Montgomery) is a rookie cop who has just been assigned patrol duty in one of the worst neighborhoods in town. Tavern owner Leon (Nehemiah Persoff), who seems to be a benign, helpful presence in the area, is actually the man who turns the wheels and owns everybody he knows. John encounters a tough little bitch named Nancy (Marilee Earle), as well as budding hood Rickey (Stephen Joyce). A sad figure on the street is Terry (Geraldine Brooks), who is fond of undressing in public and is as lonely as Hell. An alcoholic, Terry has John for dinner and serves him a charcoal pork chop. When a tragedy occurs, John is temporarily suspended, but he continues to investigate the disappearance of a young lady who had the goods on Leon. It all builds up to an exciting climax and the final confrontation between John and Leon. Street of Sinners is a snappy little number that is distinguished by some fine work by Persoff, and especially Brooks [Cry Wolf], who is touching and absolutely superb. Montgomery [The Cowboy and the Blonde] is competent but nothing more. The jazzy musical score doesn't really work with the movie, however, and some of the character reversals are a little too abrupt. William Berke also directed The Lost Missile and many Jungle Jim movies.

Verdict: Taut, brisk, and altogether admirable "B" picture. ***.

MARK OF THE GORILLA

Johnny Weissmuller and Suzanne Dalbert

MARK OF THE GORILLA (1950). Director: William Berke.

Skulduggery is afoot in a government game preserve in the Nagandi district of Africa. For one thing murderous gorillas are stalking about, even if this isn't their natural territory. Do these big apes perhaps have a secret? One thing that isn't a secret is that there's a horde of Nazi gold hidden on the preserve, and several people are trying to find it. These include the suspicious Professor Brandt (Onslow Stevens of The Couch) and the pretty Nyobi (Suzanne Dalbert, who has a distracting resemblance to Ingrid Bergman)! Then there's Warden Bentley (Selmer Jackson) and his niece, Barbara (Trudy Marshall of The Dancing Masters), who may be on the side of the angels. Jungle Jim (Johnny Weissmuller) takes care of the gorillas as well as the treasure hunters, though he has a tough time of it in spots. Mark of the Gorilla is fast-paced and well-directed, and surprisingly entertaining. There's a great scene when a chimp keeps stealing Jungle Jim's fish behind his back; a bit with a panther having a set-to with a crocodile; and exciting sequences featuring an attack by a hawk on a mountain and a prop moray eel under the water. As usual in these JJ pictures, the uncredited (and probably stock) score is a big help.

Verdict: This darn thing is fun! ***.

CAPTIVE GIRL

Skipper the dog and Tamba the chimp

CAPTIVE GIRL (1950). Director: William Berke.

In this third Jungle Jim movie, our hero (Johnny Weissmuller) crosses figurative swords with another former Tarzan, Buster Crabbe [The Sea Hound], this time playing an evil treasure hunter, Barton. Jim also has to deal with a female Bomba, a young lady named Joan (Anita Lhoest), who has been living on her own in the jungle since the murder of her parents, becoming a blonde goddess known as "the wild girl of Lake Bekonchi." Jim not only has to track the gal down -- she has a tiger for a pet -- but save her and others from the evil medicine man, Hakim (John Dehner of Please Murder Me), who wants to kill Chief Mahala (Rick Vallin of Escort Girl) so he can take over the tribe. The climax takes place at the sinister Lagoon of the Dead, where maidens have been sacrificed and skeletons and gems lay about the lake's bottom. While this is not quite as good as it sounds, I must admit that Captive Girl is peculiarly entertaining, much of this having to do with the animal antics of Jim's dog Skipper, his chimp Tamba, and even the crow [or raven] called Koko. Tamba and Skipper are a real cute duo, always cuddling and playing with each other ( in fact, one could say that they are better actors than most of the humans). An extremely bizarre sequence late in the movie has a huge horde of angry monkeys attacking Hakim and his men, presumably called upon by Tamba to do so. Even stranger is the sight of wild tigers in Africa! Padded with entertaining stock footage that sometimes blends in smoothly with the new scenes and sometimes doesn't.

Verdict: Seriously weird at times but strangely compelling. **1/2.

THE LOST TRIBE

THE LOST TRIBE (1949). Director: William Berke.

In the second "Jungle Jim" feature after Jungle Jim, our hero (Johnny Weissmuller) learns of the hidden city of Zarn. Li Wanna (Elena Verdugo of The Frozen Ghost) comes from Zarn, and her brother Chot (Paul Marion) has given away the secret of the city's location out of lust for the hard-boiled Norina (Myrna Dell of Why Men Leave Home). Now Norina's associates, including her supposed uncle, Calhoun (Joseph Vitale), are after the diamonds of Zarn. To appease the crooks, Li Wanna's father, Zoron (Nelson Leigh of World Without End) asks JJ to bring them a peace offering, although the big guy realizes one little pouch of diamonds won't be enough for them ... The Lost Tribe seems to have a plot built around stock footage, but it's still somewhat entertaining. There's one great shot of the treacherous entrance to Zarn on a narrow plateau many miles above the valley, and JJ has a well-edited battle with a crocodile, and later saves a pearl diver from a voracious shark. JJ's animal friends include Skip the dog; Simba, the gorilla (a man in an ape suit); as well as a frequently-seen crow; and a raccoon. In one scene Simba, with a baby chimp [!] in her arms, battles a lion, and a whole bunch of gorillas go ape shit at the end when they attack the bad guys who are looting Zarn. This has everything but the kitchen sink and the score (uncredited) helps a lot. Jungle Jim simply comes off like an older version of Tarzan who speaks in slightly longer sentences. At one point Li Wanna calls him "Mr. Jim" as if Jim were his last name. It all moves quite swiftly.

Verdict: Fun if you like minor Jungle epics. **1/2.

DICK TRACY (1942)

DICK TRACY (1945). Director: William Berke. 

The first of four Dick Tracy features stars Morgan Conway as a more-than-acceptable Tracy investigating a series of murders committed by "Splitface" (referring to a scar), played by Mike Mazurki. [One of the problems with the film, although it's entertaining, is that the suspense is minimized because we know all along who the killer is, a serious mistake, frankly.] Anne Jeffreys makes a pretty sexy Tess Trueheart. Equally pretty Jane Greer plays the saucy daughter of one of the potential victims; she's always making a jealous Tess nervous. The cadaverous Milton Parsons is well cast (as usual) as the undertaker, Deathridge. Mazurki is fine as the villain of the piece. A fast pace helps smooth over the flaws. Followed by Dick Tracy vs. Cueball. Also known as Dick Tracy, Detective. 

Verdict: You can't keep a good Dick down. **1/2.

JUNGLE JIM

JUNGLE JIM (1948). Director: William Berke.

A middle-aged Johnny Weissmuller (pictured) trades in the loincloth of Tarzan for the safari suit of Jungle Jim, which was based on an Alex Raymond comic strip. The snappy Virginia Grey plays Dr. Hilary Parker, who is hoping to get a cure for polio from a witch doctor -- while others are just hoping to find treasure. George Reeves gives a lively performance as a creepy photographer and Rick Vallin plays, of all things, a native chieftain. Lita Baron is the bitchy native girl who tells Parker that she's "like a man." There are elephant stampedes, falling boulders, an attack by alligators, an odd crocodile with a tail that's more like a tentacle, and a trained crow that pecks at typewriter keys. The best scene has Jim dangling from the side of a cliff; his wrestling with a lion isn't bad, either. This may be mostly stock footage, but it plays. Reeves is more interesting as a bad guy than as a hero. Grey also appeared in Black Zoo.

Verdict: Fast-paced jungle fun. **1/2.

THE LOST MISSILE

THE LOST MISSILE (1958). Director: William Berke. Screenplay by Berke and Jerome Bixby. 

The movie has a great idea and not a bad script but with a 99 cent budget and probably a shooting schedule of about a week it never realizes its potential. A racing explosive deadly missile of unknown origin, possibly extraterrestrial, appears out of nowhere and is on its way to New York (obliterating poor Ottawa along the way). This is the day that Dr. David Loring (Robert Loggia) wants to marry his girlfriend Joan (Ellen Parker), and the same day that another scientist's wife is having a baby. All of this takes a back seat to the fact that New York has to be evacuated in record time, and there seems to be no way to destroy the missile -- or is there? Alas, there's only so much you can do with stock footage (and there's a lot of it) and a lack of directorial panache. Ottawa is destroyed with a few shots of people falling down beneath a fiery beam or something, and there are reasonably well-staged scenes of panic in the subway and elsewhere. One scene that should have been powerful is when one character is exposed to deadly plutonium, dooming him, as the woman who loves him -- unable to touch him for one last time -- watches in horror. This probably worked a lot better on paper than it does on the screen. Too bad. The performances are generally solid. 

Verdict: Watchable but minor-league sci fi. **.