Welcome to William Schoell's GREAT OLD MOVIES blog. Feel free to leave a comment regardless of the date the review was posted -- I read 'em all. Or if you prefer -- and especially if you have any questions directly for me -- email me at email@example.com and I'll get back to you as soon as I can. Click on a label link (labels can be found at the bottom of each post) to find other movies from that year, the star, that director or genre and so on. Or enter a title, director, genre, star or supporting player in the small Blogger "search blog" box at the far left up above and click search blog. [NOTE: While this blog mostly reviews films -- and TV shows -- that are at least twenty-five years old, we do cover films up until the present day.] HAVE FUN AND THANKS FOR DROPPING BY. William.
Wednesday, February 13, 2008
THE AMAZING COLOSSAL MAN
THE AMAZING COLOSSAL MAN (1957). Director: Bert I. Gordon. Written by Gordon and Mark Hanna.
AIP rushed out Gordon's Amazing Colossal Man to take advantage of the success of the superior Incredible Shrinking Man, but on its own terms, Colossal is a creditable effort. Glenn Langan plays Colonel Glen Manning, who is observing a plutonium bomb test from a safe distance when a small plane crashes in the vicinity. Manning bravely rushes in to see if the pilot is alive, and gets caught in the full force of the blast. [Stan Lee essentially lifted this sequence to create an origin for The Hulk.] This makes his cells go out of whack – he heals with great rapidity but his cells keep on growing, until he becomes a literal giant. Eventually he loses his mind, rampages through downtown Las Vegas, and is (presumably) killed near Boulder Dam. Despite some ludicrous detours, this is an “intelligent” B movie with excellent performances from Langan and Cathy Downs as his heartsick fiancee. Langan had played romantic leads and second-leads in such films as Dragonwyck with Vincent Price and Margie but his career was on the downslide (he didn't make a film for eight years after Colossal and had to go to Italy to do so), and it isn't improbable to wonder if he used his anguish over faded career opportunities to empower his performance as the tormented Manning. [“What sin could a man commit in a single lifetime to bring this upon himself?” Manning wonders.] Unlike those who are crippled or disfigured, Manning couldn't possibly reenter society in any realistic manner. Gordon's low-rent FX work features a see-through colossus, but there is an effective moment involving a giant hypodermic needle.
NOTE: Continued in the review of the sequel, War of the Colossal Beast.
Verdict: Not bad at all. ***.