BLACKHAWK

Kirk Alyn and Carol Forman

BLACKHAWK (aka Blackhawk, Fearless Champion of Freedom/15 chapter Columbia serial/1952). Directors: Spencer Gordon Bennet; Fred F. Sears.

Having already played Superman twice, Kirk Alyn  was the perfect choice to play another DC Comics hero (albeit without actual super-powers), Blackhawk, who headed a team of international freedom fighters. The Blackhawk comic, beautifully drawn by Reed Crandell (who gets credit in the serial), and created by Will Eisner (who does not), had been published since the early 1940's. There were some changes made from the comic: the Chinese cook Chop Chop (Weaver Levy) was less caricatured, and Andre (Larry Stewart) was no longer French. Stanislaus, portrayed as a gruff, gray-haired middle-aged man in the comics, has an evil twin in the serial, and is played by Rick Vallin, The villainess is hard-as-nails Laska (Carol Forman), who is given an unflattering hairstyle and is in no way as glamorous as she was in other serials, such as her headliner The Black Widow. She reports to an unseen (but hardly unknown) "Leader," who keeps asking her to give more, more -- including her life -- to the "party." Laska's main henchman is Aller, played by serial regular Marshall Reed [Gunfighters of the Northwest]. When handsome Aller tires to get familiar with Laska -- "nice drivin', baby," he tells her -- she snaps, "The name is Laska!" Blackhawk is full of exciting cliffhangers, even if none of them are resolved in a clever manner -- Blackhawk simply rolls out of the way of several oil drums, or jumps out of a hay wagon that has caught on fire. In other sequences Stan is tied to a pole with a plane's propeller rushing towards him; Blackhawk's car is pushed onto the tracks just as a train arrives; fiery derricks topple like tenpins; a cartoon "flying saucer" hits our hero's plane; and Blackhawk's parachute fails to open so he has to ride piggyback on the shoulders of one of his comrades. Laska and her gang have several headquarters, all of which look exactly the same. Noting this, Blackhawk wonders about it and says, "they must have a reason for that." although it's never determined what it is (the budget was the reason, of course). Michael Fox plays one of Laska's confederates, and William Fawcett [Batman and Robin] is a scientist who has created a destructive ray machine. A lot of the action has to do with the theft and retrieval of "element X." Plenty of exciting fisticuffs in this.

Verdict: Blackhawk is a lot of fun. ***.

VOODOO TIGER

VOODOO TIGER (1952). Director: Spencer Gordon Bennet.

Jungle Jim (Johnny Weissmuller) comes across a tribe of cannibals who sacrifice people to their tiger god. Phyllis Bruce (Jean Byron of Daddy-O) has come to Africa to study tigers, and meets up with Sgt. Bono (Rick Vallin) and Major Green (Robert Bray of Never Love a Stranger), the latter of whom is attracted to Phyllis and vice versa. Into their midst literally drops a plane load of chorus girls led by Shalimar (Jean Dean), whose act includes a tiger (that is also on the plane), and the ex-Nazi, Professor Schultz (Michael Fox of The Lost Planet). Then there is a gang of crooks who are hoping to find a cache of stolen paintings. But can any of them hope to get away from the hungry cannibals? Voodoo Tiger at least seems a little more involved and eventful than the average Jungle Jim entry, and this one is rather entertaining. Shalimar does a rather good and sexy dance to briefly appease the natives. Tamba the chimp has a lot to do and is wonderful.

Verdict: Fun with Jungle Jim  and Shalimar! **1/2.

COMMANDO CODY: SKY MARSHAL OF THE UNIVERSE

Judd Holdren  and Aline Towne

COMMANDO CODY: SKY MARSHAL OF THE UNIVERSE  (12 episode Republic series/1953). Directors: Harry Keller; Fred C. Brannon; Franklin Adreon.

In the near-future Commando Cody (Judd Holdren of Zombies of the Stratosphere) whose identity "must" be hidden behind a mask "for security reasons," and his team are up against, the Ruler (Gregory Gaye of Dodsworth), an outer space despot who is out to take over the earth, as he has other planets, or destroy it. The Ruler creates weather changes that lead to tidal waves, destroys atomic research stations, employs germ warfare, alternately freezes the earth than causes super-high temperatures via twin suns, then tries to tilt the earth using a magnetic field. In each episode the Commando and his assistants foil the Ruler's plans, taking off to such places as the moon and Mercury when they need to in the Commando's rocketship (he also uses a jet pack to fly). There has always been a debate over whether Commando Cody is a serial or a TV show. Apparently it was originally conceived as a TV series, but for some reason was shown in theaters first as a series of short films (the episodes don't end with cliffhangers as serials usually do, but are more or less self-contained). The series was then shown on television. In any case, Commando Cody is a lot of fun, with adequate acting and more than serviceable special effects. Along with the colorless Aline Towne, William Schallert [The Man from Planet X] and Richard Crane play Cody's associates, Lyle Talbot is cast as an equally colorless earth guy working with the Ruler, and Rick Vallin plays Captain Duron. Gloria Pall is the space babe who answers messages for the Ruler; she is decorative and little else.

Verdict:  You either love this stuff or you just hate it! ***.

JUNGLE MANHUNT

Sheila Ryan and Bob Waterfield

JUNGLE MANHUNT (1951). Director: Lew Landers.

Photojournalist Anne Lawrence (Sheila Ryan) has come to Africa to search for Bob Miller (Bob Waterfield), a former war hero and football player who vanished into the jungle 9 years before. Miller seems to enjoy playing, as Ann puts it, "Great White God" to the natives, but he seems much more benign than certain "skeleton men" -- wearing black uniforms with skeletons painted on them -- who are decimating villages and enslaving many of the natives. Dr. Heller (Lyle Talbot) has cooked up a scheme to mine radioactive igneous rock that can be turned into valuable industrial diamonds. This is one of the better Jungle Jim adventures, with our hero (Johnny Weissmuller) leading Anne and Bob into isolated territory where they encounter a 100 foot lizard that battles a "sailback" crocodile in stock footage, not all of which seems to have come from One Million B.C. Bob Waterfield was a hunky former quarterback who was married to his high school sweetheart, the famous Jane Russell, for twenty-five years. Although he has an appealing personality in this, good looks and a fine physique seemed to be his chief assets and he only appeared in three films; Jungle Manhunt is the only one in which he actually played a character -- he later became head coach for the Los Angeles Rams. Sheila Ryan [Hideout] is a welcome and perky presence in the movie, and Lyle Talbot [The Vigilante], who gets a great death scene, gives a better performance than usual. Rick Vallin, cast again as a native, spends much of his time dealing with chimp Timba. At one point he seems a bit exasperated with his or her antics but on other occasions he certainly acts like he's charmed by the scene-stealing ape, who gets a lot of footage. The shark vs octopus stock footage that we see in so many movies also reappears in this one.

Verdict: 100 foot lizards, pretty gals and football players -- all in one movie! ***.

KING OF THE CONGO

Buster Crabbe

KING OF THE CONGO (15 chapter Columbia serial/1952). Directors: Spencer Gordon Bennet and Wallace Grissell. 

Air Force captain Roger Drum (Buster Crabbe) is to complete a flight to South Africa under the identity of a spy who is to make contact with a subversive "mystery group." Drum crashes, and for a while has no idea who he is, but at first the "reds" see him as their comrade. Since Drum is able to peal a sacred gong he is heralded by the primitive, all-white "rock people" as the heroic "Thun'da," and runs around in a loincloth. Drum/Thun'da first appeared in a brief comic book series -- sub-titled "King of the Congo" -- before Columbia turned it into a minor serial with highly familiar elements. In addition to those nasty reds, who are after a radioactive mineral, there is a group of Cavemen ruled by the corpulent if powerful Kor (Rusty Wescoatt). There is a native princess named Pha (Gloria Dea) and a High Priest (William Fawcett) who wears a long, silly wig and can witness future events in his crystal ball! There's also a cute chimp who acts like Cheetah at times but is never given a name. There's a comical scene when henchman Andreov (Rick Vallin) is "tortured" by a lamp and headphones playing jazz! The best cliffhanger has Thun'da trapped in quicksand while nasty natives keep chucking spears at him and try to push a log away before he can grab hold of it and save himself. Crabbe has dark hair for this picture.

Verdict: Not one of the more memorable Columbia serials and Crabbe's last. **.

TARZAN'S MAGIC FOUNTAIN

Lex Baker took over the role of Tarzan

TARZAN'S MAGIC FOUNTAIN (1949). Director: Lee Sholem.

Aviatrix Gloria James (Evelyn Ankers of The Pearl of Death) disappeared twenty years before but her plane and diary are found by Tarzan. Since James' testimony is required to free a jailed man, Tarzan goes to a hidden city -- full of what could best be described as white Aztec-Romans -- to bring Gloria back, and discovers she hasn't aged a day in all those years. Naturally there are unscrupulous people who hope to discover the Fountain of Youth, such as Trask (Albert Dekker) and Dodd (Charles Drake). In a development that borrows from Lost Horizon, Gloria ages as soon as she gets home, and returns to Africa with her husband, Douglas (Alan Napier), where the two hope that Tarzan will guide them back to the Blue Valley where she lived all of those years. But Tarzan is opposed to the plan, and some nasty residents of the hidden city -- against the orders of their leader, the High One (David Bond) -- do their best to kill him and anyone else who knows of the pathway to their valley. Tarzan's Magic Fountain was Lex Barker's first appearance as Tarzan, and he's fine, playing it in the nearly monosyllabic mode popularized by Johnny Weissmuller. Brenda Joyce, who replaced Maureen O'Sullivan as Jane in the last Weissmuller movies, returns as Barker's Jane, but this was her last appearance in the role -- and her last picture, as she promptly retired from the movie business. Johnny Sheffield as Boy had already left the series and turned into Bomba, and he was not replaced in the role. Tarzan's Magic Fountain has an interesting premise, but not a lot is done with it, and the screenplay is mediocre, as is the direction; Lee Sholem mostly directed TV episodes. The ever-versatile Henry Brandon plays one of the Blue Valley natives who wants to kill Tarzan for allegedly giving away the secret location of their city; Rick Vallin is another one of those natives. Elmo Lincoln, one of the first Tarzan's, supposedly plays a fisherman, but he is not credited. Cheetah's cutest scene of many is her encounter with bubble gum. When she regains her youth at the end of the movie, she turns into a different species of ape! Albert Dekker and Charles Drake also appeared together in The Pretender.

Verdict: Barker is fine, but it's an inauspicious debut for him. **1/2.

COUNTERSPY MEETS SCOTLAND YARD

Ron Randell

COUNTERSPY MEETS SCOTLAND YARD (1950). Director: Seymour Friedman.

In the desert town of Croftenay, a group of American counter-intelligence agents join forces with a visitor from Scotland Yard, Simon Langton (Ron Randell). The agents are headed by David Harding (Howard St. John of Strait-Jacket), who uncovers a nest of spies centering on the office of phony Dr. Gilbert, aka Hugo Borin (Everett Glass). After Chief of Section Don Martin (Harry Lauter) is murdered, Langton takes over his job and meets Martin's secretary-assistant and former fiancee, Karen Michelle (Amanda Blake). The spies are after a gyroscopic control on Professor Schuman's (Gregory Gaye) rocket, and hypnotize Karen to get the information. Langton goes undercover as an elderly patient to get the goods on the spies and get the classified Intel away from them. Australian-born Randell [I Am a Camera], always a good actor, is fine as Langton and affects an English accent in this; his last name is pronounced the same as Tony Randell. Other familiar cast members include Rick Vallin, John Dehner [The Chapman Report], and Fred F. Sears (later a prolific director of The Giant Claw and many others) as agents. June Vincent is quite good as the deceptively friendly nurse, Barbara, who is in cahoots with the doctor.

Verdict: Acceptable time-passer with some good performances and scenes, and versatile Randell is always interesting. **1/2.

KING OF THE CARNIVAL

KING OF THE CARNIVAL (12 chapter Republic serial/1955). Director: Franklin Adreon.

Bert King (Harry Lauter) is a former paratrooper who is now a high-wire trapeze artist with a circus run by Jess Carter (Robert Shayne), who is also the ringmaster. His former army buddy and fellow paratrooper Art Kerr (Rick Vallin), now an agent with the Department of the Treasury, has tracked down a gang of counterfeiters to the circus and environs. Art sort of deputizes both Bert and his partner, June (Fran Bennett), to help with the investigation and spy on suspicious characters within the circus. The HQ of the gang is in a water-tight compartment on what appears to be a sunken ship, with gang members entering through a water lock. Although he is not the big boss -- there is little attempt to disguise his identity -- a foreign agent named Zorn (Gregory Gaye) is the one who manufacturers the counterfeit bills, with which he hopes to flood Europe. There are some decent cliffhangers involving high-wire performers dangling over a circle of lions, and a bit with a rushing train, as well as a good mid-chapter sequence with a gasoline fire on a water tank. Much of the serial was cobbled together from stock footage, but it still manages to be entertaining -- Adreon's direction is snappy and fast-paced -- although it does become a little tedious towards the end. Lauter and Shayne are fine, although Fran Bennett, mostly a TV actress, has a somewhat flat delivery. Robert Clarke, Stuart Whitman, and Tom Steele have smaller roles. This was the last Republic serial ever made.

Verdict: Handsome Harry handles the hoodlums! **1/2.

CAPTIVE GIRL

Skipper the dog and Tamba the chimp

CAPTIVE GIRL (1950). Director: William Berke.

In this third Jungle Jim movie, our hero (Johnny Weissmuller) crosses figurative swords with another former Tarzan, Buster Crabbe [The Sea Hound], this time playing an evil treasure hunter, Barton. Jim also has to deal with a female Bomba, a young lady named Joan (Anita Lhoest), who has been living on her own in the jungle since the murder of her parents, becoming a blonde goddess known as "the wild girl of Lake Bekonchi." Jim not only has to track the gal down -- she has a tiger for a pet -- but save her and others from the evil medicine man, Hakim (John Dehner of Please Murder Me), who wants to kill Chief Mahala (Rick Vallin of Escort Girl) so he can take over the tribe. The climax takes place at the sinister Lagoon of the Dead, where maidens have been sacrificed and skeletons and gems lay about the lake's bottom. While this is not quite as good as it sounds, I must admit that Captive Girl is peculiarly entertaining, much of this having to do with the animal antics of Jim's dog Skipper, his chimp Tamba, and even the crow [or raven] called Koko. Tamba and Skipper are a real cute duo, always cuddling and playing with each other ( in fact, one could say that they are better actors than most of the humans). An extremely bizarre sequence late in the movie has a huge horde of angry monkeys attacking Hakim and his men, presumably called upon by Tamba to do so. Even stranger is the sight of wild tigers in Africa! Padded with entertaining stock footage that sometimes blends in smoothly with the new scenes and sometimes doesn't.

Verdict: Seriously weird at times but strangely compelling. **1/2.

ESCORT GIRL

ESCORT GIRL (1941). Director: Edward E. Kaye.

"He's going to try to find out if the escort business is, well, flexible."

Ruth Ashley (Betty Compson) is co-owner with Gregory Stone (Wheeler Oakman) of a clip joint named the Club Martinique and a highly successful "escort" business. Ruth is horrified at the thought that her daughter, June (Margaret Marquis), coming home from school with a fiance, might find out where her mother's considerable assets are coming from. To make matters worse, June's fiance, Drake Hamilton (Robert Kellard of King of the Royal Mounted), works for the district attorney's office. His latest assignment -- wouldn't you know? -- is to find out who the true head is of the same escort service that his future mother-in-law owns. Obviously, things don't go well for this family, with Drake eventually coming to believe that June herself is an "escort." This is a fairly frank 1940's exploitation item in which the word "prostitution" is never used. but little secret is made of what's going on with these sexy escort girls. In one scene a woman practically attacks her client on a bed, and in another eyebrow-raising moment a woman does a provocative dance number. Drake Hamilton acts like no assistant district attorney would ever act, going out and doing his own investigation and roughing up people he talks to. The acting in this is not bad; Rick Vallin [Nearly Eighteen] plays a gigolo who also works for the escort service. One thing the movie does not go into is men hiring men. This was Kaye's only directorial credit.

Verdict: Effective exploitation but nothing to miss I Love Lucy for. **1/2.

THE SEA HOUND

Buster Crabbe as Captain Silver

THE SEA HOUND: Daredevil Adventures of Captain Silver (15 chapter Columbia serial/1947). Directed by Walter B. Eason and Mack Wright.

Captain Silver (Buster Crabbe), who appeared both on the radio and in comic books, sails into adventure on his boat the Sea Hound, along with his pals Tex (Jimmy Lloyd) and Jerry (Ralph Hodges). Ann Whitney (Pamela Blake) is searching for her father (Milton Kibbee), who disappeared while searching for Spanish galleon treasure. Silver and his cronies not only have to contend with the "dreaded killers of the jungle," the Ryack tribe, who use lassos to strangle people, but assorted bad guys [including Rick Vallin] who would like the gold for themselves. Highlights include the "man-eating vine" in chapter five; the boulder that rolls off a cliff in chapter seven; our hero nearly being boiled alive in hot springs in chapter eight; and being tied to water wheels in chapter nine. Sea Hound has its exciting moments to be sure, but it's still on the tame and mediocre side.

Verdict: Anything with a man-eating vine in it can't be all bad. **1/2.

ADVENTURES OF CAPTAIN AFRICA

ADVENTURES OF CAPTAIN AFRICA 15 chapter Columbia serial (aka Adventures of Captain Africa, Mighty Jungle Avenger/1955). Director: Spencer G. Bennet.

In a small African nation the Caliph has been replaced by a lookalike. With the aid of the mysterious Captain Africa (John Hart), who shows up conveniently from time to time, Ted Arnold (Rick Vallin) and animal handler Nat Coleman (Bud Osborne) try to help the Arab Omar (Ben Welden) put the rightful ruler back on the throne. In the meantime Princess Rhoda (June Howard) frequently finds herself in danger. If Captain Africa seems to resemble the Phantom, it's because this was supposed to be a sequel to The Phantom cliffhanger, only Columbia let the rights to the character expire. There is lots of stock footage and some of the cliffhangers are recycled from the original Phantom serial. In spite of this the serial still has some lively moments, such as a huge tiger that climbs in through a window, an alligator-and-quicksand trap, fires, avalanches, and coaches that go flying over cliffs. Still, it's no better than mediocre, but The Phantom serial wasn't that great, either. Captain Africa has a secret identity but it is never employed in the serial and the audience is never told his name; he never appears in his real I.D. throughout the serial. Hart and the others give acceptable performances. The cute but not terribly glamorous Howard only had one other credit; she is not a bad actress. Ben Welden had a great many credits and played the thief in "The Fur Coat" episode of I Love Lucy.

Verdict: Not one of your more memorable cliffhangers. **1/2.

BRICK BRADFORD

FRONT: Noell Neill, Kane Richmond and Rick Vallin

BRICK BRADFORD (15 chapter Columbia serial/1947). Directed by Spencer Gordon Bennet and Thomas Carr.

Kane Richmond stars as the comic strip sci fi hero in this disappointing serial from Columbia. In an early use of the teleportation that later become a major component of Star Trek, a scientist creates a dimensional doorway that manages to transmit people to the moon, where there appears to be a war between two sects. Brick is accompanied by his pal, Sandy (Rick Vallin). In a weird alliance, Earth gangsters join up with some of the moon aliens to try to get their hands on a weapon that can intercept and destroy missiles. In a couple of chapters, the boys wind up traveling through time and encounter pirates seeking treasure. In other words, this serial is all over the lot and never quite gets a handle on anything. Pierre Watkin is a professor and Linda Leighton [aka Linda Johnson] is the daughter who doesn't get much to do. Noel Neill shows up later in the serial as a gal involved with the aforementioned pirates. Serial Queen Carol Forman also doesn't get to do much in her few appearances as Queen Khana of the moon. There are a couple of decent cliffhangers: a fall off a cliff into lava in chapter four; and a batch of acid that spills and flows towards an unconscious Brick.

Verdict: Not one of the more memorable serials. **.

THE ADVENTURES OF SIR GALAHAD

THE ADVENTURES OF SIR GALAHAD (15 chapter Columbia serial/1949). Director: Spencer Bennet.

A strange new knight named Sir Galahad (George Reeves) marches into Camelot, wins a jousting tournament, and is invited to join the Knights of the Round Table by King Arthur (Nelson Leigh) himself. Alas, pressed into guard duty over the mystical sword Excalibur, Galahad is knocked out and the sword stolen. Galahad comes under suspicion, and vows to recover Excalibur and return it to Arthur before its absence causes the destruction of Camelot. Other suspects include the Saxon king Ulric (John Merton), the Black Knight, whose identity is unknown, Morgan le Fay (Pat Barton). and even Merlin the Magician (William Fawcett). With lots of swordsplay, an enchanted forest whose branches grab at victims, and a mysterious Lady of the Lake, you'd think Sir Galahad would make a rousing serial, but for the most part it's routine and unexciting. There are a couple of decent cliffhangers, however, such as when Galahad falls before a stampede of horses, is trapped by a moving wall of spears, and is nearly crushed by a spiked iron ball. But these highlights are few and far between. Reeves, the subject of the film Hollywoodland, seems uncomfortable at times. Rick Vallin plays Sir Gawain.

Verdict: One suspects that if Republic had done this it would have been a lot better. **.

BATMAN AND ROBIN (1949)

BATMAN AND ROBIN 1949 15-chapter Columbia serial. Director: Spencer Bennet. 

Batman (Robert Lowery) and Robin (John Duncan) cross wits and figurative swords with a criminal mastermind known only as the Wizard. The suspects for his real identity are numerous: the grumpy old Professor Hammil (William Fawcett) who seems to be crippled but can attach himself to a certain energy device; Dunn, the skulking private eye (Michael Whalen); radio announcer Barry Brown (Rick Vallin), who always seems to know what everyone is up to ahead of time; or Carter (Leonard Penn), Hammil's unctuous butler. [The Wizard's voice appears to be dubbed by Gerald Mohr.] The relatively colorless Jane Adams plays photographer Vicki Vale, who has a crooked brother named Jimmy. Lyle Talbot plays Commissioner Gordon. The Wizard employs such devices as a remote control machine that can stop cars and trains in their tracks, and another machine that turns him invisible to wreak more havoc. Robert Lowery makes an okay Batman/Bruce Wayne, and 26-year-old John Duncan is fine and credible as an adult Robin. The near-operatic theme music is also quite memorable. 

Verdict: Suspenseful and fun. ***.

DANGEROUS MONEY

DANGEROUS MONEY (1946). Director: Terry Morse. 

When treasury agent Scott Pearson (Tristram Coffin, star of King of the Rocket Men), who's on the trail of some "hot" money, is murdered on board ship, Charlie Chan (Sidney Toler) steps in to investigate. But Pearson is only the first of several victims of a knife-throwing assailant both on board the ship and in the port of Samoa. Among the suspects are the purser, George Brace (Joe Allen), portly P. T. Burke (an excellent Dick Elliott), Tao Erickson (Rick Vallin) and his wife Laura (Amira Moustafa), Freddie Kirk (John Harmon), Miss Rona Simmonds (Gloria Warren), dishwasher Big Ben (Dudley Dickerson) with the big bank roll, and Mr. and Mrs. Whipple. Now there's something odd about one of those passengers but we won't say what. Instead of Mantan Moreland's Birmingham Brown, we get Chattanooga Brown played winningly by Willie Best [who also appeared in My Little Margie.] Victor Sen Yung plays Chan's No. 2 son, Jimmy. This is another entertaining and suspenseful Monogram Chan picture. You have to see the turtle with the pen light on its back to believe it! NOTE: This is included on the TCM Spotlight Charlie Chan Collection, which also includes Dark Alibi, The Trap and The Chinese Ring.

Verdict: Not bad Chan. **1/2.

JUNGLE JIM

JUNGLE JIM (1948). Director: William Berke.

A middle-aged Johnny Weissmuller (pictured) trades in the loincloth of Tarzan for the safari suit of Jungle Jim, which was based on an Alex Raymond comic strip. The snappy Virginia Grey plays Dr. Hilary Parker, who is hoping to get a cure for polio from a witch doctor -- while others are just hoping to find treasure. George Reeves gives a lively performance as a creepy photographer and Rick Vallin plays, of all things, a native chieftain. Lita Baron is the bitchy native girl who tells Parker that she's "like a man." There are elephant stampedes, falling boulders, an attack by alligators, an odd crocodile with a tail that's more like a tentacle, and a trained crow that pecks at typewriter keys. The best scene has Jim dangling from the side of a cliff; his wrestling with a lion isn't bad, either. This may be mostly stock footage, but it plays. Reeves is more interesting as a bad guy than as a hero. Grey also appeared in Black Zoo.

Verdict: Fast-paced jungle fun. **1/2.