ROUGHSHOD

Gloria Grahame and Robert Sterling

ROUGHSHOD (1949). Director: Mark Robson.

Four ladies of ill repute have been thrown out of Aspen when they encounter Clay Phillips (Robert Sterling) and his younger brother, Steve (Claude Jarman, Jr.) on the road after their wagon breaks down. Clay agrees to take the ladies part of the way, but has to concentrate on taking some horses to his ranch in Sonora. Adding to Clay's woes is the fact that an enemy named Lednov (John Ireland) has escaped from prison with two pals and is gunning for him. Clay also can't quite disguise his disapproval of Mary (Gloria Grahame) and the rest of her companions. Roughshod is an engaging and entertaining picture with some fine performances, especially from Grahame and young Jarman, Jr., both of whom share top billing with Sterling [Bunco Squad], most famous for the TV show Topper, who gives a better performance than expected. (Sterling was handsome and talented enough to have been developed into a major movie star, but his primary credits were on television; maybe he just lacked that certain oomph.) Grahame is as delightful and adept as ever, and Jarman [Intruder in the Dust] proves to be one of the most talented child actors in Hollywood. Ireland offers a chilling portrait of the determined killer, Lednov, and there's nice work from Myrna Dell, Jeff Donnell, and Martha Hyer as the three other "show girls" in the group. Sara Haden, James Bell [Back from the Dead], and Jeff Corey score in smaller roles. There are many affecting scenes in the movie, and a highly satisfying wind-up. Joseph Biroc's cinematography is typically outstanding, and there's a flavorful score by Roy Webb.

Verdict: An  unheralded gem with some fine performances. ***.

RADAR SECRET SERVICE

"Remember me, I'm your boyfriend." Adele Jergens, Tom Neal

RADAR SECRET SERVICE (1950). Director: Sam Newfield.

The "Radar Patrol," which uses radar in its war on crime, is after some uranium which was stolen by Mickey Moran (Tom Neal of Bruce Gentry) and sold to a man named Michael (Tristram Coffin). Hard-boiled blonde Lila (Adele Jergens) is supposedly Mickey's girlfriend, but she's playing up to Michael to help Mickey -- although she may be planning a double-cross just as Michael is. Bill Travis (John Howard) and his partner "Static" (Ralph Byrd) are the agents on the case. Riley Hill is a hood named Blackie; Myrna Dell [Why Men Leave Home] is his girlfriend, a waitress named Marge; and the ever-irritating Sid Melton is "Pill Box," a hypochondriac member of Michael's gang. There's some mild excitement at the climax; a good laugh when Marge makes a comment about how Lila really gets rid of her boyfriends after she sees Michael's corpse; and an inside joke when Ralph Byrd, who played Dick Tracy numerous times, makes a remark about "Dick Tracy's two-way radio." The good guys are called Radar Patrol throughout the movie, and not "Radar Secret Service," possibly because there was a serial called Radar Patrol vs. Spy King two years earlier.

Verdict: Pretty dull cops and robbers, but at least it's less than an hour long. *1/2.

DESTINATION MURDER

Stanley Clements and Myrna Dell

DESTINATION MURDER (1950). Director: Edward L. Cahn.

Jackie Wales (Stanley Clements) is hired by club owner and mob boss Armitage (Albert Dekker) to murder a man named Mansfield. His daughter Laura (Joyce Mackenzie) witnesses the hit, recognizes the shooter, and tries to get more on him for the police by working at Armitage's club as a cigarette girl. Meanwhile Wales thinks nothing of dating the daughter of the man he murdered in cold blood. Wales and Armitage's girlfriend, Alice (Myrna Dell), who actually has a hankering for the club manager Stretch Norton (Hurd Hatfield), have cooked up a very dangerous blackmail scheme. Destination Murder is a snappy and happily unpredictable B crime thriller that just misses being really special. There are good performances by Clements, Hatfield and Dekker [Middle of the Night]; John Dehner as a suspect and potential victim; James Flavin as the Inspector on the case; and especially Myrna Dell [The Lost Tribe] as the calculating and hard-hearted Alice. Dekker takes a belt to Clements' face at one point, and there are other interesting sequences. Hatfield of The Picture of Dorian Gray is quite effective as a gangster type.

Verdict: Absorbing crime thriller with some good and unexpected twists. *** out of 4.

THE LOST TRIBE

THE LOST TRIBE (1949). Director: William Berke.

In the second "Jungle Jim" feature after Jungle Jim, our hero (Johnny Weissmuller) learns of the hidden city of Zarn. Li Wanna (Elena Verdugo of The Frozen Ghost) comes from Zarn, and her brother Chot (Paul Marion) has given away the secret of the city's location out of lust for the hard-boiled Norina (Myrna Dell of Why Men Leave Home). Now Norina's associates, including her supposed uncle, Calhoun (Joseph Vitale), are after the diamonds of Zarn. To appease the crooks, Li Wanna's father, Zoron (Nelson Leigh of World Without End) asks JJ to bring them a peace offering, although the big guy realizes one little pouch of diamonds won't be enough for them ... The Lost Tribe seems to have a plot built around stock footage, but it's still somewhat entertaining. There's one great shot of the treacherous entrance to Zarn on a narrow plateau many miles above the valley, and JJ has a well-edited battle with a crocodile, and later saves a pearl diver from a voracious shark. JJ's animal friends include Skip the dog; Simba, the gorilla (a man in an ape suit); as well as a frequently-seen crow; and a raccoon. In one scene Simba, with a baby chimp [!] in her arms, battles a lion, and a whole bunch of gorillas go ape shit at the end when they attack the bad guys who are looting Zarn. This has everything but the kitchen sink and the score (uncredited) helps a lot. Jungle Jim simply comes off like an older version of Tarzan who speaks in slightly longer sentences. At one point Li Wanna calls him "Mr. Jim" as if Jim were his last name. It all moves quite swiftly.

Verdict: Fun if you like minor Jungle epics. **1/2.

WHY MEN LEAVE HOME

Gross: The Fat Twins --  Zoe and Chloe Borden

WHY MEN LEAVE HOME (aka Secrets of Beauty/1951). Director: Erle C. Kenton.

In this oddball theatrical film from Hallmark, Dr. John Waldron (Richard Denning) is put out because his wife, Ruth (Julie Bishop of Lady Gangster) won't, well, put out. He thinks she puts too much effort into her housekeeping and not enough into keeping herself lovely and satisfying his needs. [In one scene it is very obvious that John is hoping for and expecting some bedroom action until Ruth puts curlers in her hair and smears cold cream on her face.] The couple have a little daughter, Ginger (Ginger Prince), who is sent out to Hollywood for a screen test along with other youngsters, such as the Fat Twins. [Not only are these gals corpulent and plain, they have absolutely no talent and should not be seen on an empty stomach -- or a full one! Four years later, blond but still disgusting, they appeared on one of the least memorable I Love Lucy episodes with Tennessee Ernie Ford]. Then the movie turns into an ad for Ern Westmore of the famous make-up family, who demonstrates beauty tricks on different ladies as his wife, Betty (actually actress Virginia Merrick) stands by and urges him to lose weight. [Betty Westmore was a sometime actress herself, but for some reason doesn't play herself in this movie.] Meanwhile Ruth mistakenly believes that John is carrying on with his sexy nurse, Kay (Myrna Dell), who is in love with him, while she's in Hollywood with Ginger and the Westmores. (At one point John actually spies on Kay as she's changing her clothing  -- talk about unprofessional, even sleazy, behavior!) Should this couple divorce, or will tubby Ern Westmore pull some tricks out of his hat and turn Ruth once again into a ravishing beauty? The movie stops dead now and then while Ern and other "experts" deliver lectures. Poor Albert Glasser [Monster from Green Hell] wrote the score for this. Erle C. Kenton also directed many Universal horror flicks, a few Abbott and Costello comedies, and Search for Beauty in 1934. It's unlikely he ever made a worse movie than this, however.

Verdict: Why people leave the theater. Atrocious! *.