CANADIAN MOUNTIES VS ATOMIC INVADERS

William Henry and Susan Morrow

CANADIAN MOUNTIES VS. ATOMIC INVADERS (12 chapter Republic serial/1953). Director: Franklin Adreon.

Sgt. Don Roberts (William Henry) of the Canadian Mounted Police and agent Kay Conway (Susan Morrow) team up to tackle a gang of spies who are planning to launch missiles against the U.S. from a remote base in Canada. First the spies do their best to get rid of people who want to settle in the very area where they want to build the rocket launchers, then shift their efforts in attempts to kill off Sgt. Roberts. To that end there are cliffhangers that employ avalanches, warehouse fires and explosions; and Roberts is both shot off the top of a cliff, and then knocked off another cliff when a car crashes into the spot where he's standing. The fight scenes in this serial are well-choreographed and exciting, especially a battle that occurs in the back of a careening pick-up truck. William Henry [The Thin Man] is solid as the Mountie, certainly essaying a different kind of role than he did in his earlier films. Susan Morrow [Macabre] is also good as Kay, who is handy with a gun when required and seems as diligent and brave as Roberts. Arthur Space [Panther Girl of the Kongo] is terrific as the villain, a foreign agent named Marlof who disguises himself as a simple-minded trapper named Ol' Smoky Joe -- he is particularly effective in this role. Hank Patterson, Harry Lauter (who appears so briefly I never noticed him), Tom Steele, Dale Van Sickel, and -- wouldn't you know it? -- Pierre Watkin appear in smaller roles.  One lively sequence has Roberts trying to stop a pack of wild dogs let loose by the bad guys from attacking a group of reindeer that are meant to be food for the settlers (those poor reindeer can't win either way!). William Henry began acting at a very young age and amassed 230 credits.

Verdict: Another fast-paced, utterly mindless, but very entertaining and action-packed Republic serial. ***. 

MOTOR PATROL

Jane Nigh and Don Castle

MOTOR PATROL (1950). Director: Sam Newfield.

"Hope to see you again real soon." -- Happy, the morgue attendant.

Larry Collins (William Henry) is an officer with the traffic division of the LAPD. His sister, Jean (Gwen O'Connor), is engaged to a friend and fellow cop, Ken Foster (Don Castle of Roses are Red), who also wants to be on "motor patrol." When Larry is murdered by people involved in a hot car racket, Ken steps in to do undercover work, but seems somewhat ill-prepared. Connie Taylor (Jane Nigh of State Fair) is in love with Russ Garver (Charles Victor), who is the head man in the gang. Connie is secretary to George Miller (Frank Jaquet), a formerly honest car dealer who reluctantly works with the crooks. Motor Patrol is a routine, plodding, if professional low-budget cops and robbers production with little to distinguish it. Richard Travis [Missile to the Moon] and Onslow Stevens play, respectively, a police detective and lieutenant. Sid Melton is less obnoxious than usual as the manager of a coffee shop where some of the "action" takes place.

Verdict: Few if any thrills in this. *1/2.

JUNGLE MOON MEN

Helene Stanton as High Priestess Oma

JUNGLE MOON MEN  (1955). Director: Charles S. Gould.

In this "Johnny Weissmuller" (formerly Jungle Jim) adventure, Johnny (Weissmuller, of course) encounters a lady anthropologist named Ellen (Jean Byron) and her boyfriend, Bob (William Henry of The Thin Man). Naturally there are bad guys afoot, personified by Myron  Healey as Mark Santo, leader of a group of men who are after some diamonds. Good guys and bad guys alike come afoul of a tribe of midget "moon men" (presumably they worship the moon) armed with poisonous blow darts. It develops that these moon men are the subjects of one Oma, (Helene Stanton), their beautiful High Priestess, who lives in a cavern with a not-so-hidden entrance -- along with diamonds and a host of ravenous lions. In the movie's best scene, Oma has virtually all of the characters tied up and left in a chamber where lions are going to be released to feed upon them. The cute chimp Kimba sort of comes to their rescue. Like something out of Lost Horizon, Oma is apparently centuries old and comes to an expected end. Helene Stanton's talent (aside from her sex appeal) is obvious even in this cheapie, and that same year she was seen to better advantage in the excellent Cornel Wilde thriller The Big Combo. Unfortunately, her movie career only lasted two more years. Unlike in the previous non-Jungle Jim film, Weissmuller's last name is used more than once.

Verdict: A variety of elements thrown together to make a fairly entertaining jungle "epic." **1/2.

TARZAN ESCAPES

Love story: Johnny Weissmuller and Maureen O'Sullivan

TARZAN ESCAPES (1936). Director: Richard Thorpe.

Rita Parker (Benita Hume of Suzy) and her brother, Eric (William Henry of The Thin Man), come to Africa to see if they can importune their cousin, Jane (Maureen O'Sullivan), to come back with them to London, citing a complicated will that needs her attention. Rita and Eric hire Captain Fry (John Buckler) to take them into the dangerous territory where Jane resides with Tarzan (Johnny Weissmuller), but he turns out to be an evil character who has sinister ulterior motives. Warned to watch out for the tribe of Bogonis, the group discover that an even more savage tribe is intent on killing everyone. For much of its length Tarzan Escapes is more of a cuddly domestic romance detailing Jane's idyllic life with her lover, Tarzan, but in the final quarter there is plenty of action. Reportedly Tarzan Escapes was considered too gruesome in its original form to be released and there was lots of re-shooting. When Jane and Tarzan take a swim as they did in Tarzan and His Mate, Jane now wears clothing. Although some bat monsters have been edited out of the film, there is a disturbing scene when one poor native is tied to two trees and then drawn and quartered, which is made clear if not graphically depicted (which makes one wonder what the 1936 censors thought of as "gruesome.") Late in the picture the group must escape through a cave that is filled with lakes of lava and gator-sized lizard monsters. One of the most interesting characters is Rawlins (Herbert Mundin of Charlie Chan's Secret),  whose first sight of Tarzan has him falling in a faint, although the two eventually become buddies. Rawlins later shows his bravery in trying to save the Ape Man's life, and pays a sad price for it. Of course, all of the victims, black or white, are forgotten by the end of the movie. O'Sullivan and Weissmuller make the most of their rather sensual romantic sequences, which are quite well-acted, and the other performances are all adroit. A scene with Tarzan killing a giant crocodile is lifted almost entirely from Tarzan and His Mate. In this picture, our favorite chimp -- now spelled "Cheetah" -- is female. Cheetah mischievously -- or bitchily -- places a little doe on a log and sets the animal adrift, necessitating Tarzan's rescuing the deer from said crocodile.

I wondered why I wasn't more familiar with John Buckler, who is quite good as the nasty Captain Fry, and discovered -- as is, sadly, often the case -- that Buckler died at age thirty after finishing this picture. He and his father, Hugh Buckler, also an actor, were in a car that skidded into the water in Malibu Lake, CA. Both drowned.

Verdict: Absorbing Tarzan epic. ***.

FURY OF THE CONGO

Johnny Weissmuller as Jungle Jim

FURY OF THE CONGO (1951). Director: William Berke.

Ronald Cameron (William Henry of Nearly Eighteen) asks Jungle Jim's (Johnny Weissmuller) help in tracking down the missing Professor Dunham (Joel Friedkin). Dunham is working on extracting a narcotic from the glands of a strange zebra-like animal called the Okango. Jim doesn't know that Cameron's men have already found the professor and are keeping him captive, and have also rounded up the men of a native village to help them capture the animals. The remaining females importune Jim for help, and he sets out with Cameron and Leta (Sherry Moreland) to find both the men and the professor. Lyle Talbot [The Vigilante] is another of the bad guys, along with George Eldredge [Shadows Over Chinatown] and Rusty Westcoatte. Among the livelier scenes in this standard Jungle Jim adventure are a fight with a lion, an attack on Jim by a giant "death-spider," and the climactic fight during a sand storm. It's fun to see the ladies of the village taking off after the men to free them. Timba the chimp stupidly knocks Jim right into quicksand at one point and there's a great deal of running around. The film is heavily scored (by a very wide variety of composers) to make the low-budget Columbia flick seem faster and more exciting. The natives are all white in this.

Verdict: The spider steals the picture. **1/2.

THE THIN MAN

William Powell prepares to question the suspects

THE THIN MAN (1934). Director: W. S. Van Dyke.

Nick Charles (William Powell) retired as a detective when his wife, Nora (Myrna Loy), inherited a fortune from her father. On a trip back to New York, Nick discovers he can't stay away from sleuthing when several people he knows are embroiled in murder. Dorothy Wynant (Maureen O'Sullivan) is worried when her father, Clyde (Edward Ellis), disappears, and things get more complicated when Clyde's mistress, Julia (Natalie Moorhead of The Curtain Falls) is found murdered. More deaths follow as the suspects pile up: Wynant's ex-wife Mimi (Minna Gombell of Babbitt); his weird son, Gilbert (William Henry of Nearly Eighteen); his lawyer, MacCauley (Porter Hall); Mimi's gigolo and second husband, Chris (Cesar Romero); and several other nefarious types. Nick gathers all of the suspects (he pronounces the word with the accent on the second syllable, which is kind of charming in an old-fashioned way) at a dinner party he hosts with an utterly baffled Nora. The Thin Man has good performances from all -- Gertrude Short is snappy in a small role as the shrewish girlfriend of a dead hood -- but one could argue that there's more silliness than humor and it often gets in the way of the not-very-memorable story, although it does manage to build up minor interest and suspense as it goes along. Nobody who watches this will especially care who the killer is. Powell does his usual suave shtick with aplomb; Loy is fine if typically arch; and the little dog Asta almost runs off with the show. There were five sequels to this popular film, most of which, if memory serves me, were superior to this first entry. The title refers to the vanished Wynant, described by police and papers as a "thin man with white hair." Nick, rarely without a drink in his hand, seems half-inebriated throughout the movie. Nat Pendleton is the detective on the case, and Henry Wadsworth is Dorothy's fiance, Tommy.

Verdict: Too self-consciously "cute" by half but not without its moments. **1/2.