CRY OF THE CITY

Richard Conte and Victor Mature

CRY OF THE CITY (1948). Director: Robert Siodmak. Colorized. 

Career criminal Martin Rome (Richard Conte) is laid up in the hospital after a bank job -- during which he shot a cop --goes awry. Lt. Candella (Victor Mature) learns that a woman (Debra Paget)  came to see him and is determined to discover her identity. Could Rome have had something to do with a jewel robbery in which an elderly woman was beaten and strangled? Others involved with Rome include shifty lawyer Niles (an excellent Berry Kroeger); Nurse Frances (Betty Garde), who does Rome a big favor; gal pal Brenda (Shelley Winters); and sinister masseuse Rose Given (Hope Emerson). When Rome breaks out of jail there will be more than one death attributed to him.

A lady to watch out for: Emerson and Conte

Richard Conte gives a good performance in this but Victor Mature is even better. One could easily complain that the film is full of cliches -- a hood with an adoring younger brother (Tommy Cook) and heart-broken mother (Mimi Aguglia), for instance -- but the film is so well-written, acted and directed that it just doesn't matter. Everyone is perfectly cast and at the top of their game. This is another film in which those two hefty, homely and gifted actresses Garde and Emerson both appear, although they have no scenes together in this as they do in Caged. Garde is good but Emerson is outstanding in her portrayal of a truly slimy female reptile. Fred Clark and Roland Winters are also notable in smaller roles, as is Walter Baldwin as inmate Orvy. 

Betty Garde deals with Mature while Clark and Conte look on

This unpredictable movie has several memorable scenes: the suspenseful  business when Rome breaks out of his prison hospital cell; a violent confrontation in Nile's office between the lawyer, Rome and an unfortunate secretary who gets too nosy; and the tense subway stand-off between Rome and Candella with Emerson getting in the way. Alfred Newman contributes an exciting score and the film is shot by Lloyd Ahern Sr.

Verdict: Terrific film noir with a great cast. ***1/2. 

AFTER MIDNIGHT WITH BOSTON BLACKIE

Al Hill (?) and Chester Morris

AFTER MIDNIGHT WITH BOSTON BLACKIE (1943). Director: Lew Landers.

"Diamond" Ed Barnaby (Walter Baldwin) gets out a jail and reunites with his grown daughter, Betty (Ann Savage of What a Woman), and tells her he has some diamonds set aside for her future. He tries to leave town for his own protection but is murdered before he can do so. Betty comes to Ed's old friend Boston Blackie (Chester Morris) for help, which he is eager to provide. Boston tries to find the diamonds, discover who murdered Ed, protect his daughter, and stay out of the way of Inspector Farraday (Richard Lane) and his associate Mathews (Walter Sande), who still think Boston is some kind of hoodlum despite many evidences to the contrary. Cy Kendall is competent but typically uninteresting as an obese crime lord. Dick Elliott [Up in the Air] and Lloyd Corrigan are also in the cast. A sub-plot has Boston's pal, the Runt (George E. Stone) engaged to a bubble dancer, Dixie Rose Blossom (Jan Buckingham), whose wedding keeps being interrupted.

Verdict: A standard, mildly entertaining BB adventure. **1/2 out of 4.