Lively, entertaining reviews of, and essays on, old and newer films and everything relating to them, written by professional author William Schoell.

Thursday, September 25, 2014

ANNA CHRISTIE

Greta Garbo and Marie Dressler share a cocktail
ANNA CHRISTIE  (1930). Director: Clarence Brown.

"If my old man don't help me, it's men again. Men all the time."

In this loose adaptation of Eugene O'Neill's play, the first film in which "Garbo Talks," coal barge captain Chris Christopherson (George F. Marion) is nervous because the daughter he hasn't seen in may years is coming to town. Chris' companion, Marthy (Marie Dressler), agrees to move off the barge to make way for Anna (Greta Garbo), who far from being innocent was employed as a prostitute after her cousins on the farm had their way with her. As father and daughter awkwardly try to mend fences, into their lives comes a sailor named Matt (Charles Bickford), who falls in love with Anna. But what will he think when he learns of the woman's past? Garbo's performance in her first talkie is a bit uneven, still influenced by the style of silents, but she does have some fine moments, such as when she delivers the poignant "I am my own boss" speech in which she tells of being misused by men throughout her life, and there's a beautifully played scene when Anna and Chris have their first meeting in the bar. Marie Dressler [The Patsy] almost walks off with the movie as Marthy, and has some especially splendid moments when she has a drink with Anna when the younger woman first arrives at the saloon. "You're me," Anna tells her, "forty years from now!" Charles Bickford [The Big Country] is a little broad but effective as Matt. The story is resolved much too neatly [except for poor Marthy] but the movie is well-done and well-acted for the most part. A German language version was made immediately afterward using the same sets but Garbo [Mata Hari] was the only cast carry-over. O'Neill's play was also the basis for the musical "New Girl in Town" decades later.

Verdict: Garbo Talks and More! ***.

4 comments:

angelman66 said...

Hi William - I agree that Marie Dressler is the best thing about this movie...her charisma and humor are a boost to this lugubrious film. And you are right that Garbo's performance is uneven...and she seems to have trouble finding the Vitaphone mike, so her famous "gimme a whiskey" sounds far, far away...

The German-language version was recently on TCM and Garbo seemed a little more comfortable in it, but the supporting characters were unmemorable. I only watched a few minutes of it. Without Dressler, the movie had no levity...but that is always the case with the Irish king of tragedy Eugene O'Neill!! Can be pretty dreary!

William said...

I also looked at only a few minutes of the German version; it just wasn't as good without Dressler.

No, O'Neill wasn't exactly a barrel of laughs, but I still love "Long Days Journey Into Night" and it's always thrilling to see some really fine actors tackle those challenging roles [although no part for Dressler, alas!]

angelman66 said...

You're right! I also love Long Day's Journey...a production was done at my school that starred Dermot Mulroney back in the mid 1980s. I enjoy the 1962 film version too though Hepburn was not to my mind a frail enough Mary Tyrone...but Ralph Richardson, Jason Robards and Dean Stockwell are amazing...

William said...

I agree -- an excellent film adaptation!