THE SECRET FURY

Claudette Colbert and Robert Ryan

THE SECRET FURY (1950). Director: Mel Ferrer. Colorized version.

Ellen Ewing (no relation to J. R. Ewing) is about to marry architect David McLean (Robert Ryan), when a strange man (Willard Parker) interrupts the ceremony and insists that he was present when Ellen married another man -- she is about to commit bigamy! Ellen insists that she never heard of her "husband," Lucian Randall (Dave Barbour). Although Ellen's Aunt Clara (Jane Cowl) seems to fear that her niece might have had a nervous breakdown, David has a more supportive attitude and sets off with his fiancee to find Randall and get to the bottom of this mystery. The couple get more than they bargained for when a murder is committed and Ellen is accused. Is she the victim of a far-reaching conspiracy, or is Ellen truly unhinged? 

Robert Ryan questions Vivian Vance

Although there are some holes in the plot -- the whole logistics of the murder, for instance -- The Secret Fury proceeds at a fairly swift pace and maintains suspense for its entire length. You'll find yourself being suspicious of virtually everyone in the picture. The acting can't be faulted. Although Ryan has the less showy role of the two stars, he never reveals too much nor too little about David. Colbert is excellent, particularly in a courtroom sequence when she has a positive meltdown (and gives Doris Day of Midnight Lace a run for her money!) Paul Kelly is wonderful as a former flame of Ellen's, although it is highly unlikely that he would be the prosecutor on the case. Philip Ober is given one of his all-time best roles as Ellen's defense attorney and friend, and his then-wife Vivian Vance makes an impression as a maid who swears that she met Ellen and her husband, the aforementioned Randall, before. (The following year Vance wound up as Ethel on I Love Lucy.) Jane Cowl is also excellent as the aunt who hardly seems like she's that much on her niece's side. Percy Helton, Paul Picerni and Elisabeth Risdon also make an impression in smaller roles. This is one of ten or so films directed by actor Mel Ferrer; his work on this is efficient enough if hardly Hitchcock level. Jose Ferrer (no relation to Mel) has a small role in the film as a wedding guest. 

Verdict: Very suspenseful thriller with some excellent performances. ***. 

SLIGHTLY FRENCH

Don Ameche and Dorothy Lamour

SLIGHTLY FRENCH (1949). Director: Douglas Sirk.

"Goodbye, John. It's been weird knowing you." -- Mary.

French star Yvonne La Tour (Adele Jergens) proves difficult to handle and there seems to be no way to salvage her film after she's been dismissed, a major problem for borderline has-been director John Gayle (Don Ameche) and his boss Douglas Hyde (Willard Parker of What a Woman). But along comes carnival performer Mary (Dorothy Lamour), who can do a fairly convincing French accent. Mary moves in with John and his sister, Louisa (Janis Carter) and is given lessons in being French by Nicolette (Jeanne Manet). Will she be able to pull it off and star in the movie, saving the careers of John and Douglas, and which man will she ultimately fall for? Slightly French is a trifle with decent performances, but it's ironic that Adele Jergens -- as one fan put it, she was the eternal starlet -- is so much prettier and sexier than Lamour, and does her few scenes with that certain scintillating oomph. Jergens [The Fuller Brush Man] was never really given a chance at genuine stardom. The other cast stand-out is Janis Carter [I Love Trouble], who is very snappy and attractive as Louisa. At one point she says, "the only way I'd be happily married is if I were a widow." I believe the song "Let's Fall in Love" was introduced in this picture. This seems an unusual assignment for Douglas Sirk.

Verdict: Pleasant enough. **1/2.

LURE OF THE SWAMP

Joan Vohs and Marshall Thompson

LURE OF THE SWAMP (1957). Director: Hubert Cornfield.

Simon Lewt (Marshall Thompson), who takes people out for boat rides in the swamp, is suddenly meeting all sorts of strangers. There's Lister (Willard Parker), who takes a suitcase into the swamp with him and later turns up dead; Steggins (Leo Gordon), who is looking for Lister; Henry Bliss (Jack Elam), a creepy type who wants Simon to help him find loot from a robbery; and Cora (Joan Vohs), who claims to be a photographer doing a story on the swamp. Then we've got Simon's nutty gal pal, Evie (Joan Lora), who is fond of taking shots at him when she's upset -- no wonder he wants to get out of the swamp! Lure of the Swamp is an odd low-budget affair (in Regalscope) that seems to exist in another universe. The performances are professional, with a vivid and interesting Jack Elam [The Girl in Lover's Lane] and Willard Parker [What a Woman] taking top honors. Former model Vohs mostly did television work; ditto for Lora. As usual, Thompson [Fiend without a Face] is an appealing performer.

Verdict: Ersatz film noir set in a swamp. **1/2.

THE EARTH DIES SCREAMING

THE EARTH DIES SCREAMING (1964). Director: Terence Fisher.

In a small village in England, people suddenly drop dead in the middle of everyday tasks, or even when driving cars or railroad trains. Jeff Nolan (Willard Parker), an American pilot who was in the air when the disaster occurred, meets up with a group of people who were similarly spared and they gather inside the village inn. Then slow-moving robots with a death touch appear from out of nowhere, and the people they kill reanimate as pop-eyed living corpses.There's enough material here for an interesting horror/sci fi flick, but Terence Fisher, director of such fine movies as The Gorgon, The Two Faces of Dr. Jekyll, and Horror of Dracula, must have tossed this stinker off in a couple of days without insisting on rewrites. You never quite get a sense from the script or the actors that this might well be the end of the world, there's hardly any atmosphere, and some of the proceedings are quite illogical. Willard Parker was in What a Woman! with Rosalind Russell. Virginia Field, who plays Peggy, was married to Parker at the time and gave vivid performances in such films as Dial 1119 and on such shows as Perry Mason. The Earth Dies Screaming is professional enough, but it's just blah, devoid of inspiration or commitment from anyone, although some of the actors do what they can with inferior material.

Verdict: Like one of the more forgettable episodes of the sixties TV show The Outer Limits. *1/2.

WHAT A WOMAN

WHAT A WOMAN (1943). Director: Irving Cummings.

"The merriest man-hunt in kisstory" -- advertising tag line.

Carol Ainsley (Rosalind Russell) is handling the film rights for a novel by one "Anthony Street" and for completely inexplicable reasons thinks that the author -- a college professor named Michael Cobb (Willard Parker) could play the lead in the movie -- without even setting eyes on him! Fortunately he turns out to be a good-looking guy who has no acting experience or ability whatsoever. In the meantime a magazine writer named Henry Pepper (Brian Aherne) keeps trying to do an interview with Carol, and there's the usual dated stuff about successful career women being "frigid" and so on [obviously that particular term is not used]. The leads are okay but this is a predictable and formulaic comedy that has hardly any laughs. Ann Savage, Grady Sutton and Ann Shoemaker all have small roles, and Gertrude Hoffmann plays the maid, Hattie.

Verdict: What a movie -- not! **.