SOMEBODY LOVES ME

Ralph Meeker and Betty Hutton

SOMEBODY LOVES ME (1952). Director: Irving Brecher.

Blossom Seeley (Betty Hutton of Spring Reunion) becomes a top vaudeville entertainer and sees a trio performing in a club one night. Spying the handsome crooner Benny Fields (Ralph Meeker of Jeopardy) -- one of the trio --  she decides "that's for me!" and hires all of them for her act. This arrangement doesn't work for long, until Benny proposes and becomes her accompanist. But soon he's "Mr. Seeley" and feels like a kept man. But did he marry Blossom for love or other motives?

Billie Bird and Cheetah? 

Although pretty much forgotten today, the real-life Seeley and Fields were once as famous as Jack Benny and Burns and Allen. This biopic revived their careers in the fifties. Betty Hutton gives one of her best performances in this, bold and brassy when she needs to be, and more subdued and lovely at other moments. Although generally one would hardly think of Ralph Meeker for the leading role in a musical, he's fine in this flick, and while he's really not a dancer, he sexily shakes his booty in one number. Robert Keith and Billie Bird [The Cat Burglar] are both first-rate as Blossom's manager and her best friend, who was once an entertainer herself. Adele Jergens also scores in an early sequence when she's a condescending headliner who gets undone by Bird and an adorable chimpanzee (who reads Variety no less). Jack Benny has a famous cameo as himself as a master of ceremonies.

Ralph Meeker

The film has some lively dance numbers and a good score comprised of classic tunes (like Gershwin's title song) and a few new numbers by Livingstone and Evans. The highlights are "I Cried Over You;" "Jealous;" "When I Was a Kid in Dixie;" and "Dixie Dreams." Meeker's voice was probably dubbed by Fields himself, as it sounds like him. An interesting scene has Benny admitting to Blossom that their marriage was essentially a career move, although according to this film he did fall in love with her later on. Hutton did only one more film after this one and then had a few TV appearances.

Verdict: Nice music, excellent performances, put over this lively musical biopic. ***. 

HOLLYWOOD CANTEEN

Davis, Leslie, Garfield and Hutton

HOLLYWOOD CANTEEN (1944). Director: Delmer Daves.

Corporal Slim Green (Robert Hutton) and his buddy Sergeant Nowland (Dane Clark) are on leave in LA when they drop by the Hollywood Canteen. The canteen was started by Bette Davis and John Garfield, and both stars play a prominent role in the film, which is basically built around Slim wanting to meet actress Joan Leslie, playing herself, and the romance that ensues. During this, a number of stars either appear or do numbers. Among the highlights: Dennis Morgan and Joe E. Brown sing "You Can Always Tell a Yank;" The Andrews Sisters perform "We're Getting Corns for Our Country;" Jack Benny and Joseph Szigeti have a comical duel of violins; Joan McCracken does a jazz ballet production number; a Spanish dance number from Rosario and Antonio; and Kitty Carlisle singing "Sweet Dreams, Sweetheart." Peter Lorre and Sydney Greenstreet have an amusing cameo, and there are lots of guest appearances by a host of stars, some of whom you may miss if you blink (Eleanor Parker, for instance). Davis and Garfield are wonderful playing themselves; Dane Clark has an affecting moment when his character realizes that he no longer needs to use his cane; and Robert Hutton is excellent as the shy, sensitive small-town fellow who develops quite a crush on Leslie, who gives a winning performance as well. Zachary Scott and Barbara Stanwyck have notable cameos, and Janis Paige makes a decided impression as a studio messenger who pretends to be an actress. Corporal Green addresses his fellow fighting men and allies at one point, and mentions "our own colored boys" as it flashes to a shot of several black soldiers. Good. Although Hutton never became a major star (this was his fourth picture) he did amass 90 credits in his long career. However, the one single actor who has the most sheer presence in the two hour film is the formidable Joan Crawford.

Verdict: Entertaining, and ultimately quite moving. ***.

COLLEGE HOLIDAY

Jack Benny and Jed Prouty

COLLEGE HOLIDAY (1936). Director: Frank Tuttle.

J. Davis Bowster (Jack Benny) somehow winds up in business with Mr. Smith (Harry Hayden), whose daughter Sylvia (Marsha Hunt), has just encountered a young man, Dick (Lief Erickson), whose name she doesn't know. In the meantime, Carola B. Gaye (Mary Boland) and Professor Hercules Dove (Etienne Girardot) are looking for perfect physical specimens for their eugenics experiments at Cornucopia college and the hotel co-owned by Smith. However, the boys and girls must be kept apart. After appearances by the likes of George Burns and Gracie Allen, Martha Raye, Johnny Downs [Trocadero], and Jed Prouty (of The Jones Family films), as well as a host of male and female dancers, there is a climactic show to save the hotel which involves putting half of the cast in a freezer. Could this movie get any worse? Well, there are blackface numbers as well. For the most part, this is just plain awful. Benny [George Washington Slept Here] seems lost and somewhat disinterested throughout the movie. Marsha Hunt and Lief Erickson make an unlikely musical comedy team.

Verdict: A mish mosh with just a few funny moments. *1/2.

GEORGE WASHINGTON SLEPT HERE

GEORGE WASHINGTON SLEPT HERE (1942). Director: William Keighley. Based on the stage play by Kaufman and Hart.

Bill Fuller (Jack Benny) is a harried husband whose wife, Connie (Ann Sheridan), wants to move to the country, a situation which does not sit well with Bill and even less with the opinionated maid, Hester (Hattie McDaniel), who threatens to resign at any second. The house Connie buys on the sly is a dilapidated wreck that is falling down around them, but Connie is impressed with the story that George Washington may have once stayed there. Unfortunately, Mr. Kimber (Percy Kilbride, playing a role similar to his "Pa Kettle" in The Egg and I  five years later), can't seem to find water in the well; neighbor Mr. Prescott (Charles Dingle) gets them into a legal hassle involving property lines; and unwelcome visitors include scamp nephew Raymond (Douglas Croft of Batman), free-loading Uncle William (Charles Coburn). and a cow who walks in through a hole in the wall of the kitchen. And wait'll you get a load of the seventy-year-locusts! In addition to these great cast members , we have John Emery and Lee Patrick as a couple who stop by during a storm, and the ever-delightful Franklin Pangborn as the manager of the Fuller's apartment house. Joyce Reynolds plays Connie's younger sister, Madge; Harvey Stephens is a helpful neighbor; and William Tracy is Madge's beau. Kaufman and Hart also wrote The Man Who Came to Dinner and You Can't Take It With You.

Verdict: A very, very funny movie. ***1/2.

THE MEANEST MAN IN THE WORLD

Jack Benny and Priscilla Lane

THE MEANEST MAN IN THE WORLD (1943). Director: Sidney Lanfield.

Richard Clark (Jack Benny) is a struggling small-town lawyer with a fiancee, Janie (Priscilla Lane), who wants him to make good. Janie's father, Arthur (Matt Briggs), suggests that Richard go to New York where there is real opportunity, so he packs up his employee-confidante Shufro (Eddie "Rochester" Anderson) and heads to Manhattan. When business proves just as dismal as it was back home, Richard somehow rents a Park Avenue apartment to impress Janie and her dad, but Shufro advises him that only by becoming "mean" and ruthless can he ever hope to achieve success. Richard is somewhat dubious, but takes Shufro's advice, leading to him taking a lollipop away from a small boy on the sidewalk. Literally taking candy from a baby, Clark becomes known as the Meanest Man in Town. When Janie discovers that he helped toss an old woman into the street, she wants to call off the wedding -- and things get worse from there! -- but maybe the poor sap isn't quite as mean as she and everybody think ... The Meanest Man in the World is a very funny movie, with Benny, Anderson, Lane, and the supporting cast all in fine fettle. Anne Revere [Fallen Angel] is amusing as Clark's slightly acerbic secretary; Edmund Gwenn is great in a surprisingly nasty role as one of his clients; and we've got bits by Nick Stewart as the wide-eyed elevator operator and Ralph Byrd as a reporter. Tor Johnson [The Black Sleep] of Plan Nine from Outer Space infamy even shows up in a long black wig as the Russian wrestler and wannabe bodyguard Vladimir Pulaski! Anderson [Honolulu] is up there with Benny all the while, playing an employee who is never truly subservient, thank goodness, but who displays an inoffensive wise and sassy quality. This is a remake of a silent movie made twenty years earlier.

Verdict: Lots of big laughs in this amiable and often zany movie. ***.