Lively, entertaining reviews of, and essays on, old and newer films and everything relating to them, written by professional author William Schoell.
Showing posts with label Delores Michaels. Show all posts
Showing posts with label Delores Michaels. Show all posts

Thursday, March 30, 2023

APRIL LOVE

Sing out: Shirley Jones and Patty Boone
APRIL LOVE (1957). Director: Henry Levin. 

Nick Conover (Pat Boone of State Fair) is supposedly a "bad boy" who was sent from Chicago to Kentucky by his mother after his being arrested for taking a joy ride. Living with his Aunt Henrietta (Jeanette Nolan) and grumpy Uncle Jed (Arthur O'Connell of Anatomy of a Murder) on their farm, he fixes the old man's tractor and develops a crush on the neighbor gal, Fran (Delores Michaels). This doesn't sit well with Fran's sister, Liz (Shirley Jones), who develops a yen for Nick herself. And besides, Fran already has a boyfriend in Dan (Matt Crowley). Before a major triangle can develop, however, Nick bonds with a beautiful horse named Tugfire, who used to belong to Jed's son (who was killed in the war), and before you know it he's off to the races! But will his bad behavior back in Chicago catch up with him? 

Off to the races!
Hardly a classic, April Love succeeds on sheer amiability and the likability of its players. With a credible Boone in the lead the film becomes a musical, with him and others warbling several numbers. A couple of these are instantly forgettable but "A Gentle Girl" and the title tune are pleasant numbers, very well-sung by Boone, who now and then reminds one of Crosby. Delores Michaels [The Wayward Bus] was an attractive and talented actress who had a limited number of credits. Second lead Matt Crowley mostly had television credits. Henry Levin was a very busy director who worked with Boone on three films. 

NOTE:  April Love is a remake of Home in Indiana, which has a bit more pathos and sentiment but is not as smooth and entertaining as this. This version turns the two rivals for the hero's affections into sisters, and also gives the uncle a son who died in the war. It eliminates the likable if stereotypical black characters. There are no musical numbers in the original film.  

Verdict: The horse nearly steals the show! ***. 

Thursday, May 13, 2021

THE WAYWARD BUS

Jayne Mansfield, Delores Michaels, Rick Jason

THE WAYWARD BUS (1957). Director: Victor Vicas. 

Johnny Chicoy (Rick Jason of This is My Love) drives his bus on a route across the border into San Juan while his wife, Alice (Joan Collins of Land of the Pharaohs), runs the truck stop diner where the passengers embark. Both are afraid that they are not truly loved by their spouse. As Johnny walks out in anger, he gets involved with some of the passengers, who include the dyspeptic Van Brunt (Will Wright); Mr. and Mrs. Pritchard (Larry Keating and Kathryn Givney); their daughter Mildred (Delores Michaels), who has a yen for Johnny; travelling salesman Ernest Horton (Dan Dailey); and erotic entertainer Camille Oaks (Jayne Mansfield), who dodges passes from both Horton and Pritchard but winds up falling for the former. Not only is there the question of whether or not the passengers' assorted issues can be resolved, but if they'll even survive the trip when very dangerous weather conditions threaten their very lives. 

Rick Jason and Joan Collins
The Wayward Bus, taken from a John Steinbeck novel, is an unusual, imperfect, but ultimately worthwhile picture. With his handsome, masculine features and decided acting ability -- he gives a very strong performance in this -- Rick Jason should have become a major star, but the film was not a big hit. Almost completely deglamorized for this role of a drab housewife and cook, Joan Collins is less miscast than you might imagine and is effective. The romance between Dailey and Mansfield is never convincing, although Dailey is winning and Mansfield is at least competent, but there are dozens of actresses, Monroe included, who would have been stronger. Delores Michaels is lovely in the movie -- making much more of an impression than Mansfield -- but she only had a few credits after this. In addition to the actors already named, we have nice performances from Betty Lou Keim, as Norma the counter girl, and (Mr.) Dee Pollock as Kit, the teenager who assists Johnny and Alice; he had a long career. Robert Bray makes an impression as Morse, who has a hankering for Alice. 

In addition to some very good acting, The Wayward Bus has other plusses, such as the widescreen cinematography by Charles G. Clarke and a fine, evocative and highly interesting musical score by Leigh Harline. There is also a splendid action sequence when the bus must travel over a very, very long and crumbling wooden bridge directly over rushing rapids  -- this sequence is a nail-biter. The film was undoubtedly made just to take advantage of the publicity for the earlier Bus Stop, which starred Monroe, also featured bus trips and truck stops, and even had Robert Bray in the cast. 

Verdict: Memorable "lost" film with some very good performances. ***.