HELL ON FRISCO BAY

Alan Ladd

HELL ON FRISCO BAY (1955). Director: Frank Tuttle. 

Ex-cop Steve Rollins (Alan Ladd) was framed for a murder he didn't commit and sent to prison for five years. When he gets out he is determined to find out who really murdered the victim and clear his name. He pretty much ignores his wife, Marcia (Joanne Dru), because he wants to protect her and also because she dared to dally with a gentleman out of loneliness when Steve wouldn't even let her come to see him. The San Francisco docks are controlled by a nasty man named Victor Amato (Edward G. Robinson), who has a good right hand, Joe (Paul Stewart), and a good-for-nothing nephew, Mario (Perry Lopez), who loves the ladies. Joe spends his nights with a former movie star named Kay (Fay Wray) while Victor is stuck with his pious wife, Anna (Renata Vanni), who treats Mario like a son and thinks he should be a priest. Steve talks to assorted individuals in the hopes they can give him information that might help him, but when Amato offers him a job, and Steve turns him down, he vows to make him pay -- painfully. 

Robinson and Fay Wray

Hell on Frisco Bay is a fast-paced and entertaining film noir thriller with many intriguing elements and a highly interesting cast. Ladd could probably play this kind of role in his sleep by now, but he manages to stay awake and acquits himself nicely. A deceptively cheery Robinson slowly unveils the layers of corruption and evil until he reveals the slimy lizard at his core, going so far as to order Joe to murder his own nephew. Stewart is excellent as the hired gun who's trying to get out from under Robinson's thumb. Fay Wray scores as Kay, and one of the best scenes is between Wray and Robinson as Amato makes a pass at her and gets angry when she turns him down, hitting her. "Get out, you filthy peasant!" she screams. Joanne Dru is acceptable as Marcia, giving solid line readings that don't always hit the emotional mark. 

William Demarest and Rod Taylor

The film is also full of flavorful performances by a wide variety of supporting players. William Demarest is a cop and friend of Steve's while Willis Bouchey is the police lieutenant who has to be convinced of Steve's innocence. Rod Taylor plays a hood who may have committed the murder Steve was sent away for with Tina Carver as his girlfriend. Peter Hansen [When Worlds Collide] is the corrupt cop, Connors, and Anthony Caruso [The Asphalt Jungle] is especially notable as a fisherman who is scared that if he talks to Steve his young son, George (Peter J. Votrian, who is also good) may come to harm. Renata Vanni probably made a career out of playing long-suffering wives or mothers. Nestor Paiva plays another dock worker who tries to work things out with Amato and only winds up dead. Perry Lopez [The Steel Jungle] plays the sexy but weak nephew to perfection. Jayne Mansfield plays his date.

Paul Stewart with Robinson

Ladd is manhandled by the chubby gunsel Hammy (Stanley Adams) in one scene and turns the tables on him, beating him up and telling Joe to "get your pig outa here!" The film has a boat chase at the end that is exciting although not quite on the level of similar scenes in those old cliffhangers. Although this might not be listed among Max Steiner's greatest scores, it is effective and thrilling when it needs to be. The screenplay is good, but one wishes the picture crackled with tension -- although it comes close at times -- but director Frank Tuttle doesn't make the film quite as explosive as it could have been. Still, it's quite well-played and snappy.

Verdict: Memorable crime drama with some outstanding performances. ***. 

WHEN WORLDS COLLIDE

WHEN WORLDS COLLIDE (1951). Director: Rudolph Mate. Produced by George Pal.

Earth has a real problem. A star called Bellus is entering our solar system and bringing with it a planet named Zyra. Unfortunately as these planetary bodies approach earth, they will tear the planet apart in only eight months. At first scientists are unable to convince skeptical, frightened authorities of the sad truth of the matter, but eventually they find a wealthy benefactor, Stanton (John Hoyt), to fund the building of a rocket that can take forty or so people to Zyra to start human life anew. Although as handsome as a peacock, Richard Derr makes a human and appealing hero as pilot David Randell, with scientist's daughter Joyce (Barbara Rush) as his love interest. [There is a triangle with Dr. Tony Drake (Peter Hansen) but this never overwhelms the story, although it adds another dimension to it at times.] The movie never makes it clear whether or not Earth will be completely destroyed or if there's any remote chance of some people surviving the cataclysm [why bother to evacuate 8 million people out of New York if they're all going to die anyway and where exactly do you put them?] and the final throes of the planet are never shown, except for the tidal wave that engulfs Manhattan [there's a great shot of the island under water with overturned ocean liners in the harbor]. A sequel might have dealt with the fact that Zyra appears to have "man-made" structures on it at the finale. There are some moments of pathos but at only 80 minutes the film concentrates primarily on action. Derr also appeared in Terror is a Man and The Invisible Avenger as the Shadow. Hansen has had a long, long list of credits. Rush also appeared in Bigger Than Life with James Mason and many other movies. A miscast Larry Keating plays Rush's father, and while he has his moments, sometimes his delivery carries all the urgency of a man ordering liverwurst in a deli. Mate also directed such fine pictures as D.O.A. and No Sad Songs for Me.

Verdict: Fast-paced and satisfying if imperfect. ***.