THE SAINT: A COMPLETE HISTORY IN PRINT, RADIO, FILM AND TELEVISION, 1928 - 1992. Burl Barer. McFarland; 1993.
The threat of a brand-new Saint film probably ignited the publication of this look at the venerable character down through the decades. Barer's exhaustive tome looks at the origins of the character, created by Leslie Charteris, along with a complete publication history of the Saint novels, stories, and reprints, as well as a rundown of each Saint film, the radio series (Vincent Price was one of the actors to portray the Saint), the TV series with Roger Moore and later Ian Ogilvy and others, not to mention The Saint comic books! Throughout the book it is made abundantly clear that Charteris' strangely moral if slightly shady character pretty much made the mold from which other, similar adventurers -- The Falcon, the Lone Wolf, and many others -- were birthed. The Saint may not pre-date certain pulp characters of the 1920's, but these heroes were nothing like him in any case. The amazing thing about this very informative and entertaining book is that I'm, frankly, not the biggest Saint fan and have never read any of the novels, but I still found the volume very readable and interesting. There are lots of behind-the-scenes details, and Charteris' often acerbic estimations of the movie and TV scripts are amusing. Like all books of this nature written by enthusiastic and knowledgeable fans, it makes you anxious to hunt down the old novels and watch the Roger Moore TV series on Hulu. Alas, the new film version that was in the making when this book was published, finally came out four years later with Val Kilmer playing the part. It was a mediocre movie that didn't make much of a splash.
Verdict: Good show! ***1/2.
Lively, entertaining reviews of, and essays on, old and newer films and everything relating to them, written by professional author William Schoell.
Showing posts with label Ian Ogilvy. Show all posts
Showing posts with label Ian Ogilvy. Show all posts
Thursday, November 16, 2017
Thursday, April 14, 2016
FROM BEYOND THE GRAVE
This anthology, based on the work of R. Chetwynd-Hayes, features stories that are loosely tied in with an antique shop run by an elderly proprietor (Peter Cushing). The first story deals with a mirror with a demonic inhabitant who urges the owner, Edward Charlton (David Warner) to butcher women. In the second story Christopher Lowe (Ian Bannen), a man saddled with a harridan of a wife (Diana Dors,) encounters an old fellow veteran (Donald Pleasance of You Only Live Twice), and his rather odd daughter (Angela Pleasance) who falls for him -- or so he thinks. The third story is about a man (Ian Carmichael) and his wife (Nyree Dawn Porter) who hire a medium, Madame Orloff (Margaret Leighton of The Astonished Heart), to get rid of an "elemental" that is causing havoc. The fourth and final episode, which is easily the best and most suspenseful, has a man (Ian Ogilvy of And Now the Screaming Starts) affixing an antique door to a cupboard and discovering that it now opens into a cobwebbby and sinister old room that is kept alive by human sacrifices, one of whom almost becomes his wife (Lesley-Anne Down).
Verdict: Well-produced Amicus film with some good actors and generally mediocre scripts. **1/2 out of four.
Thursday, June 14, 2012
AND NOW THE SCREAMING STARTS
AND NOW THE SCREAMING STARTS (1973). Director: Roy Ward Baker.
Charles Fengriffen (Ian Ogilvy) brings his bride Catherine (Stephanie Beacham) to his ancestral home and discovers that rumors of a curse upon the family are quite true. Catherine keeps seeing a severed hand roaming about and encounters a sinister woodsman in a hovel nearby who seems to know more than he's telling. It all goes back to a terrible act performed many years before, but now servants and friends of the Fengriffens are paying the price, not to mention poor Catherine. The performances help put over this so-so horror film, with Beacham in top form, getting fine support from Ogilvy, Peter Cushing as the shrink Dr. Pope, Patrick Magee as the family physician, and Geoffrey Whitehead as Silas, the Woodsman and his ill-fated ancestor. Herbert Lom also appears and is as striking as usual as Charles' ancestor, Henry, whose evil actions began the curse.
Verdict: You may not scream through this but it holds the attention. **1/2.
Charles Fengriffen (Ian Ogilvy) brings his bride Catherine (Stephanie Beacham) to his ancestral home and discovers that rumors of a curse upon the family are quite true. Catherine keeps seeing a severed hand roaming about and encounters a sinister woodsman in a hovel nearby who seems to know more than he's telling. It all goes back to a terrible act performed many years before, but now servants and friends of the Fengriffens are paying the price, not to mention poor Catherine. The performances help put over this so-so horror film, with Beacham in top form, getting fine support from Ogilvy, Peter Cushing as the shrink Dr. Pope, Patrick Magee as the family physician, and Geoffrey Whitehead as Silas, the Woodsman and his ill-fated ancestor. Herbert Lom also appears and is as striking as usual as Charles' ancestor, Henry, whose evil actions began the curse.
Verdict: You may not scream through this but it holds the attention. **1/2.
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