Lively, entertaining reviews of, and essays on, old and newer films and everything relating to them, written by professional author William Schoell.
Showing posts with label Nyree Dawn Porter. Show all posts
Showing posts with label Nyree Dawn Porter. Show all posts

Thursday, April 14, 2016

THE HOUSE THAT DRIPPED BLOOD

Jon Pertwee tries out his cloak
THE HOUSE THAT DRIPPED BLOOD (1971). Director: Peter Duffell. Screenplay by Robert Bloch.

"Dracula -- the one with Bela Lugosi, of course, not this new fellow." -- Paul Henderson

A well-known actor in horror films has disappeared from an old house he had rented, and this leads into the telling of four tales centered around this creepy domicile. In "Method for Murderer" a fiction writer's creation, a maniac (Tom Adams of The 2nd Best Secret Agent in the Whole Wide World), seems to come to life to cause havoc for which the writer (Denholm Elliott) is blamed. In "Waxworks," two men (Peter Cushing; Joss Ackland of Crescendo)  become obsessed with the wax figure of Salome, who reminds each of them of a lost love, whom -- you might say -- they lose their heads over. In "Sweets to the Sweet" the stern John Reid (Christopher Lee of The Horror of Dracula) hires a nanny (Nyree Dawn Porter) for his strange little girl, Jane (Chloe Franks), with terrible results. The fourth tale, "The Cloak," is an amusing black comedy in which actor Paul Henderson (Jon Pertwee) finds a cloak in a shop which turns him into a vampire each time he puts it on; Ingrid Pitt is Anderson's female lead in this and is fine. But the best performances come from Cushing, Lee, Pertwee, and little Franks. The House that Dripped Blood is very entertaining, and is one of the best of the horror anthologies, not lame as some of Bloch's other screenplays.

Verdict: Chills and laughs all served up with relish. ***.

FROM BEYOND THE GRAVE

FROM BEYOND THE GRAVE (1974). Director: Kevin Connor.

This anthology, based on the work of R. Chetwynd-Hayes, features stories that are loosely tied in with an antique shop run by an elderly proprietor (Peter Cushing). The first story deals with a mirror  with a demonic inhabitant who urges the owner, Edward Charlton (David Warner) to butcher women. In the second story Christopher Lowe (Ian Bannen), a man saddled with a harridan of a wife (Diana Dors,) encounters an old fellow veteran (Donald Pleasance of You Only Live Twice), and his rather odd daughter (Angela Pleasance) who falls for him -- or so he thinks. The third story is about a man (Ian Carmichael) and his wife (Nyree Dawn Porter) who hire a medium, Madame Orloff (Margaret Leighton of The Astonished Heart), to get rid of an "elemental" that is causing havoc. The fourth and final episode, which is easily the best and most suspenseful, has a man (Ian Ogilvy of And Now the Screaming Starts) affixing an antique door to a cupboard and discovering that it now opens into a cobwebbby and sinister old room that is kept alive by human sacrifices, one of whom almost becomes his wife (Lesley-Anne Down).

Verdict: Well-produced Amicus film with some good actors and generally mediocre scripts. **1/2 out of four.