FROM BEYOND THE GRAVE

FROM BEYOND THE GRAVE (1974). Director: Kevin Connor.

This anthology, based on the work of R. Chetwynd-Hayes, features stories that are loosely tied in with an antique shop run by an elderly proprietor (Peter Cushing). The first story deals with a mirror  with a demonic inhabitant who urges the owner, Edward Charlton (David Warner) to butcher women. In the second story Christopher Lowe (Ian Bannen), a man saddled with a harridan of a wife (Diana Dors,) encounters an old fellow veteran (Donald Pleasance of You Only Live Twice), and his rather odd daughter (Angela Pleasance) who falls for him -- or so he thinks. The third story is about a man (Ian Carmichael) and his wife (Nyree Dawn Porter) who hire a medium, Madame Orloff (Margaret Leighton of The Astonished Heart), to get rid of an "elemental" that is causing havoc. The fourth and final episode, which is easily the best and most suspenseful, has a man (Ian Ogilvy of And Now the Screaming Starts) affixing an antique door to a cupboard and discovering that it now opens into a cobwebbby and sinister old room that is kept alive by human sacrifices, one of whom almost becomes his wife (Lesley-Anne Down).

Verdict: Well-produced Amicus film with some good actors and generally mediocre scripts. **1/2 out of four.

PENNY DREADFUL SEASON 1

PENNY DREADFUL Season One. 2014.

"No one in this room is kind -- that's why you're here." -- Sir Malcolm Murray.

This Showtime series takes place in 19th century London and throws together some classic characters from horror fiction -- Victor Frankenstein (Harry Treadaway of The Disappeared), Dorian Gray (Reeve Carney), Professor Van Helsing (David Warner), etc. -- and combines them into a new storyline. The protagonist -- if you can call him that -- is an American cowboy-entertainer named Ethan Chandler (Josh Hartnett of The Black Dahlia). He is hired by Sir Malcolm Murray (Timothy Dalton) and family friend Vanessa Ives (Eva Green of Casino Royale) to retrieve Murray's daughter, Mina (Oliva Llewellyn), who has been kidnapped by vampires. Frankenstein's monster (Rory Kinnear), the first of two "unliving" beings that Victor has cobbled together, hates his creator and, as in Mary Shelly's great novel, wants Victor  to make him a mate. A series of gruesome mutilation murders are occurring all over London but the killer doesn't seem to be Jack the Ripper. All we need is Dracula and Dr. Jekyll and we're ready to go ...  Penny Dreadful for the most part is a literate, handsomely produced, well-written, and very well-acted Gothic soap opera that mercifully eschews camp (American Horror Story for instance), but the series goes completely awry when it suddenly turns into The Exorcist with its very contemporary-type scenes of demonic possession -- complete with spitting, cursing, useless priests, and so on -- that smack more of the 1970's than the 19th century. The show also throws in a fairly unexpected homoerotic sequence in the episode Demimonde, that is hot but hardly ever mentioned again, and has more to do with "shock" value and snaring some gay fans than with good story-telling -- although the scene certainly plays. [Internet trolls railed that the series turned into gay porn, which is hilarious as the two men are never actually seen in bed together, and the frequent male-female couplings in the show are much, much more explicit.] There's a final twist at the end of the first season that I should have seen coming but didn't, for shame. Let's just say that it summons up images of the tormented Lon Chaney Jr. in The Wolf Man. The show has just begun its third season but I have mixed emotions about watching season two -- will it retain the classy aura it exhibited in the earlier episodes or just descend into silliness? Eva Green is especially superb in this and Billie Piper also scores as Ethan's tubercular girlfriend, Brona, but everyone in this, down to the smallest role (including Alex Price as Proteus), is wonderful. Abel Korzeniowski composed the rather lush score and excellent theme music.

Verdict: Interesting, with many fascinating and clever facets, but ... **1/2.

THE OMEN (1976)

THE OMEN (1976). Director: Richard Donner.

"She is an apostate of Hell -- she will die before permitting this."

Undoubtedly influenced by The Exorcist, which came out three years earlier, this movie was almost as influential in its own way, and also engendered several sequels and even a remake -- and is just as sub-literate [but somewhat better than The Exorcist]. An even bigger influence on the film must have been Rosemary's Baby (1968). Ambassador Robert Thorn (Gregory Peck)  is told that his baby son has died, and is importuned into accepting another child [who supposedly lost his mother in childbirth] without telling his wife, Katherine (Lee Remick), who fails to bond with the boy, Damian (Harvey Stephens). It turns out that Damian is actually the anti-Christ [Rosemary's Baby as a child?]: Satanists, in the form of nanny Mrs. Baylock (Billie Whitelaw), want to protect and nurture him, while certain Catholic priests want to murder him -- a mere child! [DIGRESSION: It never occurs to anyone that there is a possibility that being raised by normal, decent people the boy might grow up to be something other than a devil. But the real problem with the movie is that it doesn't give the audience any breathing room. Damian is the devil's son -- and that's that. How much more interesting the film might have been if the Satanists and priests were all a little nuts. In fact, the priests in this movie seem quite demented.] All that being said, it must also be said that The Omen -- on its own anti-intellectual terms -- is a rather accomplished little horror film, with some interesting sequences and set-pieces -- an eerie scene in a graveyard; some flamboyant, well-handled and gruesome death scenes --  and assured direction from Donner. The acting is also generally excellent, with an intense and authoritative Peck possibly giving the best performance of his life, his sheer solidity helping the audience go along with the absurdity of the proceedings. Lee Remick, David Warner [as a doomed photographer], and little Harvey Stephens are also excellent, and Billie Whitelaw is just superb as the nanny quite literally from Hell. Jerry Goldsmith's memorably creepy score holds all of it together splendidly.

Verdict: If you don't take it seriously this is really quite entertaining. ***.

WALLANDER: SIDETRACKED

WALLANDER: SIDETRACKED. Masterpiece Mystery/ PBS. 2008.

A frightened young girl commits suicide by setting fire to herself, and Swedish detective Kurt Wallander (Kenneth Branagh) wonders what horrible things did the poor child experience to drive her to do that? Then there's a series of ax murders of some prominent citizens -- could they be connected to the young girl's death? (And do you even have to ask?) This is a fairly absorbing mystery, the first in a 2008 series of British Wallander telefilms, currently being shown in the US on Masterpiece Mystery. Branagh gives a good performance, although the Irish actor is not exactly perfect casting as a Swedish detective. David Warner is excellent as the detective's artist father, who has Alzheimer's. A good cast and nice music help a lot. Based on a series of Swedish detective novels.

Verdict: Holds the attention but not very original. **1/2.