TIGHTROPE

Mike Connors

TIGHTROPE (1959). Half-hour television crime drama. One season. 37 episodes.

In this taut and memorable crime series, Mike Connors [Day the World Ended] stars as a man known only as Nick, an undercover police officer who can have few friends and only furtive romances as he goes from city to city establishing phony identities so he can infiltrate the mob in one dangerous assignment after another. As part of his cover, Nick often has to treat innocent people pretty badly, but I imagine he figures the ends justify the means. These episodes were very tightly-plotted and fast-paced and always put Nick into intriguing and suspenseful situations.

Gangsters Daughter with Leslie Parrish

Among the more memorable episodes: "Cracking Point" features Richard Jaeckel [The Dark] as a man blackmailed into robbing a bank, with Simon Oakland as guest-star; "Two Private Eyes" features two sleazy gumshoes who get the business when they look for a missing wife; "Cold Ice" is a mini-suspense masterpiece about the cutting of a perfect stolen diamond; "The Model and the Mobster" has Nick taking on a monstrous hoodlum very well-played by Bruce Gordon; Mike Mazurki scores in " "Long Odds," wherein Nick tries to find out which mob boss ordered a hit on a cop; Margaret Field and Jimmy Lydon guest-star in "Brave Pigeon," in which a hit is put on an innocent man who is able to identify a certain criminal; "The Gangster's Daughter" presents the cultured daughter (Leslie Parrish of The Money Jungle) of a wealthy mobster (Barton MacLane) with an overly ambitious nephew; "Bullets and Ballet" has Nick investigating why a top hood has come to town, with the excellent Doris Singleton (Carolyn Appleby on I Love Lucy) as a guest-star. Arguably the best episode of the series is "Man in the Middle" with Nick coming between a newly-released mob boss (Marc Lawrence) who's in deadly conflict with a younger rival (Gerald Mohr). Mike Connors went on to greater success with his hit P.I. show Mannix, which lasted several seasons.

Verdict: This show rarely dips below a "B+" level in quality and there are a lot of "A" episodes as well. ***. 

VOICE IN THE MIRROR

Bar mates: Richard Egan and Arthur O'Connell

VOICE IN THE MIRROR (1958). Director: Harry Keller.

"We're all in the same boat, none of us more than one drink away from the gutter for the rest of our lives."

"I spilled more whiskey than you ever drank."

Commercial artist Jim Burton (Richard Egan) claims to have started drinking since the death of his little girl, but his doctor, Leon (Walter Matthau), reminds him that he was drinking before that and would probably have used any excuse. Jim's patient wife, Ellen (Julie London of The Helicopter Spies), is forced to put up with broken promises and wondering if and when he'll come home and what condition he'll be in. Now Leon tells him that his alcoholism may have created serious nerve damage. A fellow drunk named Harry (Harry Bartell) tells him that he thinks the solution to their problem may be through spiritualism, but Jim discovers that the secret may be to help other drunks --  alcoholics can help other alcoholics stay sober. Although set twenty years later, Voice in the Mirror basically appears to be the story of the formation of Alcoholics Anonymous (although the term is never used and there's not as much emphasis on religiosity; AA's famous slogan is used at the end, however.) In any case, the picture is absorbing and generally well-acted, with a moving conclusion. Egan and London are not exactly perfect casting for this film (stolid Egan never quite seems desperate enough for one thing), but both of them have their moments; oddly, London is better in her more emotional and difficult scenes than in her quieter ones. Harry Bartell and Doris Singleton, who plays Jim's sympathetic co-worker, have nice bits; both of them appeared several times on I Love Lucy. Arthur O'Connell nearly steals the picture as one of Jim's sad friends, and Matthau, in an unexpected role as the no-nonsense doctor, is also excellent. Ann Doran and Peggy Converse make their marks, respectively, as a landlady and the mother of a suicidal young drunk played by Troy Donahue. Eleanor Audley [Sleeping Beauty] is fine as a woman at a soup kitchen, and I believe that's Mae Clarke [Frankenstein] playing the first woman member of Jim's group. One of the best scenes depicts Jim's frightening nightmare in which he is caught in a train tunnel as a rushing train threatens to run him down.

Verdict: Imperfect but interesting and affecting drama. ***.

MIKE HAMMER Season 1 (1958)

Hammer (Darren McGavin) watches a zesty cat-fight

MIKE HAMMER Season 1 (1958).

I don't know what purists might think but to me Darren McGavin (Kolchak, the Night Stalker) seems like perfect casting as Mickey Spillane's New York private eye, Mike Hammer. There were forty half-hour episodes in the first season of this show, and they rarely dipped below a "B" level in quality and some were much better. In addition to McGavin, the only other regular on the show was Bart Burns [a real-life WW2 hero] as Captain Pat Chambers, and in his low-key way he's also quite good. Among the more memorable episodes, "The Broken Frame" with Dick Van Patten asks if an executed man was really innocent; "Look at the Old Man Go" with Angie Dickinson starts out as the tale of an old father smitten with a young babe but turns out to be something a bit different; the sick family drama "My Son and Heir" with Douglas Dick, Barbara Turner and Virginia Gregg deals with the death of a rich son's girlfriend and twisted relationships; and the very suspenseful "Old Folks at Home Blues" has Hammer helping a bewildered Ruta Lee find her missing husband in the Bowery and discovering a startling plot. Other interesting guest-stars on the show, many of whom made more than one appearance, include Doris Dowling, Doris Singleton (Carolyn Appleby of I Love Lucy), Kipp Hamilton (War of the Gargantuas), Gloria Talbott, Nita Talbot, Joan Taylor, Robert Clarke, Jeanne Cooper, Grace Whitney (Star Trek), Terry Becker (Voyage to the Bottom of the Sea), Barbara Bain, Yvette Vickers, Robert Vaughn, Paula Raymond, and Joan Marshall/Jean Arless of Homicidal fame. Boris Sagal directed the show adroitly and certainly kept things moving. The show could be quite violent at times, and the girl-happy Hammer could be a bully, even with witnesses, but that's one of the things that makes his tough character interesting. The show had plenty of good, well-orchestrated fist fights and at least one zesty cat-fight (between Doris Dowling and Doris Singleton) in "Lead Ache."

NOTE: Two years before this series aired, a Mike Hammer pilot was filmed with Brian Keith in the title role. Keith [who was the son of actor Robert Keith and the stepson of Peggy Entwhistle, who jumped off the Hollywood sign] did other TV series, but he didn't play Hammer, possibly because of other commitments. Keith is very good in the role, not necessarily better than McGavin, but different, and perhaps a bit gruffer. The pilot's story has Hammer pursuing a mobster after a newsboy and several other people are shot and killed outside a nightclub.

Verdict: Very entertaining crime drama with a solid lead performance. ***.