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Welcome to William Schoell's GREAT OLD MOVIES blog. Feel free to leave a comment regardless of the date the review was posted -- I read 'em all. Or if you prefer -- and especially if you have any questions directly for me -- email me at tawses67424@mypacks.net and I'll get back to you as soon as I can. Click on a label link (labels can be found at the bottom of each post) to find other movies from that year, the star, that director or genre and so on. Or enter a title, director, genre, star or supporting player in the small Blogger "search blog" box at the far left up above and click search blog. [NOTE: While this blog mostly reviews films -- and TV shows -- that are at least twenty-five years old, we do cover films up until the present day.] HAVE FUN AND THANKS FOR DROPPING BY. William.

Thursday, December 20, 2012

VOYAGE TO THE BOTTOM OF THE SEA Season 2

A giant scientist goes after Seaview in "Leviathan"
VOYAGE TO THE BOTTOM OF THE SEA. Season 2. 1965.

The second season of the popular science fiction-adventure show was shot in living color. The character of Curley -- Henry Kulky had passed away -- was replaced by Chief Sharkey (Terry Becker), and the second episode marked the debut of the flying sub, which was destroyed more than once on subsequent episodes. Cute crewman Riley (Allan Hunt) was given a lot more to do. The show was set in the "future" with episode tags declaring that the date of the story was 1976 or 1978. The first episode had new, inferior theme music, but the original theme was brought back for the very next episode [the new theme -- stately, dark, but less exciting -- was used in the background of some episodes]. While perhaps not as good overall as the first season, the second season still had its share of memorable episodes. The suspenseful "Left-Handed Man" wondered if a potential secretary of state posed a danger, while "Leviathan" -- which introduced a new opening for the show -- featured a fissure that caused gigantism in animals. "The Machines Strike Back" had drones with bombs attacking the U.S. under the direction of an unknown individual. Alfred Ryder was the ghost of a Nazi U-boat captain in "The Phantom Strikes" [wherein the show entered supernatural territory, not really a good fit for it]  and "The Sky's on Fire" was basically a mini-adaptation of Irwin Allen's original motion picture. "Graveyard of Fear" featured Robert Loggia as a scientist with a 200-year-old assistant (Marian Moses) and threw in a giant Man-of-War for good measure. "The Shape of Doom" [directed by Nathan Juran] involves a whale that comes dangerously close to a presidential carrier from which crazy scientist Kevin Hagen hopes to extract important scientific equipment. The three best episodes were the opener, "Jonah and the Whale," with Admiral Nelson (Richard Basehart) and Gia Scala inside a diving bell that is swallowed by a whale; "The Death Ship," a highly-suspenseful "Ten Little Indians"-type plot that takes place aboard the Seaview with an unknown killer decimating other important passengers; and  "... And Five of Us Are Left," about WW 2 sailors trapped in a cave for 28 years!. Basehart and David Hedison still play their roles with conviction, although sometimes it seems as if their relationship changes to support the contortions of the storyline. The show would occasionally aspire to be a spy series, with generally dismal results, and more stock footage from Allen's The Lost World showed up in "Terror on Dinosaur Island."

Verdict: Slipping, but still a lot of fun. ***.

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