GO WEST, YOUNG LADY

Glenn Ford

GO WEST, YOUNG LADY (1941). Director: Frank R. Strayer. Colorized.
 

The town of Headstone is regularly besieged by a masked villain known as "Killer" Pete and his gang. Then into town comes the official replacement for the murdered sheriff, Tex Miller (Glenn Ford of Gilda). Bar owner Jim Pendergast (Charlie Ruggles) is expecting his nephew, Bill, to take over as sheriff, but "Bill" turns out to be his niece, Belinda (Penny Singleton of Young Widow), who's dad always wanted a boy. Belinda and Tex are immediately drawn to one another, while Pete keeps robbing the saloon. Judge Harmon (Jed Prouty), Deputy Hank (Allen Jenkins), and businessman Tom Hannegan (Onslow Stevens of The Vanishing Shadow) are at their wit's end, but one of them is hiding a secret. Meanwhile dance hall gal Lola (Ann Miller) knows much more than she's telling. 

Penny Singleton and Ann Miller have at each other!

Go West, Young Lady is a delightful western musical comedy that is bolstered by fast-paced direction, a great spirit of fun, and terrific performances. Ford is appealingly boyish, and while Singleton could be accused of simply playing Blondie Out West, she is also very good. Miller is suitably nasty as Lola, and she and Singleton have a protracted "cat fight" (they are not fighting over Ford) that is one of the best examples of a femme fight scene I've ever seen in the movies. Ruggles, Stevens, and Jenkins are also terrific -- Jenkins has a funny song and dance number with Miller -- and Edith Meiser is also notable in a small bit as an angry townswoman (she appeared in the I Love Lucy episode when Ricky makes the mistake of putting Lucy on a schedule). 

Charlie Ruggles and Ford

Go West, Young Lady is punctuated by several songs -- the title tune and "Take Your Time" are the most memorable -- but all of the tunes are pleasant. Waffles the dog makes an impression, and we've got numbers by the Foursome, as well as Bob Wills and the Texas Playboys. The opening, with Ford and Singleton shooting attacking Indians, is a bit problematic, but the ending, in which the ladies of the town take matters into their own hands, is wonderful! Frank R. Strayer also directed several installments of the Jones Family movie series in which Jed Prouty played the father. 

Verdict: An utterly charming musical comedy with the added bonus of a major "cat fight!" ***.

THE KEYHOLE

Kay Francis and George Brent

THE KEYHOLE (1933). Director: Michael Curtiz.

"The next time you try to kill yourself, let me know -- I'd love to help you!" -- Anne about Maurice.

Anne (Kay Francis of In Name Only) is married to the much-older Schuyler Brooks (Henry Kolker of Meet the Baron). When she learns from her first husband, Maurice (Monroe Owsley), that their divorce wasn't valid, he blackmails her. Anne gets advice from her sister-in-law, the formidable Portia (Helen Ware), and takes off for Cuba to get Maurice out of the country. Meanwhile Brooks, fearing Anne is unfaithful, hires private dick Neil (George Brent of Dark Victory) to follow her and see if he can tempt her into an affair. Neil's partner, Hank (Allen Jenkins), gets involved with con lady Dot (Glenda Farrell), with both thinking that the other one is wealthy. Will Anne keep putting Neil off, or will she succumb to his charms? Who cares? The Keyhole is a minor comedy-drama that never gets very dramatic and isn't especially funny. The leads are fine, but any fun in the movie is provided by Jenkins, and especially Farrell, who gives the most notable performance. Kolker and Ware are also good, but the movie is not memorable.

Verdict: Smooth but not terribly interesting. **.

THE HAT BOX MYSTERY

Allen Jenkins, Virginia Sale, Pamela Blake, Tom Neal

THE HAT BOX MYSTERY (1947). Director: Lambert Hillyer.

Russ Ashton (Tom Neal of Detour) isn't doing too well as a private investigator, but he has an assistant-fiancee named Susan (Pamela Blake of Highway 13) and another associate named 'Harvard" (Allen Jenkins). The three of them are kept in hamburgers by Harvard's restaurant-owning girlfriend, Veronica (Virginia Sale of Those We Love), who also loans Russ money to go to Washington on a case. Meanwhile Susan takes an assignment herself, to photograph a straying wife as she exits a building for her husband (Leonard Penn) to use in a divorce case. The husband supposedly conceals a camera in a hat box for Susan to use, but she winds up shooting the woman for real -- as it's actually a gun that is hidden in the hat box! Susan finds herself in pretty hot water with the police, while the "husband" disappears ... The Hat Box Mystery is mediocre filler with a mystery that poses no threat to Agatha Christie but it does benefit from the enthusiastic playing of the main quartet of actors -- Sale is especially appealing in this.

Verdict: At least it's only 44 minutes long! **.

FIVE CAME BACK

Patric Knowles and Joseph Calleia

FIVE CAME BACK (1939). Director: John Farrow.

A plane flying over South America crash lands in the jungle, but only five people can fly back when the plane is fixed, and there are headhunters in the area. Will it be the convict who faces execution (Joseph Calleia), or the blowsy brunette (Lucille Ball) who feels she hasn't got much of a future? Professor Spengler (C. Aubrey Smith) and his peppery wife (Elisabeth Risdon)? Crimp (John Carradine), who is delivering his prisoner but uses no handcuffs or takes any precautions? Or Pete (Allen Jenkins) who is traveling with his murdered boss's little boy, Tommy? Then there's the eloping couple, Judson (Patric Knowles) and Alice (Wendy Barrie), and the two pilots, played by Chester Morris [The She-Creature] and Kent Taylor [Gangbusters]. Five Came Back certainly features an interesting situation, but it's contrived, and the acting, while professional, is generally of the second-rate Hollywood variety. However, "Lucy" isn't bad as Peggy, and Knowles makes an impression as Jud, while Barrie does her best with the part she's given. At least in this earlier version the horrible death of a steward is remarked upon at some point. Farrow directed the remake Back from Eternity some years later, but it wasn't much of an improvement. This is not one of the great movies of 1939.

Verdict: Maybe more headhunters would have livened this up. **.

TOMORROW AT SEVEN

TOMORROW AT SEVEN (1933). Director: Ray Enright.

A masked murderer who calls himself the Black Ace is stalking people in an old mansion. Neil Broderick (Chester Morris of The She-Creature) investigates, alternately helped and hindered by two cops played by Allan Jenkins and Frank McHugh. Vivienne Osborn is the heroine [a scene on a train when she tells a man she doesn't like the work of a certain author, unaware that he's the writer in question, was repeated in Leave Her to Heaven]. The suspects include Grant Mitchell and Charles Middleton [Daredevils of the Red Circle]. Tomorrow at Seven is unexceptional, but it does boast good performances from Morris, Jenkins, McHugh and Middleton, as well as from Virginia Howell as the housekeeper, and Henry Stephenson as Thornton Drake. As Old Dark House movies go, this one is no better nor worse than most of them, although it could be argued that this one just doesn't make a hell of a lot of sense.

Verdict: Creaky but engaging. **1/2.

LADY ON A TRAIN

David Bruce and Deanna Durbin

LADY ON A TRAIN (1945). Director: Charles David.

Nikki Collins (Deanna Durbin) is on a train a few minutes from Grand Central Station when she sees a man being murdered from the window. [Agatha Christie used a similar premise -- on an English train, of course -- 12 years later, and did a lot more with it.] Unable to explain the situation with any intelligence to the police due to her "cute" ditsyness, she decides to take her problem to a well-known mystery writer, Wayne Morgan (David Bruce), but his girlfriend (Patricia Morison) objects to her presence. Learning the identity of the murdered man, she attends the reading of his will, and is mistaken for his paramour as in Something in the Wind. [And this takes place at Christmas time as in Durbin's Christmas Holiday.] The actual paramour is Margo Martin (Maria Palmer), a singer at the Circus nightclub, where some of the action  takes place. And so on. This is a fairly dull comedy-mystery, but at least the identity of the murderer may come as a slight surprise. Edward Everett Horton nearly walks off with the picture as an apoplectic employee of Nikki's father; Elizabeth Patterson gives Durbin a good whack in the face at one point when she thinks she's gotten all of the dead man's money; and William Frawley [Fred Mertz] is funny as a desk sergeant who thinks Nikki is nuts. Otherwise, there are only a couple of chuckles in this. Dan Duryea, Ralph Bellamy and Allan Jenkins are also in the cast, and dour George Coulouris seems to be in another movie entirely. Durbin warbles "Silent Night," "Give Me a Little Kiss" [in the nightclub], and "Night and Day" and does a fine job with all of them. Her acting is only so-so, however. Durbin later married the director.

Verdict: Some nice things but it isn't very good all told. **.

THE SPY IN THE GREEN HAT

THE SPY IN THE GREEN HAT (1966). Director: Joseph Sargent. 

The Spy in the Green Hat was the European theatrical version of the two part Man from U.N.C.L.E. episode "The Concrete Overcoat Affair." Thrush has decided upon a crazy plan to turn Greenland into "Thrushland" and is planning to use deadly missiles in their scheme. Louis Strago (Jack Palance) is the person Thrush has assigned to this plan and he is assisted by a sadistic secretary/assassin played by Janet Leigh. While investigating the operation, UNCLE agent Napoleon Solo (Robert Vaughn) is caught in the bedroom of a pretty young Italian girl , Pia (Leticia Roman). Her relatives, prohibition mobsters who are now elderly men (Eduardo Ciannelli; Allen Jenkins), go after Solo to force him to marry her, but wind up teaming up with him when they learn that Pia has been taken captive by Strago. Jack Palance's performance is just a little over the top even for this kind of material, but Janet Leigh strikes just the right note as the psychotic hit woman and she has a nifty (if too brief) cat-fight with Letitia Roman. Ludwig Donath is the ex-Nazi who is working with Thrush and even Elisha Cook shows up as another petty, aging mobster. This is an entertaining UNCLE movie, with the usual quota of excitement and humor. "The Spy in the Green Hat" turns out to be Mr. Thaler, an emissary from Thrush Central, who comes to see Strago carry out the operation successfully. Thaler is well played by Will Kuluva, the actor who was first chosen to play the head of UNCLE [Mr. Allison] before it was decided to go with the better known Leo G. Carroll. [Kuluva also appears in the first UNCLE film To Trap a Spy.] Vaughn and David MaCallum are in good form as Solo and his fellow agent Illya Kuryakin. 

Verdict: As theatrical telefilms go, this isn't bad -- if you're an UNCLE fan. ***.

SH! THE OCTOPUS

SH! THE OCTOPUS (1937). Director: William C. McGann.

Allen Jenkins (pictured) has a rare lead role as a cop, Dempsey, teamed with irritating Hugh Herbert, who plays Kelly. The two find themselves investigating an alleged murder at a spooky lighthouse. (The body dangling from way high overhead in the tower, dripping blood onto Herbert, is a startlingly macabre touch). This has something to do with a mysterious crime leader, the scourge of the area, who is known as the Octopus. There is also a real octopus hanging around the lighthouse whose well-articulated tentacles float in now and then to close doors, turn off lights, and snatch people out of windows and into the ocean. John Eldredge plays the new owner of the lighthouse, and Marcia Ralston is a pretty lady, Vesta Vernoff, who is certain that her stepfather is the body dangling over everybody's heads. Despite (or because of) all these macabre, spooky touches, the movie -- based on that chest nut The Gorilla -- is never as funny as it's supposed to be, and hasn't got a strong enough story to hold one's interest. Elspeth Dudgeon is a riot as Vesta's old nanny, but you keep hoping that Abbott and Costello will show up to create some real laughs.

Verdict: Not a total stinker, but close. **.