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| Roy Rogers |
ROMANCE ON THE RANGE (1942). Director: Joseph Kane.
Roy Rogers (Roy Rogers of
Arkansas Judge) is the foreman of the Arrowhead ranch. One of his buddies is murdered by poachers who are out for furs. The owner of the ranch, Joan Stuart (Linda Hayes), at first wants to hire a private detective to investigate, but instead goes out west, incognito, with her maid, Sally (Sally Payne), who has been corresponding with Roy's pal, Pat (Pat Brady), through a lonely hearts club. Pat and Sally are happy to finally meet, but Roy, not realizing that Joan is his boss, makes some tactless remarks about spoiled city women with too much money and no common sense. But meanwhile, he and his buddies have to capture the bad guys.
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| Linda Hayes with Roy |
The trouble with
Romance on the Range, a Republic Roy Rogers programmer if ever there were one, is that there isn't much romance and most of the picture consists of fairly dull horse chases and shoot-outs that are not done nearly as well as in the classic Republic serials. Rogers gets by, as usual, on his looks and charm, and he doesn't have a bad voice when he warbles some unmemorable country ditties with the Sons of the Pioneers. Linda Hayes appeared in a couple of "Mexican Spitfire" movies and did a number of westerns; this was her penultimate feature. Sally Payne amassed 57 mostly minor credits.
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| Gabby Hayes |
Pat Brady basically played himself in 73 movies and TV shows, most if not all with Roy Rogers. Ditto for Bob Nolan. Edward Pawley [
Thirteen Women] plays the head bad guy, Jerome Banning, in this, and serial specialist Roy Barcroft is also in the cast. And we mustn't forget -- although we should certainly try to -- Gabby Hayes [
From Broadway to Cheyenne], Rogers' grizzled, old and somewhat misogynous sidekick whose antics have not worn well with time. He did manage to get one -- only one -- laugh out of me, however.
Romance on the Range is a "modern-day" western -- it does not take place during the days of the Wild West.
Verdict: Not much to this cheap oater but Rogers is always pleasant. *1/2.
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