Lively, entertaining reviews of, and essays on, old and newer films and everything relating to them, written by professional author William Schoell.
Showing posts with label Alan Baxter. Show all posts
Showing posts with label Alan Baxter. Show all posts

Thursday, June 25, 2020

THE SET-UP

Robert Ryan
THE SET-UP (1949). Director: Robert Wise.

Bill Stoker (Robert Ryan) is a 35-year-old boxer at the end of his game. He rarely if ever wins his matches, but he still has dreams even though he knows that 35 is old for a fighter. His wife, Julie (Audrey Totter), whose heart breaks for him, can't stand to see him being literally and figuratively beaten up in the ring and wishes he'd do anything else for a living. Although Bill wants her there, Julie resists going to the ring -- Paradise City in Atlantic City -- that night. Unbeknownst to Bill, his manager, Tiny (George Tobias), has made a deal with fight promoter "Little Boy" (Alan Baxter) for Bill to take a dive during his fight with newcomer Tiger Nelson (Hal Baylor of This Is My Love). Tiny is sure that Stoker hasn't got a chance against Tiger, but the determined Stoker may give everyone a surprise. But this may come with a terrible cost.

Audrey Totter and Ryan
The Set-Up, beautifully directed by Robert Wise, is one of the best boxing films ever made. With sharply observed vignettes of other boxers and hangers-on, fight fans, promoters and others, it pulls us into this insane bloody world of triumph and defeat and never lets go. The film is supposed to take place in real time -- 73 minutes for both him and the audience -- although this may not be entirely accurate. Whatever the case, Robert Ryan, who was actually forty at the time of filming, gives perhaps his most outstanding performance. Whether he's mirroring the disappointment he feels when he sees his wife's empty chair or dredging up untapped reserves in order to fight his much younger opponent, he is on top of every scene. Tall and handsome, with the look of a winner, Ryan is still able to get across his character's desperation and fear of being a loser. Totter is also excellent, especially in a silent sequence over a railroad track when you can nonetheless tell everything that she must be feeling as she ponders her future with the man she loves and seems unable to help. Her smile when she sees something amusing in an arcade, a smile that fades when things remind her of her life and marriage, is touching.

Baylor vs. Ryan
There are also good turns from George Tobias, Baxter, and Baylor, as well as Wallace Ford [The Breaking Point] as Gus, who oversees things backstage; David Clarke as the sadly defeated Gunboat; Percy Helton cast in another sympathetic part as Tiny's associate, Red; Darryl Hickman as young boxer Shanley; and James Edwards as black boxer, Luthor Hawkins; among others. The film also benefits from Milton R. Krasner's expert cinematography. Absorbing and well-detailed, The Set-Up also boasts a satisfying and moving conclusion, and the match itself is quite exciting and even suspenseful -- both Ryan and Baylor had done some boxing in real life. The script was inspired by a poem about an African-American boxer.

Verdict: More powerful than Raging Bull and half as long. ***1/2. 

Thursday, September 15, 2016

SHADOW OF THE THIN MAN

William Powell and Stella Adler
SHADOW OF THE THIN MAN (1941). Director: W. S. Van Dyke.

Nick and Nora Charles (William Powell; Myrna Loy) are enjoying a relatively quiet life with Asta and little Nicky (Richard Hall) when murder comes a'calling again. This time the victim is a virtually anonymous jockey who's dead practically before the film begins, but soon other bodies begin to pile up. Suspects and victims alike include reporter Paul Clarke (Barry Nelson); his girlfriend, Molly (Donna Reed); her boss, "Link" Stephens (Loring Smith); his mistress, Claire Porter (Stella Adler); and assorted underworld or otherwise shady characters such as Fred Macy (Joseph Anthony); "Rainbow" Benny (Lou Lubin); and "Whitey" Barrow (Alan Baxter). Then there's Major Sculley (Henry O'Neill of Scandal Sheet) and the excitable Lt. Abrahms (Sam Levene of Dial 1119). Gathering the suspects at the climax where everyone has a serious hate on, Nora is afraid that Nick is going to name her as the murderer. This is a typically convoluted, but amusing "Thin Man" movie with very good performances from all. Stella Adler, who is very saucy in this picture, did a lot of theater work, but her film and TV credits were limited to five; she later became best-known as an acting coach. Joseph Anthony later became a director for the stage and of such films as Career.

Verdict: Smooth and entertaining. ***.