SCHOOL'S OUT

 

Chaney, Jackson, Cooper, DeBorba

SCHOOL'S OUT (1930 short). Director: Robert F.  McGowan. 

In this Little Rascals short produced by Hal Roach, the children are worried at the idea that their pretty teacher, Miss Crabtree (Dorothy DeBorba), might get married and leave the school. Therefore when a man that they assume is her beau shows up at the classroom, they tell him all sorts of awful things about Miss Crabtree, and then steal his clothing when he goes to take a swim in the watering hole nearby! This is a cute time capsule of a movie, rather unreal even when it was made, but the little actors are adorable and adept. Allen "Farina" Hoskins has as much to do as Jackie Cooper, and is very funny and likable. It would be all too easy to harp on the dated, stereotypical aspects of the film and others in the series, but it all seems good-natured for the time, and the young black actors in this are quite talented, especially Farina. 

Verdict: Amiable nonsense with a spirited cast of very young players. ***. 

HAPPILY BURIED

Rita Oehmen and John Hubbard

HAPPILY BURIED (1939 MGM short). Director: Felix E. Feist.

In this musical comedy short, the owners of two rival waffle companies -- Evelyn Foster (Rita Oehmen) and Richard Wright (John Hubbard of Up in Mabel's Room) -- decide to form a merger and get married. Unfortunately, Evelyn wants to stick with the round "magic circle" waffle iron while Richard insists they only offer the "four corners" square waffle iron. Of course, they could decide to manufacture both waffle irons, but that would be too easy. Richard decides to perk up business for his company by putting himself in a transparent coffin for the publicity value, while Evelyn exhibits the world's largest (round) waffle iron -- which can hold an orchestra and dancers -- at the 1939 World's Fair, an exhibition which Richard sabotages. While both parties are stubborn, Richard is so obnoxious that it's staggeringly sexist that Evelyn would happily take the creep back at the end. Both Oehmen (who had a lot of heartbreak in her life) and Hubbard (who was billed as "Anthony Allan" for this and other early film appearances) have pleasing personalities and Hubbard has a smooth and attractive tenor voice. He had a very long career, especially on television in his later days. Oehmen's only starring role was in a western programmer, Gun Law, and she had only three other credits, Happily Buried being the last of them. Her daughter, Charmian Carr, appeared in The Sound of Music. Benny Rubin plays an Hindu prince who can walk on coals. Incidentally, The songs are by Wright and Forest of Kismet fame. Incidentally, does this silly short forecast the fact that round waffle irons seem no longer to exist except as antiques on ebay? What a shame!

Verdict: Pleasant short with some singing. **. 

BECOMING ANITA EKBERG

Mastroianni and Ekberg in La dolce vita and 27 years later, both still sexy

BECOMING ANITA EKBERG
 (2014  documentary). Director: Mark Rappaport.

While I always strive to review a book or movie for what it is as opposed to what it isn't, sometimes you're not given much of a choice. If you tune in to a (very short) documentary entitled Becoming Anita Ekberg, you would think you'd have a right to expect some sort of biographical treatment, and that you might be told, say, what her early life was like; who, if anyone, she might have married; some of her personal thoughts on her films and co-workers; how she got her start in show business; and so on. Alas, Becoming Anita Ekberg is yet another of director Mark Rapport's insufficient "video essays," this time purportedly on Ekberg but more about the nature of stardom and the short shelf life of sex symbols. (Some of this is interesting while much of it is obvious and pretentious.) You won't learn much more than the basics about Ekberg herself: how she played "Anita Ekberg" in the Martin and Lewis comedy Hollywood or Bust (an all too obvious title); reached international stardom as the movie star in Fellini's famous La dolce vita; and wound up playing herself again in Boccaccio '70, this time as a giant-size poster of herself that comes to life. For the record Ekberg was married to actors Rik Van Nutter and Anthony Steel and had sixty-five credits in films, few of which are even mentioned. Her life and career were actually quite interesting, but you will learn much more at imdb.com than you will from this "documentary." Obviously, this is just a collection of clips tied together to illustrate Rappaport's ruminations, with the clips coming first and the ruminations second. There's also a bit of ageism in this as the film tries to make out that Ekberg has become hideous or something because she's older, but she and Mastroianni, although undeniably older, still look quite attractive. One of her later movies was Killer Nun. She was certainly prominent in the poster for Back from Eternity, which gurgled "Ooh That Ekberg!" Rappaport was also responsible for Debra Paget, For Example, which is somewhat better than this.

Verdict: Skip it and watch one of Ekberg's movies instead. *. 

SUMMER VACATION

Yiftach Klein

SUMMER VACATION (2012). Directed by Tal Granit and Sharon Maymon. Short.

In this short Isreali drama, Yuval (Yiftach Klein) is vacationing with his pretty wife, Michaela (Hilla Vidor), and their two children, at the beach. After being playfully buried in the sand up to his neck by his offspring, Yuval finds himself trapped as the tide comes rushing in. His rescuer, who pulls him out of the sand, (in both the literal and figurative sense) is Iftach (Odad Leopold), who is at the resort with his casual flame (Ido Bartal). Although Yuval keeps this from his wife, he and Iftach are already acquainted -- in fact, they were lovers for quite awhile and Iftach keeps hoping he can get Yuval back. Things of a sexual nature occur between the two men, and Iftach decides to tell Michaela the truth, almost leading to a tragedy and an unresolved finale. The trouble with this too-short film (23 minutes) is that there isn't enough time for character development nor to answer some important questions. A bigger problem is that Yuval -- be he gay or bisexual -- is clearly dealing with self-hatred issues and is essentially a complete dickhead. At one point he even accuses Iftach of molesting his teenage son. One also loses sympathy for Iftach, who should certainly leave his ex to his closeted life and move on with another, more agreeable man, and he is rather unkind to the man he came to the resort with. Many of the developments in the story are cliched, and have been related often in movies where the lover is female. However, the acting is good, and Shai (Shay) Peleg's cinematography is first-rate.

Verdict: Absorbing but ultimately ho hum tale of closet case trapped in wet sand. **1/4.

THE KISS (1914)

William Desmond Taylor, Margaret Gibson, Myrtle Gonzalez

THE KISS (1914). Director: Ulysses Davis.

In this silent short, Alice (Margaret Gibson) is a shop girl with a plain boyfriend, a floorwalker named Fred (George Holt). Into the store come dapper society man George Dale (William Desmond Taylor) and his fiancee, Helen (Myrtle Gonzalez); Dale catches Alice's eye. There's also a new shop girl named Mazie (Jane Novak) whose fashionable clothing makes Alice envious. Determined to get George to notice her, Alice buys a new outfit, including one of the most hideous hats imaginable, but George asks her out anyway. When George introduces her to Helen and other friends, Helen gives Alice an affectionate kiss on the cheek. Later when he is having a drink alone with Alice, her tries to kiss her and she says "That's where she kissed me because she loves you!" Exit Alice. Okay. Alice learns it is better to stick with her simple life and floorwalker Fred [and hopefully she'll get rid of that hat!]. Because of the presence of Taylor and Gibson [aka Patricia Palmer] The Kiss is of historical interest, but it is hardly a lost classic. It only lasts about ten minutes and the acting is broad.

Verdict: Not one of the more memorable silent films. *1/2.

HOT PAPRIKA

Andy Clyde

HOT PAPRIKA (1935 Columbia short). Director: Preston Black (Jack White).

"I believe in telling my patients the truth even if it kills them."

In this Columbia two-reeler Andy Clyde (Andy Clyde) has had the hiccups for several days, so his doctor decides to get rid of them by giving him a scare: he tells him he only has three months to live. Andy kisses a gal at the bank where he works, pulls off the boss's toupee, and takes a world cruise, somehow winding up on the island Republic of Paprika. There he becomes embroiled in the conflict between soldiers and revolutionaries. There are a couple of amusing bits, but for the most part this is more energetic  than hysterical, and while the now-forgotten Andy Clyde has an ingratiating personality, in this, at least, he isn't that funny. Clyde did a great many of these shorts, and later wound up on such TV shows as The Real McCoys and Lassie in the sixties, remaining quite professionally active throughout his lifetime. This runs approximately seventeen minutes but seems much longer.

Verdict: One revolution you want to get out of. *1/2.

BRIDELESS GROOM

Voice Professor Shemp Howard councils Ms. Dinklemeyer

BRIDELESS GROOM (1947). Director: Edward Bernds.

Before the Three Stooges got their television program, they made many short comedies that were shown in theaters. These were often funny and inventive and constitute the stooges' golden age. In Brideless Groom, Professor Shemp Howard is a voice coach with an impossibly shrill and awful pupil named Miss Dinkelmeyer (Dee Green), who is in love with him. He suggets that she "gargle with razor blades." It develops that Shemp will inherit half a million bucks if he gets married by six o'clock, but he ignores the nuptially-anxious Dinkelmeyer in favor of more attractive ladies who have no desire to tie the knot with him -- until they learn about the loot! Larry Fine and Moe Howard try to assist in the search for a willing bride, and there's a frenetic climax when money-hungry dames converge on the groom just before the ceremony and almost turn into literal battle-axes! The boys are in top form in this very funny 17 minute short.

Verdict: Zany antics with the stooges.