EVERYTHING YOU ALWAYS WANTED TO KNOW ABOUT SEX BUT WERE AFRAID TO ASK

EVERYTHING YOU ALWAYS WANTED TO KNOW ABOUT SEX BUT WERE AFRAID TO ASK (1972). Director: Woody Allen. 

Woody Allen took some questions from the book of the same name and filmed several segments supposedly relating to these questions. "Do aphrodisiacs work?" is a very funny medieval sketch where Allen winds up with his hand locked in the chastity belt of his horny married queen (an excellent Lynn Redgrave). "What is Sodomy?" actually looks at bestiality as Gene Wilder plays a doctor who falls in love with a sheep. It's a bit yucky, like anything pertaining to the subject, but it has its moments. 

"Why do some women have trouble reaching orgasm?" is a spoof of Italian movies with Allen discovering that his wife (Louise Lasser) only gets turned on in public places. "Are transvestites homosexual?" presents Lou Jacobi (who's terrific) as a husband who gets caught wearing the clothing of his hostess at a dinner party. "What are sex perverts?" first has a homoerotic hair tonic ad, and then presents an episode of the TV show What's My Perversion? an erotic take on What's My Line? "Are Sex Research Findings Accurate?" has John Carradine letting loose a giant breast upon the world in a spoof of monster movies. In "What happens during ejaculation?" Woody plays a nervous sperm who doesn't really like the idea of being thrust out into the big wide womb. This is probably the most inventive segment. Everything You Always Wanted to Know is certainly not for all tastes but it has its share of laughs and holds the attention. You'll probably learn no more about sex than you did from the book. 

Verdict: Watch out for giant boobs! ***.

WHAT'S NEW, PUSSYCAT?

Woody Allen is analyzed by Peter Sellers

WHAT'S NEW PUSSYCAT? (1965). Director: Clive Donner. Screenplay by Woody Allen.

Dr. Frtiz Fassbender (Peter Sellers) is a very weird psychoanalyst with a jealous, Wagnerian wife (Eddra Gale). Most of Fassbender's clients are in serious need of help, including Michael James (Peter O'Toole), who has a fiancee, Carol (Romy Schneider of Sissi), but who just can't keep away from admiring women. Fassbender has the hots for another client, Renee (Capucine of The Pink Panther), but she, too, prefers Michael. Then there's Victor (Woody Allen in his film debut), who supposedly has a girlfriend but who winds up in a dalliance with Carol. And we mustn't forget Liz (Paula Prentiss of Follow the Boys), who decides she wants to marry Michael after a one-night-stand and keeps trying to commit suicide. All of these characters and more wind up at a trysting place where there are rooms named after great lovers ("We've put two cheating men in the Don Juan room." says the proprietor.) If What's New, Pussycat? sounds riotous be warned that it's often more frenetic than funny and that the treatment is a bit smarmy and silly instead of sophisticated. Sellers is wonderful and most of the cast are at least enthusiastic. The opening with Fassbender and his wife is rather hilarious, however, and there are amusing moments throughout. The film's frankness was probably refreshing in this period. At one point Sellers/Fassbender analyzes Victor/Allen. Ultimately, Sellers is the more versatile and brilliant comedian; Woody developed his nebbish persona (from his stand-up act) in this movie and has never veered from it one iota.The title tune is warbled by the then-very popular Tom Jones, who used to get panties thrown at him by the ladies in the audience during his live shows.

Verdict: Silly stuff, but very popular in its day -- Allen's first movie and first hit. **1/2.

SEX AND THE CITY 2

SEX AND THE CITY 2 (2010). Writer/director: Michael Patrick King.

While the first Sex and the City movie was pretty good, this disappointing sequel is more problematic. For one thing, at over two and half hours long it seems to go on forever. Second, there's no real plot to speak of, except that each of the women seem to be undergoing a kind of minor crisis. Carrie (Sarah Jessica Parker) is afraid her marriage with "Big" is going stale; Charlotte (Kristin Davis) has trouble dealing with the stress of motherhood; Miranda (Cynthia Nixon) is under-valued by her male boss; and Samantha (Kim Cattrall) is on a steady hormone diet to keep her body as youthful as possible. Then the movie throws in a long sequence in which the gals travel on a junket to the mid-eastern city of Abu Dhabi, and Sex and the City 2 almost turns into a travelogue or tourism short. However, there are some good scenes, including the ladies singing "I am Woman" during karaoke night at an Abu Dhabi night club, and the whole business with Samantha taking on the sexual oppressiveness and sexism of the middle east has some punch to it. Alas, with its gay wedding full of "fag" stereotypes -- and even Liza Minelli! -- the movie seems backward even as it's trying to be hip; in Sex and the City gay men are always depicted as swishy throw backs who exist solely to hold their girlfriends hands and do their hair! Sex in the City 2 is very well-acted by all, but it's only sporadically entertaining and often tedious.

Verdict: Maybe these gals should just retire.

SHE'S OUT OF MY LEAGUE

SHE'S OUT OF MY LEAGUE (2010). Director: Jim Field Smith.

Kirk (Jay Baruchel) works for airport security and Molly (Alice Eve) is a pretty event planner. The more average-looking Kirk thinks he hasn't got a chance with Molly, but to his delight, confusion, and severe apprehension, she seems to go for him. [Actually this is not such a big stretch as Eve is pretty but not "drop dead' gorgeous and Kirk isn't ugly by any means and has an appealing personality to boot]. Kirk's insecurity threatens to unravel everything, but Molly has her own secrets. Poor Kirk is saddled with a family made up of complete morons. The premise of this film isn't bad, the acting is good, and there are a few funny moments [such an an "accident" Kirk has just when he's about to meet Molly's parents] but just not enough to make this memorable. Geoff Stults plays Cam, a straight pilot who thinks Kirk is gay and rates his buddies as to how "hot" they are in a weird but funny sequence.

Verdict: Almost ... but not quite. **.

THE TUNNEL OF LOVE

THE TUNNEL OF LOVE (1958). Director: Gene Kelly.

Richard Widmark plays a married man who comes to the conclusion that he actually fathered the baby that he and his wife (Doris Day) are to receive from an adoption agency – and that the mother is the woman who came to assess their suitability (Gia Golan)! When the baby arrives, even Day is convinced the tyke looks just like Widmark at that age. This amusing, fast-paced, well-acted comedy keeps you guessing over this bizarre situation until the conclusion. Day is less cloying than usual, although still a bit too perky for my taste. Widmark displays hithero unexplored comic talents as her befuddled husband. Gig Young and Elisabeth Fraser are very good as the next-door neighbors, who have several children; Young tries to offer Widmark points on the fine art of philandering in one scene. Elizabeth Wilson is as sharp and fun as ever as another woman from the adoption agency. A very pleasant comedy with a risque premise that is absurd but certainly gets points for originality. Based on the Broadway show (in which Wilson, but none of the other film principals, appeared).

Verdict: Good fun! ***.