Lively, entertaining reviews of, and essays on, old and newer films and everything relating to them, written by professional author William Schoell.
Showing posts with label Sabu. Show all posts
Showing posts with label Sabu. Show all posts

Thursday, August 4, 2022

ARABIAN NIGHTS

Jon Hall and Maria Montez
ARABIAN NIGHTS (1942). Director: John Rawlins. 
 

Sentenced to a slow death for trying to usurp the throne from his brother, Kamar (Leif Erickson) escapes and holds court in the palace while the true king, Haroun (Jon Hall of The Invisible Man's Revenge), goes on the run until he can regain his rightful position. Kamar is in love with the dancer Sherazade (Maria Montez) -- a different version of the Sheherazade of legend -- but before he can find her she is sold into slavery. As Sherazade and Haroun fall in love, they escape from slave traders and other nefarious characters until Kamar at last reclaims his chosen bride. But will true love win out in the end or is Haroun doomed to die? Young Ali (Sabu) will certainly do all he can to unite the lovers. 

Hall gets some wise counsel from Sabu
Universal may not have been in the same league as MGM when it came to gloss and pageantry, but they certainly gave it the old college try with Arabian Nights. The film is often beautifully photographed (Milton R. Krasner) in positively gorgeous -- and very expensive -- technicolor with striking desert vistas and impressive matte paintings. Frank Skinner's exciting score is flavored with the occasional "Arabian" touch. Jon Hall and Leif Erickson make a fine pair of literally dueling brothers, Sabu is as appealing as ever as the young Ali, and Edgar Barrier [Phantom of the Opera] is properly loathsome as Kamar's plotting associate, Nadan. 

The Montez gives a smoldering look
As for Maria Montez? The movie is populated by starlets just as attractive if not more so than Montez, although she is certainly very decorative, as they say. One thing you must say about the woman is that she has a haughty, imperious authority -- possibly the way she was off-screen as well -- that works very well for her in parts like these. Her arrogance and self-confidence come through with her every line reading, which are generally on target. No, she's no Kate Hepburn, but one could hardly see Hepburn in this role (although she might have been better than one might imagine)! In other words, while no Oscar would have been in the offing for Ms. Montez, she is more than acceptable as Sherazade. 

A striking sequence from Arabian Nights
There are other characters, some from the Arabian Nights, sprinkled throughout the movie. Sinbad, presented as a lazy lout instead of as a hero, is played by Shemp Howard, one of the Three Stooges! Aladdin (John Qualen) spends the movie trying to find his famous lamp and failing. Turhan Bey is cast as a captain in the King's army who comes to a bitter fate. As Ahmed, who runs a shop, Billy Gilbert overacts atrociously. Gilbert's scenes sometimes resemble something out of Abbott and Costello. Sherazade does a very expressive and sensual dance late in the movie, but apparently that was not Montez, who could neither sing nor dance. 

Verdict: A Maria Montez movie that is actually good! ***. 

Thursday, November 19, 2015

THE THIEF OF BAGDAD (1940)

John Justin and June Duprez
THE THIEF OF BAGDAD (1940). Directors: Michael Powell, Ludwig Berger, and others.

In this first remake of the silent film with Douglas Fairbanks, King Ahmad (John Justin) is dethroned and imprisoned by the evil usurper Jaffar (Conrad Veidt). Ahmad meets a young beggar-thief named Abu (Sabu) in jail, but the two affect an escape. The Sultan (Miles Malleson, who also wrote the screenplay), trades his daughter, the princess (June Duprez of None But the Lonely Heart) for a mechanical horse that flies. This exchange is engineered by Jaffar, who has designs on the princess, who, unfortunately for her, is in love with Ahmad. Confronted by Ahmad and Abu, Jaffur blinds the former and turns the latter into a dog. Human again, Abu encounters a gargantuan genie (Rex Ingram) who helps him steal a fabulous ruby eye from a statue guarded by an enormous and hideous spider. Ahmad gets his sight back, but only in time to face the headsman's sword. Will Abu be able to get back to Bagdad on a flying carpet in time and save the day? The Thief of Bagdad is an excellent fantasy film that boasts amazingly beautiful Technicolor, some wonderful effects work (despite some fuzzy process shots), a very creepy and almost beautiful mechanical spider, and top-notch performances from the appealing Justin and Duprez, and especially Conrad Veight. Sabu is charming as the young thief, and Rex Ingram, although he doesn't exactly sound like something out of the Arabian nights, is terrific as the frightening if personable genie/djinn. While this movie really must have been quite eye-popping in its day, it is still a very memorable and entertaining picture 75 years later. Malleson appeared in the 1959 remake of The Hound of the Baskervilles. This was the first film for John Justin, who played Dorothy Dandridge's lover in Island in the Sun, made quite a few other movies, and often appeared on the stage, including productions of Shakespeare. The Thief of Bagdad was remade again in 1961.

Verdict: Watch out for that giant Djinn! ***1/2.