Lively, entertaining reviews of, and essays on, old and newer films and everything relating to them, written by professional author William Schoell.
Showing posts with label Leonid Kinskey. Show all posts
Showing posts with label Leonid Kinskey. Show all posts

Thursday, July 20, 2023

BROOKLYN ORCHID

BROOKLYN ORCHID (1942). Director: Kurt Neumann.

Tim McGuerin (William Bendix) and Eddie Corbett (Joe Sawyer) are partners in a cab company. McGuerin is married to Sadie (Grace Bradley of The Invisible Killer), a former burlesque queen who now acts like she's To the Manor Born. Sadie can't stand Eddie's fiancee, Mabel (Florine McKinney of Beauty for Sale), who always needles her about her past. Ducking out from a party honoring the rather obnoxious pianist, Ignatz Rachkowsky (Leonid Kinskey), the two fellows try out Tim's anniversary gift of a fishing pole, and they net themselves a gal who has just tried to commit suicide. This gal, Lucy (Marjorie Woodworth), is angry that they saved her and insists that they take care of her, going so far as to try to move into the McGuerins' high-tone apartment. Tim and Eddie do their best to keep their respective ladies from finding out about Lucy, but she follows them on vacation, where she is pursued by an amorous wealthy man named Goodweek (Skeets Gallagher of The Meanest Gal in Town). Then Lucy runs into Sadie and Mabel and they all compare notes ... 

Brooklyn Orchid -- the title refers to a flower girl contest won by Lucy -- is the second of three comedies featuring Bendix and Sawyer as McGuerin and Corbett. (Brooklyn Orchid is wrongly listed as the first in some sources). The players are all game and adept at this kind of farce -- Kinskey is a riot and Jack Norton (of Fashion Model)  nearly steals the show as an inebriated music critic -- and there are a few laugh-out-loud moments, but the ultimate result is like a TV sitcom that treads overly familiar territory. As good as they are, Bendix and Sawyer are no Laurel and Hardy. 

Verdict: Some limited fun in this amiable comedy. **1/2. 

Thursday, August 3, 2017

ALGIERS

Charles Boyer and Hedy Lamarr
ALGIERS (1938). Director: John Cromwell.

Hiding out in the Casbah, jewel thief Pepe le Moko (Charles Boyer) falls for Gaby (Hedy Lamarr), the fiancee of a wealthy tourist. But will the woman who adores him, Ines (Sigrid Gurie), be indirectly responsible for his destruction? Algiers is the first American remake of the French film Pepe le Moko, which had only come out one year earlier. Algiers is virtually a scene for scene remake of Pepe -- sometimes even a shot for shot remake -- but it still has the edge on the French original. For one thing, we have Charles Boyer [Gaslight] in the title role, and he is not only much more "romantic"-looking than the rather potato-faced Jean Gabin, but offers a much more nuanced and emotional performance. Although most of her dialogue is virtually the same as in Pepe, Hedy Lamarr  [Crossroads] gives a much warmer and more human delivery, making her character much more likable. Gurie is fine as Ines, although this version is less compassionate toward her than the original, which cuts her out of the ending and has Slimane, the inspector, telling her off for betraying Pepe. Slimane is portrayed by Joseph Calleia [Five Came Back], and it is one of the actor's most memorable performances. Others in the cast include Johnny Downs as Pierrot, Joan Woodbury as his girlfriend, and Leonid Kinskey as L'Arbi. Boyer sings a song (C'est la vie) as Gabin did in the original, but the sequence where Tania sings has been omitted. Another plus for this version is an effective musical score by Mohamed Ygerbuchen and Vincent Scotto. James Wong Howe was cinematographer. Of course in neither version of the story does the romanticized criminal Moko seem that much like a real person. Incidentally, Boyer never says the line "Come with me to the Casbah; we will make beautiful music together"--  more's the pity! Samuel Goldwyn discovery Sigrid Guris, a "Norwegian" actress born in Flatbush, only made a few movies. Remade as Casbah with Tony Martin.

Verdict: More fun in the Casbah! ***.