Lively, entertaining reviews of, and essays on, old and newer films and everything relating to them, written by professional author William Schoell.
Showing posts with label Florine McKinney. Show all posts
Showing posts with label Florine McKinney. Show all posts

Thursday, July 20, 2023

BROOKLYN ORCHID

BROOKLYN ORCHID (1942). Director: Kurt Neumann.

Tim McGuerin (William Bendix) and Eddie Corbett (Joe Sawyer) are partners in a cab company. McGuerin is married to Sadie (Grace Bradley of The Invisible Killer), a former burlesque queen who now acts like she's To the Manor Born. Sadie can't stand Eddie's fiancee, Mabel (Florine McKinney of Beauty for Sale), who always needles her about her past. Ducking out from a party honoring the rather obnoxious pianist, Ignatz Rachkowsky (Leonid Kinskey), the two fellows try out Tim's anniversary gift of a fishing pole, and they net themselves a gal who has just tried to commit suicide. This gal, Lucy (Marjorie Woodworth), is angry that they saved her and insists that they take care of her, going so far as to try to move into the McGuerins' high-tone apartment. Tim and Eddie do their best to keep their respective ladies from finding out about Lucy, but she follows them on vacation, where she is pursued by an amorous wealthy man named Goodweek (Skeets Gallagher of The Meanest Gal in Town). Then Lucy runs into Sadie and Mabel and they all compare notes ... 

Brooklyn Orchid -- the title refers to a flower girl contest won by Lucy -- is the second of three comedies featuring Bendix and Sawyer as McGuerin and Corbett. (Brooklyn Orchid is wrongly listed as the first in some sources). The players are all game and adept at this kind of farce -- Kinskey is a riot and Jack Norton (of Fashion Model)  nearly steals the show as an inebriated music critic -- and there are a few laugh-out-loud moments, but the ultimate result is like a TV sitcom that treads overly familiar territory. As good as they are, Bendix and Sawyer are no Laurel and Hardy. 

Verdict: Some limited fun in this amiable comedy. **1/2. 

Thursday, December 5, 2013

BEAUTY FOR SALE

Sherwood (Otto Kruger) is in love with Letty (Madge Evans)
BEAUTY FOR SALE (1933). Director: Richard Boleslawski.

 "If he gives you a hat in only an hour imagine what he can do in three weeks."

Letty (Madge Evans) takes a room with the Merrick family, which consists of the mother (May Robson), her daughter Carol (Una Merkel), and son Bill (Eddie Nugent), who's stuck on Letty. Carol helps Letty get a job at the beauty parlor where she works, which is lorded over by the dragon-like Sonia (Hedda Hopper). Unlucky in love, Carol is keeping company with a wealthy, much older man named Freddy (Charley Grapewin). Their fellow employee, Jane (Florine McKinney), is having a secret relationship with Sonia's son, Burt (Phillips Holmes). Letty falls in love with a Mr. Sherwood (Otto Kruger), who happens to be married to one of the beauty spa's customers, the flighty and affected Henrietta (Alice Brady). Will any of these women find happiness? Well, maybe ... Beauty for Sale is a highly engaging comedy-drama with a very appealing lead performance by the luminescent Evans and excellent supporting performances from Merkel, McKinney, Brady and Kruger; the others, such as Hopper, are also well-cast. The movie blends its laughs [all the funny gossiping that goes on at the beauty parlor] and tragic moments expertly, and is well-directed by Boleslawski, who often favors extreme close-ups at tilted angles. There's a nice bit when a bathroom door slowly closes on the huddled figure of Jane after she gets some shattering news. Isabel Jewell [The Seventh Victim] is very sharp and saucy as the receptionist, Hortense, and Nugent scores as the likable but sadly immature Bill, who nearly drives Letty crazy [his mistreatment at her hands is sort of glossed over]. Boleslawski also directed the interesting Storm at Daybreak and Les Miserables.

Verdict: Minor classic is well worth the watching. ***.