SAY ONE FOR ME

Debbie Reynolds and Robert Wagner

SAY ONE FOR ME (1959). Produced and directed by Frank Tashlin. 

Father Conroy (Bing Crosby) has a parish in the middle of the theater district and holds services at two in the morning. When one parishioner, Harry (Les Tremayne), falls ill and can't work, his daughter, Holly (Debbie Reynolds), takes up the slack. Harry and Father Conroy think she's working as a secretary, but Holly is actually appearing in a nightclub with her smooth and handsome partner and boss, Tony Vincent (Robert Wagner). Now the trick is to keep that wolf Tony at bay while both of them jockey for stardom. When Father Conroy gets a chance to put together a TV special, Tony thinks he's In Like Flynn -- but is he?

Ray Walston with Der Bingle

Say One for Me is artificial from the first frame to the last, and comes off more like something out of the 1930s than the 1950s. Bing doesn't strain too much to put over his familiar portrayal of Father Conroy, and Reynolds and Wagner are perfectly professional. Wagner sings and dances in this, but he's no threat to Fred Astaire. The supporting cast is perhaps of more interest: In addition to Tremayne, we've got Connie Gilchrist as the priest's cook and housekeeper; Joe Besser -- "Stinky" on The Abbott and Costello Show -- as Tony's manager; and especially Ray Walston in a terrific turn as an alcoholic associate of Tony's. Father Conroy cures the man of his addiction overnight! 

Judy Harriet as June January

There are a few songs by Cahn and Van Heusen, most of which are forgettable, with the exception of Bing's "I Couldn't Care Less" and "Christmas All Year Through." Judy Harriet plays a girl who is rejected for the nightclub by Tony and tells him in a year she'll be a star, which happens at the end of the movie as she warbles her hit record, "The Night Rock n Roll Died" -- also forgettable. The best music in the movie is actually the theme music by Lionel Newman. If the movie weren't treacly enough, it also throws in a baby and an unwed mother. Sebastian Cabot shows  up briefly as a fat Monsignor, and Herb Alpert is the sexy trumpet player in the background of one of the numbers.

Verdict: You can stand this for about an hour but unfortunately it's two hours long! **.   

THE THREE STOOGES

THE THREE STOOGES: From Amalgamated Morons to American Icons. Michael Fleming. Foreword by Mel Gibson. Official and Authorized. Doubleday; 1999.

This illustrated coffee table book takes an exhaustive look at the careers and lives of the Three Stooges, which actually consisted of several men over the years. Originally they were three brothers, but Larry Fine was not related, and took over for Shemp Howard (who later came back into the fold). The trio started out as stooges for comic Ted Healy and there are chapters detailing Healy's career both before and after his association with the Stooges, who outgrew him. The Stooges originally made comedy shorts that played in theaters, many of which were quite funny (while others were stinkers). When these played on television, there was a literal and figurative Stooge revival -- the fellows wound up being put in big-screen movies such as Snow White and the Three Stooges and Have Rocket, Will Travel, with mixed results. In any case they had a whole new audience of kids of all ages. The author argues that the Stooges are almost exclusively a male phenomenon, that women just don't dig the Stooges, but I think that's a generalization that might not hold water (no matter what Mel Gibson, who wrote the introduction, may think). Fully half the book is devoted to synopses of all of the Stooges shorts -- and there were many -- but it's more fun to watch (some of) them than to read about them. Still, this is a must-have for serious Stooge fans.

Verdict: Nyuk, nyuk, nyuk -- For all things Stooge. ***.

FEUDIN', FUSSIN', AND A-FIGHTIN'

FEUDIN', FUSSIN', AND A-FIGHTIN' (1948). Director: George Sherman.

A fast-running traveling salesman named Wilbur (Donald O'Connor), comes to the town of Rimrock and is held captive there because they want him to run in -- and win-- the annual foot race they have with a rival community. With Marjorie Main as the Mayor and her Pa Kettle co-star Percy Kilbride as her sort of boyfriend, you know there'll be some fun in the picture --but there really ain't enough of it. Donald O'Connor mugs his usual schtick. Joe Besser of Three Stooges fame is one of the townspeople and Penny Edwards is the pretty love interest. With this cast you just wish there were a lot more laughs. Main and Kilbride are given the final scene, however -- and that's funny!

Verdict: Stick with the Beverly Hillbillies instead. **.

AFRICA SCREAMS

AFRICA SCREAMS (1949). Director: Charles Barton.

Bud Abbott and Lou Costello wind up in a studio-bound "Africa" along with the real Clyde Beatty, Frank Buck, two of the famous three stooges, and the curvaceous Hillary Brooke, who is hoping that Lou can lead her to a treasure in diamonds. Unfortunately, the map that Lou has supposedly memorized from a book is actually a map that shows how to get from his house to the department store where he works. Silly comedy has some really ancient gags in it, but it's also fast-moving and fun, with some genuinely amusing sequences. One of the best has Lou locked in a cage with a lion that he thinks is Abbott in a costume. A King Kong-sized gorilla shows up at the end in another funny sequence. The boys are in good form in this one. Joe Besser. who plays the petulant Harry, was "Stinky" on their TV show and briefly joined The Three Stooges. Shemp Howard (Gunner) was also a member of the stooges.

Verdict: Fun if you're in a silly mood. **1/2.