Lively, entertaining reviews of, and essays on, old and newer films and everything relating to them, written by professional author William Schoell.

Thursday, August 3, 2023

SAY ONE FOR ME

Debbie Reynolds and Robert Wagner
SAY ONE FOR ME (1959). Produced and directed by Frank Tashlin. 

Father Conroy (Bing Crosby) has a parish in the middle of the theater district and holds services at two in the morning. When one parishioner, Harry (Les Tremayne), falls ill and can't work, his daughter, Holly (Debbie Reynolds), takes up the slack. Harry and Father Conroy think she's working as a secretary, but Holly is actually appearing in a nightclub with her smooth and handsome partner and boss, Tony Vincent (Robert Wagner). Now the trick is to keep that wolf Tony at bay while both of them jockey for stardom. When Father Conroy gets a chance to put together a TV special, Tony thinks he's In Like Flynn -- but is he?

Ray Walston with Der Bingle
Say One for Me is artificial from the first frame to the last, and comes off more like something out of the 1930s than the 1950s. Bing doesn't strain too much to put over his familiar portrayal of Father Conroy, and Reynolds and Wagner are perfectly professional. Wagner sings and dances in this, but he's no threat to Fred Astaire. The supporting cast is perhaps of more interest: In addition to Tremayne, we've got Connie Gilchrist as the priest's cook and housekeeper; Joe Besser -- "Stinky" on The Abbott and Costello Show -- as Tony's manager; and especially Ray Walston in a terrific turn as an alcoholic associate of Tony's. Father Conroy cures the man of his addiction overnight! 

Judy Harriet as June January
There are a few songs by Cahn and Van Heusen, most of which are forgettable, with the exception of Bing's "I Couldn't Care Less" and "Christmas All Year Through." Judy Harriet plays a girl who is rejected for the nightclub by Tony and tells him in a year she'll be a star, which happens at the end of the movie as she warbles her hit record, "The Night Rock n Roll Died" -- also forgettable. The best music in the movie is actually the theme music by Lionel Newman. If the movie weren't treacly enough, it also throws in a baby and an unwed mother. Sebastian Cabot shows  up briefly as a fat Monsignor, and Herb Alpert is the sexy trumpet player in the background of one of the numbers.

Verdict: You can stand this for about an hour but unfortunately it's two hours long! **.   

2 comments:

angelman66 said...

I liked the first two Bing-as-priest films, so that is about enough for me. And Debbie is great in Singin in the Rain and later in Mother and In-And-Out but at her heyday she was never one of my favorite personalities. Kinda overly sweet and smarmy in most of those musicals.
-Chris

William said...

Yes, she was an acquired taste. I admired her bounciness and obvious talent but she was never really one of my favorites. Robert Wagner helps keep this film from being too nauseating!