A SONG TO REMEMBER

Cornel Wilde and Merle Oberon

A SONG TO REMEMBER (1945). Director: Charles Vidor.

Child piano prodigy Frederic Chopin (Cornel Wilde of The Big Combo) is urged to go to Paris by his teacher, Professor Elsner (Paul Muni). Chopin's parents won't allow the boy to go so it isn't until Chopin is grown, and forced to flee Poland after insulting the Czar, that he finally arrives in Paris. There he and Elsner have trouble convincing others of his greatness. Chopin's patriotic fervor is dampened by the presence in his life of the writer George Sand (Merle Oberon of The Price of Fear), who insists that a true artist must forget about the petty struggles of the "rabble." But Professor Elsner isn't about to let Chopin forget about where he came from nor about the Polish people.

Cornel Wilde as Chopin

A Song to Remember is a very heavily fictionalized version of the life of the great composer, with some incidents simply being made up to propel the story along and add some drama. The funny thing is that the lives of Chopin and Sand were already quite dramatic and full of incident, so the fabrications weren't even necessary. Still, there are basic factoids about the composer in the film, and one could argue that it portrays his essence if not his reality. Cornel Wilde is quite good as the Hollywood version of Chopin and was nominated for a Best Actor Oscar. If there is any problem with his portrayal it is within the script, as it makes Chopin out to be an ungrateful snob who literally snubs the man who has done so much for him. He redeems himself at the end, but still ...

Paul Muni and Maurice Tauzin

George Sand doesn't fare much better, coming off as monstrously self-absorbed. In this case, Oberon doesn't help with her one-dimensional emoting. Oberon is unable to get across the possibility that it is her need for Chopin that turns her into a selfish creature who makes outrageous statements. However, Paul Muni gives an excellent performance as the professor. He can be forgiven some "cutesy" moments because his role borders at times on the comic, but he is otherwise superb. Little Maurice Tauzin [Tarzan and the Huntress] also makes an impression as the great composer at age ten. There is also very good work from Stephen Bekassy as Franz Liszt, George Coulouris as impresario Louis Pleyel, Nina Foch as Chopin's concerned sister, and Howard Freeman as the critic Kalkbrenner. Even if you're unconvinced by the dramatics, the score consists of some of Chopin's most beautiful and memorable pieces -- you might be surprised by how many works you will be familiar with.

Verdict: Fine performances, a beautiful score, and lushly romantic. ***1/4.  

MILLION DOLLAR MERMAID

Esther Williams with Victor Mature

MILLION DOLLAR MERMAID (1952). Director: Mervyn LeRoy.

Despite having to wear braces on her legs as a child, Australian Annette Kellerman (Esther Williams) becomes a swimming champion, winning race after race, in her native land. After her father, Frederick (Walter Pidgeon of Forbidden Planet),  has to close up his music conservatory, the two of them head for London and better prospects, where a impresario named James Sullivan (Victor Mature of Samson and Delilah) hires Annette to swim the Thames to create publicity for his new acquisition, a boxing kangaroo. But Sullivan's grand plan to have Annette star in a water ballet at New York's famed Hippodrome, may hit a snag.

Walter Pidgeon, Williams, Victor Mature

Million Dollar Mermaid is the fictionalized story of the real Annette Kellermann (with two "n"s), who was actually arrested for indecent exposure at Boston's Revere beach and designed a more stylish one-piece bathing suit for women to wear. The movie invents some other stuff to create a little more drama, such as a love rival for Sullivan in the form of Hippodrome manager Alfred Harper (David Brian), arguments between Annette and James, and an accident on a film set -- Kellermann made several silent movies --  in which a tank in which she's swimming cracks apart and she's severely injured. The performances in this are all quite good from the leads down to the supporting cast. Even Jesse White is more likable than usual as Jame's friend and associate, Doc. Howard Freeman also scores as Mr. Aldrich, who wants to book Annette for a lecture circuit. George Wallace [Radar Men from the Moon] shows up briefly as a stunt pilot.

Don't lose your grip, honey! 

Hired to handle the water ballet production numbers for the film, Busby Berkeley, pulled out all the stops. There are men skiing down a slope while the ladies rush below them in a watery funnel; men and women diving off of swings high in the air and slicing smoothly into the huge pool beneath them; Esther rising up out of the water as she holds on to a ring and dancers do their kaleidoscopic thing far, far  down below her. George J. Folsey's cinematography is excellent throughout the film as well. At one point Annette, who'd planned on becoming a ballet dancer, gushes over Paylova (Maria Tallchief), but Williams' efforts to perform some kind of underwater ballet are relatively pitiful.

Verdict: Entertaining biopic with pleasing performers and that certain MGM gloss.***. 

HOUSE OF HORRORS

Marcel (Martin Kosleck) admires his bust of the Creeper

HOUSE OF HORRORS (1946). Director: Jean Yarbrough.

Starving artist Marcel De Lange (Great Old Movies' favorite Martin Kosleck) is about to commit suicide in despair when he stumbles across an injured man known only as the Creeper (Rondo Hatton). The Creeper had already committed a series of murders, snapping people's spines, and is presumed dead. Marcel uses the Creeper to get revenge on his enemies, especially the acidic critic Holmes Harmon (Alan Napier), who has no tolerance for the abstract. The main suspect in Harmon's murder, however, is commercial illustrator Steven Morrow (Robert Lowery of the Batman and Robin serial), who was to be the target of his venom in the critic's latest column. Another critic, Joan Medford (Virginia Grey), happens to be Morrow's girlfriend and a champion of De Lange's macabre sculptures. But when she gets too close to figuring out De Lange's deadly secret ... This is a snappy and suspenseful horror thriller, well-directed by Yarbrough, and with an excellent performance from Kosleck, and good back up from Hatton [who thinks his bust is "pretty"], a highly vivacious (perhaps too vivacious considering the goings-on) Grey, and a more than competent Lowery and Napier. Howard Freeman also scores as another art critic, Hal Ormiston, who participates in a scheme to catch the murderer. The beautiful model Stella is played by Joan Shawlee and Lt. Brooks is Bill Goodwin. House of Horrors is an unofficial sequel to the modern-day Sherlock Holmes film The Pearl of Death, in which Hatton also played a Creeper who breaks spines. Oddly the opening credits of Horrors "introduce" Hatton as the Creeper. There were plans to make a series of Creeper films and turn Hatton into a horror star, but the poor fellow, who suffered from acromegaly due to exposure to poison gas in WW1, passed away before House of Horrors opened. Kosleck's most famous part was in The Flesh Eaters. Yarbrough directed She-Wolf of London and many, many others.

Verdict: Highly entertaining horror flick. ***.

AIR RAID WARDENS

AIR RAID WARDENS (1943). Director: Edward Segdwick.

On December 7th, 1941, Stan Laurel and Oliver Hardy want to enlist in the Army but are turned down by every branch of the services. Therefore they decide to help out on the home front and become air raid wardens. A series of misadventures lead to them being thrown out of the corps, but they come across a nest of Nazi spies and somehow manage to save the day. This charming, amusing film, while not a masterpiece, features the boys at the top of their form, likable schnooks who are seen as hideous misfits by the less tolerant of the small town's citizens. There are some hilarious moments in the film, as well as a good supporting cast, including Donald Meek as Eustace Middling, who is a German spy. Horace (Stephen) McNally is the newspaper publisher and Howard Freeman, Nella Walker, and Edgar Kennedy are some of their foils.

Verdict: Lots of laughs. ***.