Lively, entertaining reviews of, and essays on, old and newer films and everything relating to them, written by professional author William Schoell.
Showing posts with label Francis X. Bushman. Show all posts
Showing posts with label Francis X. Bushman. Show all posts

Thursday, July 9, 2015

BEN-HUR: A TALE OF THE CHRIST (1925)

Ramon Navarro as Ben-Hur
BEN-HUR: A TALE OF THE CHRIST (1925). Director: Fred Niblo.

Long before the 1959 remake of this story there was this commendable silent version starring Ramon Navarro [Mata Hari] as Judah Ben-Hur and Francis X. Bushman as his hated nemesis, Messala. Ben-Hur has spectacular battle-at-sea scenes, a cast of what seems to be thousands, a very elaborate and expensive production, and a thrilling chariot race (even if it ends a little abruptly). The story is basically the same as the Charlton Heston version, although the boyishly vulnerable Navarro, despite some hammy moments, is more sympathetic as Ben-Hur. There is a long prologue depicting the birth of Christ and the journey of the Three Wise Men. While some viewers see silent films as being slow and boring, that is hardly the case with Ben-Hur. May McAvoy as Esther and Frank Currier as Quintus Arrias are also notable, while Bushman [The Phantom Planet], grimacing with the best of them, radiates intolerance and menace. This version of the film features an excellent new symphonic score composed by Carl Davis and beautifully orchestrated by Colin and David Mathews. While the score is sometimes derivative, it expertly embellishes each scene and adds a new dimension to an already memorable movie. Certain sequences were filmed in TechniColor.

Verdict: Exciting large scale silent film. ***.


Thursday, July 31, 2014

HOLLYWOOD STORY

HOLLYWOOD STORY (1951). Director: William Castle.

Larry O'Brien (Richard Conte) is a producer who becomes fascinated by an old Hollywood mystery, the still-unsolved 1929 murder of silent film director Franklin Farrara. Larry decides to make a film about the murder, and hires an old screenwriter named Vincent St. Clair (Henry Hull of Werewolf of London), who once worked with the victim.  When someone takes a shot at Larry, he realizes the killer is still alive and doesn't want even a chance of the truth coming out. Richard Egan is cast as a police lieutenant, and Jim Backus is Larry's agent, Mitch. An uncredited Paul Cavanaugh [he's not even listed in the cast on imdb.com] plays aging actor Roland Paul, who was always one of the suspects, along with Sam Collyer (Fred Clark). William Farnum, Francis X. Bushman [The Phantom Planet], and Joel McCrea play themselves in cameos. The best performance is given by Julia/Julie Adams, who apparently knows more than she's saying and may have some unknown connection to the crime. This movie is of interest primarily because it was directed by William Castle [Strait-Jacket], but even with that distinction it has still been forgotten. The trouble is that it has very little suspense, a dull mystery, and plays like nothing so much as a TV pilot. However, the cast may hold your attention.

Verdict: One mystery that doesn't need solving. **.

Thursday, October 20, 2011

THE PHANTOM PLANET


THE PHANTOM PLANET (1961). Director: William Marshall.

Captain Frank Chapman (Dean Fredericks) winds up on a asteroid that can maneuver through space and upon which the inhabitants are only a few inches high. Chapman shrinks inside his space suit, encounters the space Lilliputians, and winds up embroiled in their conflicts and problems. The women on the asteroid include Colleen Gray as Liara and Delores Faith as Zetha, while the male aliens include Anthony Dexter (Fire Maidens of Outer Space; Valentino; Three Blondes in His Life), former silent star Francis X. Bushman (The Three Musketeers; 12 to the Moon, also with Dexter) and even Richard Kiel (Jaws of the Bond movies) as a silly-looking "Solarite" monster. One good scene shows a lieutenant floating off into space after an accident, and some of the other FX in the film aren't bad. Some interesting ideas in this if nothing else. Gray starred as The Leech Woman a year earlier.

Verdict: Save it for a lazy afternoon. **1/2.

Wednesday, April 23, 2008

THE THREE MUSKETEERS (1933)

THE THREE MUSKETEERS (1933). 12 chapter Mascot serial. Directed by Armand Schaefer and Colbert Clark.

Described as an “updated” version of the story by Alexander Dumas, this is an entertaining cliffhanger with John Wayne taking center stage and the “musketeers” pushed into a subordinate position. In a battle between members of the Foreign Legion and gunrunners, all but three members of the legion forces are wiped out. The last three are saved by the timely intervention of Lt. Tom Wayne (John Wayne) in his plane. This first scene is a little weird, as the “heroes” have absolutely no reaction to the sudden deaths of their colleagues (one who "steals" a cigarette from a fallen comrade is shot and killed himself a moment later) and indeed remain jaunty and insouciant as they stand there afterward with the bodies of fellow legionnaires presumably lying all around them. Smiling in the face of death and remaining cool and philosophical about warfare is all well and good, but these musketeers come off as callous idiots. In contrast, John Wayne shows genuine emotion and concern when his buddy Stubbs (Noah Beery Jr.) is shot in front of him. Lon Chaney Jr., billed as Creighton Chaney, appears briefly as a friend of Wayne's who is murdered, with Wayne becoming the chief suspect. The real culprit is the villain El Shaitan (The Devil), who is plotting an Arab rebellion against the Legion. Wayne's girlfriend, Chaney's sister Elaine (Ruth Hall), has a letter which will clear Wayne of murder charges, and naturally there's a lot of running after this letter as well as many shots of men fairly leaping onto horses. The Musketeers are played by Francis X. Bushman, Raymond Hatton, and Jack [The Clutching Hand] Mulhall.

Verdict: Fairly entertaining, with a generally fast pace and some exciting moments. **1/2.