Lively, entertaining reviews of, and essays on, old and newer films and everything relating to them, written by professional author William Schoell.
Showing posts with label historical epic. Show all posts
Showing posts with label historical epic. Show all posts

Thursday, August 18, 2016

THE FALL OF THE ROMAN EMPIRE

THE FALL OF THE ROMAN EMPIRE (1964). Director: Anthony Mann.

A dying Marcus Aurelius (Alec Guinness), great Caesar of the Roman empire, must make a choice of who will replace him, and chooses not his son, Commodus (Christopher Plummer), but Commodus' friend, the leader of the Roman army, Livius (Stephen Boyd). Obviously this does not sit well with Commodus, and before you can say "Ben-Hur" -- this film's obvious model -- the two men are caught in a lifelong love-hate rivalry. The emperor's daughter, Lucilla (Sophia Loren), who is in love with Livius and vice versa, is also not happy that she is forced to marry another man, Sohamus (an unrecognizable Omar Sharif). Livius hopes to unite the barbarians who are ill-treated by Rome and periodically try to seize the city, while an uncaring Commodus -- who becomes emperor only due to his father's untimely death -- basically wants to turn everyone in the outlying areas into slaves. Whatever historical accuracy this movie does or does not possess, it is well-made and quite entertaining even if nearly three hours long (with an intermission). It lacks the great story of Ben-Hur, but Mann's direction is good, the pace never flags, and the performances are mostly expert, with Guinness, Boyd, and especially Plummer [Dracula 2000] at the top of their game. Loren is also fine, and there is notable work from James Mason (especially during a harrowing torture scene, although, oddly, he seems to recover from the ordeal much too quickly), Anthony Quayle, Mel Ferrer [Born to be Bad] , and others. Naturally there's a fairly well-done battle between the two major antagonists on the expected chariots, and the climactic duel between the two men in an arena is the film's highlight. There is some stunning scenic design, an excellent score by Dimitri Tiomkin, and some striking widescreen photography by Robert Krasker.

Verdict: Essentially a Roman soap opera, but quite entertaining on that level. ***.

Thursday, April 7, 2016

CONSTANTINE AND THE CROSS

CONSTANTINE AND THE CROSS (aka Costantino il grande/1961). Director: Lionello De Felice.

Cornel Wilde [The Naked Prey] is cast as Emperor Constantine, who as a general beat back the barbarian hordes, in this fictionalized story of his trials and tribulations and his relationship to his Christian mother Elena (Elisa Cegani); wife Fausta (Belinda Lee of Footsteps in the Fog); and her evil brother, Maxentius (Massimo Serato), who accuses Constantine of murdering his own father, among other melodramatic elements. Then there is the secondary romantic couple, also Christians, Livia (Christine Kaufmann) and the centurion, Hadrian (Fausto Tozzi). The multi-national cast in this Italian epic isn't bad, and there is some excellent widescreen photography (Massimo Dallamano) of sweeping battles and the like. Wilde has his usual commanding presence.

Verdict: Not bad historical epic with an interesting cast. ***.

Thursday, July 9, 2015

BEN-HUR: A TALE OF THE CHRIST (1925)

Ramon Navarro as Ben-Hur
BEN-HUR: A TALE OF THE CHRIST (1925). Director: Fred Niblo.

Long before the 1959 remake of this story there was this commendable silent version starring Ramon Navarro [Mata Hari] as Judah Ben-Hur and Francis X. Bushman as his hated nemesis, Messala. Ben-Hur has spectacular battle-at-sea scenes, a cast of what seems to be thousands, a very elaborate and expensive production, and a thrilling chariot race (even if it ends a little abruptly). The story is basically the same as the Charlton Heston version, although the boyishly vulnerable Navarro, despite some hammy moments, is more sympathetic as Ben-Hur. There is a long prologue depicting the birth of Christ and the journey of the Three Wise Men. While some viewers see silent films as being slow and boring, that is hardly the case with Ben-Hur. May McAvoy as Esther and Frank Currier as Quintus Arrias are also notable, while Bushman [The Phantom Planet], grimacing with the best of them, radiates intolerance and menace. This version of the film features an excellent new symphonic score composed by Carl Davis and beautifully orchestrated by Colin and David Mathews. While the score is sometimes derivative, it expertly embellishes each scene and adds a new dimension to an already memorable movie. Certain sequences were filmed in TechniColor.

Verdict: Exciting large scale silent film. ***.