Lively, entertaining reviews of, and essays on, old and newer films and everything relating to them, written by professional author William Schoell.

Thursday, November 11, 2021

CRACK-UP

Herbert Marshall, Pat O'Brian and Claire Trevor
CRACK-UP (1946). Director: Irving Reis. 

Art lecturer George Steele (Pat O'Brian) breaks into a museum, acting all crazy, and insists that he was just in a tremendous train wreck and barely survived. Cops, museum staff, and sort-of girlfriend Terry (Claire Trevor) are worried by his behavior, even more so when they learn that there has been no news of any train wreck. George tries to retrace his steps, and even takes a train from Grand Central, the same train he thinks he took earlier, to try and figure out what happened to him. There is talk of a missing or forged art masterpiece. When his friend and colleague Stevenson (Damian O'Flynn) is found murdered, George goes on the run. 

Ray Collins ministers to O'Brian
Based on a short story by Fredric Brown, Crack-Up is a fair suspense story that in the long run doesn't really deliver. This is too bad, because the picture begins very well, is well-acted, and has a couple of terrific scenes, especially a creepy one when George goes back on the train, sees another train slowly approaching from the other direction, and is terrified -- as is the audience --  that there is going to be a crash. But the rest is just a ho hum mish mosh that just doesn't distinguish itself from the competition, despite good photography by Robert De Grasse and a score by Leigh Harline that adds heft to certain sequences. The climax is criminally flat as well. 

O'Brian and Trevor
In addition to the actors already named, we've got Herbert Marshall wasted as an alleged romantic rival for Terry's affections, Ray Collins as a concerned colleague, Wallace Ford as a not-so-concerned police officer, Dean Harens as a handsome art aficionado, Mary Ware as the timid secretary, Mary, and Robert Bray as a silent and sinister figure on the train and elsewhere. While there are good performances and sequences in the movie, one can also understand why this is one bit of film noir that is almost completely forgotten. 

Verdict: Initially intriguing but ultimately minor crime drama. **1/4. 

2 comments:

angelman66 said...

Seems I might have seen this one--love Pat O'Brien and the wonderful Claire Trevor--but I can't be sure. The title is so close to the one with Susan Hayward - was that Smash Up? Around the same time...
-C

William said...

Yes, the Hayward picture was "Smash-Up: Story of a Woman" -- or something like that.

Funny, I never was a fan of Pat O'Brian, although he gives a perfectly okay accounting of himself in this. Just thought he lacked distinction in both acting and looks.