THE TIME MACHINE

The Time Traveler in his machine

THE TIME MACHINE (1960). Director: George Pal. 

A Victorian-era scientist in England (Rod Taylor) insists to a gathering of his friends, that he has invented a machine that can break through the fourth dimension -- time. Using his machine to go into the future, he witnesses more than one war and man's destruction of man. Trapped inside rock by a lava flow, he pushes way ahead to the far-flung future and winds up in 802,701 A.D. There he discovers that the human race has divided into two segments: the mindless, bovine Eloi and the meat-eating Morlocks, who live underground, care for the Elois' needs, and use them for their food supply. Weena (Yvette Mimieux), a pretty Eloi, is saved from drowning by the scientist, and shows signs of the humanity that seems to have been bred out of people in this era. 

Morlocks!

The Time Machine is a colorful and entertaining picture, although it is essentially a kiddie version of H. G. Wells' novel, which was a masterpiece of both horror as well as of science fiction. The best sequences in the film, which still hold up today, are the depictions of time travel done with time-lapse photography and the like. The Morlocks, alas, look more like the boogie men of Laurel and Hardy's March of the Wooden Soldiers than they do the dark and sinister creatures of Wells' brilliant book. Rod Taylor plays an undeveloped part as well as possible; Mimieux is effective in the nearly mute role of Weena. The film is well photographed by Paul Vogel, and boasts an eerie and attractive score by Russell Garcia. Four years earlier Taylor appeared in another time travel movie, a rip off of Time Machine, entitled World Without End. 

Verdict: Fun, but hopefully not the last film version of Wells' great novel. ***. 

FRANKENSTEIN UNBOUND

Pretty Boy: Nick Brimble as the Monster

FRANKENSTEIN UNBOUND (aka Roger Corman's Frankenstein Unbound/1990).

In 2031 a scientist named Buchanan (John Hurt) is developing a kind of disintegration beam that has the side effect of causing severe weather conditions and holes in time. Buchanan winds up back in the days of Victor Frankenstein (Raul Julia) and also encounters Percy Shelley (Michael Hutchence), his girlfriend, Mary (Bridget Fonda), Lord Byron (Jason Patric), and an intelligent if homicidal monster (Nick Brimble). The servant Justine (Catherine Corman) has been accused of murdering little William Frankenstein and Victor refuses to save her by telling the truth about the monster. The formerly callous Buchanan tries to rescue Justine and makes out with Mary (Shelley). It all winds up in a frozen future time period and not a moment too soon. Based on a novel by Brian W. Aldiss (Roger Corman was co-screenwriter as well as director) Frankenstein Unbound emerges as a mish mash of some admittedly interesting ideas, none of which jell in very compelling fashion. Hurt is completely miscast, Julia and Fonda are okay, Brimble does a good job as the monster, Catherine Corman is effective, and Patric makes an interesting Lord Byron. [Some of these real-life characters also appeared in Haunted Summer.] Carl Davis' [Ben-Hur] score is a plus -- much better than the movie deserves -- but the gore scenes are more silly than anything else.

Verdict: Stick with Corman's Attack of the Crab Monsters. ** out of 4.