ALL THE KING'S MEN (1949)

Broderick Crawford, Mercedes McCambridge, John Ireland

ALL THE KING'S MEN (1949). Director: Robert Rossen.

All the King's Men traces the parallel rise and fall of Willie Stark (Broderick Crawford of Scandal Sheet) and a reporter, Jack Burden (John Ireland), who's covering his story as he goes up against seemingly impossible odds to become governor. Just as Stark wants to prove himself to the public and his cronies, Jack needs to prove himself to his fiancee, Anne (Joanne Dru), who has been raised by her presumably incorruptible uncle, Judge Stanton (Raymond Greenleaf of Over-Exposed). Stark, however, is certainly not incorruptible, as power goes to his head and his path leads inexorably to tragedy. Others in his orbit include his wife (Anne Seymour); his mistress-associate, Sadie (Mercedes McCambridge); his son, Tom (John Derek); and Anne's brother, Adam (Shepperd Strudwick of Three Husbands). All the King's Men is an absorbing and well-acted film, although none of the players. including Crawford, are especially outstanding (although Crawford and McCambridge won Oscars, along with the picture itself). Ralph Dumke and Walter Burke have smaller roles. The score is by Louis Gruenberg, and Burnett Guffey is director of photography. A similar plot was used for the later A Lion is in the Streets, in which James Cagney also played a Willie Stark-type. Remade in 2006.

Verdict: Solid drama with an interesting cast. ***.

ALL THE KING'S MEN (2006)

Sean Penn

ALL THE KING'S MEN (2006). Director: Steven Zaillian.

Willie Stark (Sean Penn) rises up from the Louisianan swamps to the governor's mansion, accompanied by reporter and associate Jack Burden (Jude Law). Jack has a father figure in Judge Irwin (Anthony Hopkins), and has long carried a torch for Anne Stanton (Kate Winslet), whose brother, Adam (Mark Ruffalo) is wooed by Stark for an important medical position. But then Jack helps Willie get information that the latter uses to blackmail the judge ... This remake of the 1949 All the King's Men is inferior in every way. Sean Penn [Mystic River] plays with his customary dynamism, but his gesticulating in certain sequences borders on the ludicrous and his southern accent is so thick that there are times you can hardly understand him. While Jude Law [Black Sea]  has his moments, through most of the movie you get the impression that he just wants to go off somewhere and get a good night's sleep. The father-son dynamic between the two men is lost because Penn and Law look around the same age, although Penn is the older by twelve years. Events that are played up in the original movie are so downplayed in the remake that it's as if they never happened. We hardly see Stark's wife, his son has been written out of the movie altogether (eliminating a development that was a key plot point in the original) , and Mercedes McCambridge's character in the original, now played by Patricia Clarkson [Far From Heaven], is practically reduced to a walk-on. Jackie Earle Haley is scary in every sense of the word. Badly directed (despite some pseudo-artistic touches), and with a poor script, as well as a cast that has done much better work in other films, All the King's Men is a tedious misfire.

Verdict: Stick with the original. **.

A FEVER IN THE BLOOD

Efrem Zimbalist Jr. and Jack Kelly

A FEVER IN THE BLOOD (1961). Director: Vincent Sherman.

"I'm only allowed a minute so I'm going to change the habit of a lifetime and be brief."

When a woman is suffocated in her home, her estranged husband (Rhodes Reason of Voodoo Island) is arrested and put on trial. He is almost a supernumerary in a three-way battle for governor between Callahan (Jack Kelly), the D.A. prosecuting the case; Hoffman (Efrem Zimbalist Jr.), the judge assigned to the trial; and Senator Alex Simon (Don Ameche), who wants to give up his seat for personal reasons. The audience knows who the real killer is from the first, but Callahan seems determined to win this case -- and his chance at a governorship -- no matter who is convicted. Then Senator Simon offers Hoffman a bribe if he'll declare a mistrial, postponing Callahan's chances for a prosecutorial and political victory. A Fever in the Blood features a few Warner Brothers contract players who are sometimes effective and sometimes not. Zimbalist isn't bad, but aside from playing Stu Bailey in 77 Sunset Strip, he's a trifle bland, as usual, and strictly a small screen personality. Jack Kelly [Drive a Crooked Road], also a TV regular, is surprisingly good as Callahan, as is Don Ameche [Guest Wife], who manages to overcome his miscasting. Angie Dickinson scores as Simon's wife, who is really in love with Hoffman (she has a very good scene with Zimbalist early in the film), and there are also notable performances from Herbert Mashall as the defendant's father, Carroll O'Connor as a publisher, Ray Danton as defense counsel, and Robert Colbert as the murdered woman's gardener and lover. If there's any problem with the movie it's that with this excellent plot the movie should have had a lot more tension and excitement, but it merely plays out in standard fashion while managing to hold the attention. Ernest Gold's Herrmann-like score is effective.

Verdict: Not bad, but perhaps its temperature should have been raised. **1/2.

CITY HALL

CITY HALL (1996). Director: Harold Becker.

When a cop and a lowlife kill each other in a shoot-out, a little boy is caught in the crossfire. Deputy Mayor Kevin Calhoun (John Cusack of Shadows and Fog) tries to find out why the lowlife, Tino Zapatti (Larry Romano), was out on the street when he should have been in jail. His uncle Paul (Anthony Franciosa of Wild is the Wind) is a big shot mobster, and friends with Brooklyn politico Frank Anselmo (Danny Aiello), whom he orders to frame the dead cop. Calhoun's investigation uncovers corruption that goes all the way up to a judge (Martin Landau of Mission: Impossible), who just happens to be a good friend of Mayor Pappas (Al Pacino), whom Calhoun idolizes. Now Calhoun has to figure out if the mayor is involved and how he will handle it if he is. City Hall has a workable premise, and the acting is fine, but Harold Becker's direction isn't exactly dynamic, and the movie just fails to grip the way it should. Bridget Fonda plays a lawyer who tries to help the cop's family and is fine, but the movie is practically stolen by Aiello as Anselmo.

Verdict: Tepid when it should sizzle. **1/2.

THE WALKER

THE WALKER (2007). Writer/director: Paul Schrader.

Carter Page (Woody Harrelson) is the third in a line of powerful politicians, but he himself is on the outskirts: as a "walker" in Washington D.C. he escorts the wives of important men to social functions and art events that the husband would rather not be bothered with. When one of these lady friends, Lynn (Kristin Scott Thomas), finds her lover butchered in his apartment, Carter is importuned to say that he found the body, and therefore becomes embroiled in scandal and mystery. The Walker certainly has an interesting cast --  Lauren Bacall and Lily Tomlin [Shadows and Fog] are two of the other ladies that Carter knows -- and the premise is an intriguing one, but while the movie is entertaining, it doesn't quite cut it. Having a gay man as the lead character is a step in the right direction, but Schrader won't let Carter be entirely comfortable with his lifestyle, and even adds a wistful postscript involving one of the ladies that almost gives the movie a homophobic subtext. But a bigger problem is that this is, in part, a thriller, and the basic plot is not that original or involving. Carter is an interesting character, however, and Harrelson gives a very good performance, even if at times he seems to be channeling his inner Liberace. Scott Thomas [Mission: Impossible] is also splendid, as is Ned Beatty as Tomlin's husband. Willem Dafoe [Daybreakers] plays Scott Thomas' husband in a brief bit, and Moritz Bleibtreu scores as Carter's sometime boyfriend, Emek.

Verdict: This might have been better if Schrader hadn't written the script. **1/2.

HOUSE OF CARDS (2013) Season 1

Kevin Spacey as Congressman Francis Underwood

HOUSE OF CARDS (2013 Internet series). Season One. Various directors.

In this re-imagining of the British mini-series, House of Cards (and its two sequels), Francis Urquhart, who becomes prime minister, is replaced by Francis (Frank) Underwood, a Washington congressman who hopes to become vice president and who plots, schemes and murders to achieve his goals. His wife, Claire (Robin Wright of Message in a Bottle), is similarly ruthless in her dealings and is not afraid to go up against her husband when she needs to. The biggest problem with this American version is that the British series' main thrust -- that Urquhart applies the murderous ruthlessness of olde English politics to modern times -- is completely lost, and what you're left with is a fairly typical look at Washington wheeling and dealing with a rather sociopathic lead character. House of Cards takes thirteen episodes to wrap up its first story arc, whereas the original took four, and therefore was more concise, tense and to the point. Whereas Urquhart, as portrayed by the magnificent Ian Richardson, was an almost mythic force of evil, Underwood is more human; Kevin Spacey (Swmming with Sharks) is quite good, but he can't compare to Richardson. A lot of changes have been made due to the change of country and locale, but some things remain: the young female reporter (Kate Mara) who enters into a professional and sexual relationship with Underwood; and the coke and booze-guzzling fellow (Corey Stoll) who is cruelly used by Underwood when the latter backs the former's attempts to become governor [this character was actually a publicity man in the original]. Urquhart's wife didn't appear much or have much to do until the final episodes of the British series, but in this she's front and center from the first. Initially Claire seems like a much warmer person than her husband, but when she has a colleague fire eighteen employees, and then fires her immediately afterward [instead of firing all nineteen of them herself[ you get the sense that something's rotten in this gal as well. The acting is first-rate throughout, and I was particularly impressed by Al Sapienza as a union leader, Constance Zimmer as a reporter, and Gerald McRaney as a billionaire nuclear power plant guy. The sex scenes between Spacey and Kate Mara are kind of gross because Mara generally looks like she's twelve years old. Episode 8 [scripted by Beau Willimon] hints at some homoerotic hanky panky engaged in by Underwood in military school, but it seems dragged in, and somewhat homophobic, as if homosexuality is something you grow out of. If the character is gay or bisexual it isn't explored in the first season.

Verdict: Whatever its flaws, this is undeniably compelling and very well acted. ***.

ADVISE AND CONSENT

Anderson (Murray) walks out on Ray (Granger)

ADVISE AND CONSENT (1962). Director/producer: Otto Preminger.

"Us old buzzards can spot a dying mouse from 10,000 feet up. Us old buzzards have the sharpest eyes in creation. Right now I'm studying the terrain ..." -- Senator Seabright Cooley

The President (Franchot Tone) has selected Robert Leffingwell (Henry Fonda) to be the new Secretary of State, but first the senate has to "advise and consent" to his nomination in a special hearing. The person primarily opposed to Leffingwell is a senior southern senator named Seab Cooley (Charles Laughton), who is concerned about Leffingwell's possible communist ties, and also has a personal dislike of the man after he once showed him up in public. Presiding over the hearing is young Senator Brigham Anderson (Don Murray), who is very concerned when he discovers that Leffingwell lied under oath about his personal ties to his chief witness against him, Herbert Gelman (Burgess Meredith). But then Senator Van Ackerman (George Grizzard), who wants Leffingwell to get in, institutes a blackmail plot against Anderson, having to do with the Senator's relationship with a Ray Shaff (John Granger) while stationed in Hawaii, leading to tragedy. This business is a major plot point of Advise and Consent, with a scene in a gay bar [full mostly of gay caricatures] when the self-loathing, closeted Anderson goes to confront Shaff, who told of their former relationship because he was desperate for money. Advise and Consent is an interesting, if talky political film, with the "villains" coming from both sides of the political spectrum. Fonda is fine in what really amounts to a supporting role, but Charles Laughton, who is superb in his final movie, would have walked off with the picture were it not for Murray's strong [if imperfect] portrayal of Brigham Anderson. Inga Swenson is also quite good as Anderson's wife and Edward Andrews is excellent as Senator Orrin Knox. Gene Tierny has a small role as a wealthy Washington hostess who is the secret lover of the Senate Majority Leader (Walter Pidgeon, who gives one of his better performances). Grizzard, Lew Ayres as the vice president, and Tone, are all notable, as is Betty White in a brief turn as the only female in the senate. Peter Lawford is okay as another senator but he is a little lightweight in this company. John Granger, who played Ray, did not appear in another film for 19 years! Allan Drury, who wrote the novel that this film was based upon, apparently based the Anderson business on a real-life incident. One wonders what Frank Sinatra thought of one of his records playing in the background in the gay bar. Sam Leavitt's black and white photography is outstanding, with one beautifully-composed widescreen shot after another. One of Preminger's better directorial efforts.

Verdict: It's the acting and the look of the film that puts it over. ***.