BULLETS OVER BROADWAY

Dianne Weist and the ensemble 

BULLETS OVER BROADWAY (1994). Director/co-writer: Woody Allen.

"I just pity any poor folk who have to pay to see this play."

In order to get his play mounted on Broadway, David Shayne (John Cusack of City Hall) allows in an inappropriate cast member, Olive (Jennifer Tilly of Seed of Chucky), because her mobster boyfriend, Nick (Joe Viterelli), decides to back the show. Nick assigns a bodyguard to Olive, a hit man named Cheech (Chazz Palminteri), who starts making impromptu critiques of the play .. only his criticisms are valid. Before long it's a question of who is the true artist behind the show. But what can one do about the screeching and awful Olive? Woody Allen does not appear in Bullets Over Broadway -- which is a plus or minus depending on how you look at it -- and it's another of Allen's pastiche films inspired by superior forties movies with a "modern"-type sensibility. It's another in a long line of movies that present sympathetic hit men, for one thing, while also showing him committing several murders. The movie takes place during the roaring twenties but it doesn't have much period atmosphere. Dianne Wiest won a supporting actress Oscar for her role of the diva Helen Sinclair, but while she is good, it's hard not to notice that she's simply trading off of decades of previous actresses who have played affected, breathless theater and movie stars; nothing new here. John Cusack is fine, although this is an actor who through no fault of his own is just hopelessly bland no matter what he's in. Tracey Ullman [Into the Woods] has a nice turn as an ever-laughing cast member who always carries her little dog with her, and Jack Warden is good as David's agent, but no one else is especially impressive, except perhaps Annie Joe Edwards, who is snappy as Olive's maid, Venus, but whom Allen doesn't allow to become a character in her own right. The movie is fairly entertaining and has some good twists and humor, but it's also kind of stupid, with the whole notion of a sensitive, artistic hit man being a little too precious for this critic to swallow. Allen may have been thinking of himself when he has Rob Reiner say "An artist creates his own moral universe." For those who hate Jennifer Tilly's voice and think she's a freak of nature, you'll especially enjoy one scene that comes late in the movie. To be fair, Tilly's performance is good even if she herself is a little flesh-crawling.

Verdict: The actors seem to be having more fun than the audience. **1/2.

CITY HALL

CITY HALL (1996). Director: Harold Becker.

When a cop and a lowlife kill each other in a shoot-out, a little boy is caught in the crossfire. Deputy Mayor Kevin Calhoun (John Cusack of Shadows and Fog) tries to find out why the lowlife, Tino Zapatti (Larry Romano), was out on the street when he should have been in jail. His uncle Paul (Anthony Franciosa of Wild is the Wind) is a big shot mobster, and friends with Brooklyn politico Frank Anselmo (Danny Aiello), whom he orders to frame the dead cop. Calhoun's investigation uncovers corruption that goes all the way up to a judge (Martin Landau of Mission: Impossible), who just happens to be a good friend of Mayor Pappas (Al Pacino), whom Calhoun idolizes. Now Calhoun has to figure out if the mayor is involved and how he will handle it if he is. City Hall has a workable premise, and the acting is fine, but Harold Becker's direction isn't exactly dynamic, and the movie just fails to grip the way it should. Bridget Fonda plays a lawyer who tries to help the cop's family and is fine, but the movie is practically stolen by Aiello as Anselmo.

Verdict: Tepid when it should sizzle. **1/2.

SHADOWS AND FOG

SHADOWS AND FOG (1991). Written and directed by Woody Allen.

In a small dream-like town a timid soul named Kleinman (Woody Allen) is woken out of bed and told he must join a vigilante group that is looking for a man who is going about strangling townspeople. This is a backdrop for Kleinman's encountering a variety of individuals as he wanders through the streets, foremost among them circus performer Irmy (Mia Farrow). Breaking up with her boyfriend, Irmy winds up at a brothel where she runs into hookers improbably played by Kathy Bates, Jodie Foster, and Lily Tomlin, and even takes on a one-time client (John Cusack) who offers her a lot of money. There are a great many other characters, and a great many actors in the movie (including Madonna, John Malkovich and Donald Pleasance), but while it has intriguing elements and holds the attention, when it's over you may feel it was much ado about literally nothing. Shadows and Fog indeed! The script seems thrown together from bits and pieces, but the acting is generally good.

Verdict: Like a meal with tasty ingredients but which ultimately is unsatisfying. **.