RUN FOR THE SUN

RUN FOR THE SUN (1956). Director: Roy Boulting. 

Although this will probably hold your attention if you're unfamiliar with earlier versions, this is a fairly lamentable remake of the far superior Most Dangerous Game. Whereas the first film got us right into the action, this variation takes forever to get to the main event, with a protracted sequence wherein Jane Greer plays a magazine reporter trying to find out why famous writer Michael Latimer (Richard Widmark) vanished to Mexico when he was at the top of his game. After an hour or so of this, Widmark offers to fly Greer out of the village he's buried himself in but they crash land in an even more remote area where Trevor Howard and Peter van Eyck have taken up residence. The bad guys in this picture don't actually hunt humans as the villain did in The Most Dangerous Game -- stripping this version of the story's most interesting aspect -- they just don't want Widmark and Greer to get away knowing their secret (which isn't much anyway, although one can understand why they don't want their uninvited guests going off and telling anyone). The scene when the plane nearly crashes is well done, but the climactic chase is slack and unexciting. Roy Boulting was never a good choice to direct thrillers; years later he made a botch of Twisted Nerve. Jane Greer radiates her usual refined sexiness and Widmark, while never a great actor, is full of his usual insolent authority. Trevor Howard is merely wasted in a throwaway part. The music is okay but the widescreen cinematography is unimpressive. It all looks like it was shot on a back lot anyway. 

Verdict: Watch The Most Dangerous Game instead. **.

THE MOST DANGEROUS GAME

THE MOST DANGEROUS GAME (1932). Directors: Ernest B. Schoedsack and Irving Pichel.

Bob Rainsford (Joel McCrea) is the only survivor of a shipwreck near a small island owned by the sinister Count Zaroff (Leslie Banks). Safe on land in the count's gothic castle, he learns that Eve Trowbridge (Fay Wray) and her brother Martin (Robert Armstrong) are also ship-wrecked "guests" waiting patiently for the count's launch to be repaired -- only Eve tells Bob that she's heard the launch going out at night. It turns out that the sociopathic Zaroff deliberately causes shipwrecks and then hunts down "the most dangerous game" -- human beings -- from the survivors. The first half of the film is suspenseful enough, but the second half is non-stop excitement as Bob and Eve try desperately to outwit the count, his men, and his killer dogs and survive until dawn. Thrilling right up until the very last shot. Made concurrently with King Kong (as the FX of that film were being completed) this utilizes some of the same, very recognizable sets. Robert Armstrong gives a more flavorful, less wooden performance than usual and is very good as the ill-fated brother. The shipwreck sequence is very well-done, the effects work is excellent, and the castle settings are atmospheric and intriguing. Although he has been criticized as being "campy," Leslie Banks actually offers a very effective and comparatively low-key portrait of the psychopathic count and never gnoshes on the scenery. His versatility is shown with his much more benign character in The Tunnel. The Most Dangerous Game is highly entertaining although it could probably have used a few more minutes of character development. Suitably rousing score by Max Steiner.

Verdict: A classic! ***1/2.