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| Jean Simmons |
HOME BEFORE DARK (1958). Director: Mervyn LeRoy.
Charlotte Bronn (Jean Simmons of
Dominique) returns home after a year in a mental institution due to a nervous breakdown. Married to the cold fish Professor Arnold Bronn (Dan O'Herlihy), Charlotte had imagined that her husband was really in love with her stepsister, Joan (Rhonda Fleming of
The Nude Bomb), and allowed her alleged delusions to get the better of her. When the Bronns got married Arnold moved into Charlotte's house, and the couple lived with Joan and Charlotte's stepmother, Inez (Mabel Albertson). Bad idea!
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| Simmons with Efrem Zimbalist, Jr. |
Trying to adjust to her new state of freedom, Charlotte finds her husband as cold as ever, and she is somewhat drawn to their boarder, Jacob Diamond (Efrem Zimbalist Jr.), a Jew who was championed by Arnold against anti-Semitic colleagues until it no longer suited his purposes. Jacob has feelings for Charlotte, as does her old boyfriend, Hamilton (Stephen Dunne). Their attentions, however, do not prevent additional feelings of paranoia for Charlotte over a possible relationship between Arnold and Joan. Although
Home Before Dark is not a thriller, it does work up some suspense over whether or not there is anything between husband and stepsister-in-law before the final revelations.
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| Rhonda Fleming, Dan O'Herlihy, Mabel Albertson |
Home Before Dark is decidedly overlong at nearly two and a half hours. One could argue that there's really not enough plot for such a lengthy motion picture, but despite some tedious moments the picture manages to be absorbing, in no small part to a superb performance by Jean Simmons. There is a particularly good scene worth waiting for in which Charlotte shows up in a Boston restaurant trying to look like a grotesque imitation of her stepsister. Dan O'Herlihy is fine in the thankless role of a seemingly passionless husband; Dunne scores as the cast-off boyfriend from years ago; Fleming and Albertson are memorable as Charlotte's other family members; and even Zimbalist is okay as Jacob, although it's a wonder why this rather sexless and bland actor was constantly cast as a romantic figure in movie after movie. In smaller roles one can find Joan Weldon [
Them], Eleanor Audley, and
Lucy's mother Kathryn Card in the peppery role of the housekeeper Mattie. Oddly, the score for the film consists of snippets from various previous films by a variety of composers. Photographed by Joseph F. Biroc.
Verdict: Love-starved wives are always entertaining in these kind of movies, but this is on a somewhat higher level than a soap opera. ***.
