Lively, entertaining reviews of, and essays on, old and newer films and everything relating to them, written by professional author William Schoell.

Thursday, January 24, 2019

GYPSY

Ann Jillian, Rosalind Russell, Karl Malden
GYPSY (1962). Director: Mervyn LeRoy.

Rose Hovick (Rosalind Russell of Auntie Mame) is the stage mother to end all stage mothers, and she pushes her daughters Louise and June into the theater whether they want to go or not. Baby June* (Morgan Brittany and Ann Jillian) fears that her mother will never let her grow up, and Louise (Diane Pace and Natalie Wood), forced to dress like a boy, fears that she has no talent and will never please her mother. Acting as their manager is Herbie Sommers (Karl Malden of Time Limit), who wants to marry Rose and tries to keep her wilder aspects in check. When circumstances remove June from the act, Rose sets her sights on Louise, who will wind up attaining stardom in a way no one would ever have anticipated.

Paul Wallace as "Tulsa" with Natalie Wood
Gypsy is one of the most successful adaptations of a hit Broadway musical. The basic material, based on the memoirs of stripper Gypsy Rose Lee, was already there, along with a fine score by composer Jule Styne and lyricist Stephen Sondheim, but the movie is bolstered by several excellent performances, especially from Russell, Malden and Wood. True, the characters are all etched in very, very broad strokes, but it doesn't detract from the enjoyability of the piece.

"You Gotta Get a Gimmick." Bruce, Dane and Arlen
Along with songs that have become standards, such as "Small World," "Everything's Coming Up Roses," "Some People," and "Let Me Entertain You," there are gems like "You'll Never Get Away From Me," and "If Mama Was Married," among others ("Together" was filmed but cut from the final release). Although he doesn't have a great voice as such, Paul Wallace makes a positive impression as Tulsa, who dances in June's act and who inspires romantic feelings in Louise. "You Gotta Get a Gimmick" is one of the zestiest numbers in the movie, sung by a spirited trio of strippers (Betty Bruce, Roxanne Arlen, and particularly Faith Dane who "bumps it with a trumpet.")

Gypsy Rose Lee struts her stuff
Although Rosalind Russell does do a little singing in this (such as the opening of "Rose's Turn"), most of her vocals were performed by Lisa Kirk (Broadway's Allegro), whose husky voice was probably chosen because it was more of a match to Russell's gravelly speaking voice. Unfortunately Kirk's singing is not especially euphonious in this, so they might just as well have let Russell handle all of it. Wood seems to do her own singing, but her off-key warbling perfectly fits her character. (The real Gypsy Rose Lee did not have much of a voice, and she was never as attractive as Natalie Wood!) Harry Stradling Sr.'s [Parrish] widescreen cinematography is a plus. Watch out for an amusing cameo by Jack Benny!

* "Baby June" grew up to become the successful actress June Havoc (not to be confused with June Haver, who married Fred MacMurray). She and her sister were estranged for many years, mostly over Gypsy, even though her depiction was not that negative. Her latter-day achievements after the events of Gypsy were completely eliminated of course. Her last theatrical film appearance was in Can't Stop the Music.

Verdict: Delightful! ***1/2. 

2 comments:

angelman66 said...

Hi Bill I Like you, I really like this movie although neither Roz Russell nor Natalie Wood can sing! Nevertheless it is a delight, and the three strippers reprising their Broadway roles is a highlight, as is the wonderful Karl Malden and a young Ann Jillian.

My best friend, a lifelong Merman fan, can’t bear to watch this, but Roz acts the hell out of the role and she is compelling...as for the singing, if indeed she was dubbed by Lisa Kirk, should have been better...seems more to me like a meld of the two voices, devoid of either personality. And on the other hand, Wood, who was dubbed in West Side Story, is allowed to torture us with her tone deaf stylings...which actually works well because Louise is said to have no talent. I do love the sequence that shows Louise transforming in to the sexy, radiant performer Gypsy Rose Lee....

Obviously I need to write about this film too!! LOL
- C

William said...

Yes, yes, I'd love to read your complete take on this film!

I can imagine that your friend who loves Merman probably boycotted this movie == I'm sure Merman herself wasn't thrilled with the casting of Roz, either, LOL!

Yes, Wood's lousy voice works for Gypsy, because if you've heard Gypsy Rose Lee sing (in movies such as "Screaming Mimi") she really does have no talent! She wasn't even especially good-looking.

But nobody's perfect!